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This volume examines the long and complex history of the Greco-Roman tradition in South America, arguing that the Classics have played a crucial, though often overlooked, role in the self-definition in the New World. Chronicling and theorizing this history through a detailed analysis of five key moments, chosen from the early and late colonial period, the emancipatory era, and the 20th and 21st centuries, it also examines an eclectic selection of both literary and cinematographic works and artefacts such as maps, letters, scientific treatises, songs, monuments, political speeches, and even the drafts of proposals for curricular changes across Latin America. The heterogeneous cases analysed in this book reveal cultural anxieties that recur through different periods, fundamentally related to the 'newness' of the continent and the formation of identities imagined as both Western and non-Western – a genealogy of apprehensions that South American intellectuals and political figures have typically experienced when thinking of their own role in world history. In tracing this genealogy, The Classics in South America innovatively reformulates our understanding of well-known episodes in the cultural history of the region, while providing a theoretical and historical resource for further studies of the importance of the Classical tradition across Latin America.
In the early decades of the twentieth century, New York caught the attention of Spanish writers. Many of them visited the city and returned to tell their experience in the form of a literary text. That is the case of Pruebas de Nueva York (1927) by Jose Moreno Villa (1887-1955), El crisol de las razas (1929) by Teresa de Escoriaza (1891-1968), Anticipolis (1931) by Luis de Oteyza (1883-1961) and La ciudad automatica (1932) by Julio Camba (1882-1962). In tune with similar representations in other European works, the image of New York given in these texts reflects the tensions and anxieties generated by the modernisation embodied by the United States. These authors project onto New York their concerns and expectations about issues of class, gender and ethnicity that were debated at the time, in the context of the crisis of Spanish national identity triggered by the end of the empire in 1898.
Noted theologian Samuel Escobar offers a magisterial survey and study of Christology in Latin America. In Search of Christ in Latin America examines the figure of Jesus Christ in the context of Latin American culture, starting with the first Spanish influence in the sixteenth century and moving through popular religiosity and liberationist themes in Catholic and Protestant thought of the twentieth and twenty-first centuries, culminating in an important description of the work of the Fraternidad Teológica Latinoamericana (FTL). Escobar provides theological, historical, and cultural analysis of Latin American understandings of Christ and places liberation theology within its social and revolutionary context. This book is an important step toward a rich understanding of the spiritual reality and powerful message of Jesus.
A Companion to Plutarch offers a broad survey of the famous historian and biographer; a coherent, comprehensive, and elegant presentation of Plutarch’s thought and influence Constitutes the first survey of its kind, a unified and accessible guide that offers a comprehensive discussion of all major aspects of Plutarch’s oeuvre Provides essential background information on Plutarch’s world, including his own circle of influential friends (Greek and Roman), his travels, his political activity, and his relations with Trajan and other emperors Offers contextualizing background, the literary and cultural details that shed light on some of the fundamental aspects of Plutarch’s thought Surveys the ideologically crucial reception of the Greek Classical Period in Plutarch’s writings Follows the currents of recent serious scholarship, discussing perennial interests, and delving into topics and works not formerly given serious attention
The contributions to this volume cover a large diachronic, geographical, and cultural space. Some of the texts go back to antiquity, using the Odyssey as the most significant source for several reflections, both ancient and contemporary, and therefore the safest link between old and contemporary versions. In addition, in the modern and contemporary summaries and tales analysed here, predominance is given to epics (Homer and other famous stories known from the epic cycle) as a source, exemplified by texts belonging to various literary works from across the globe, focused on the influence that major political phenomena can have on universal creativity.
The Contemporary Spanish-American Novel provides an accessible introduction to an important World literature. While many of the authors covered-Aira, Bolaño, Castellanos Moya, Vásquez-are gaining an increasing readership in English and are frequently taught, there is sparse criticism in English beyond book reviews. This book provides the guidance necessary for a more sophisticated and contextualized understanding of these authors and their works. Underestimated or unfamiliar Spanish American novels and novelists are introduced through conceptually rigorous essays. Sections on each writer include: *the author's reception in their native country, Spanish America, and Spain *biographical history *a critical examination of their work, including key themes and conceptual concerns *translation history *scholarly reception The Contemporary Spanish-American Novel offers an authoritative guide to a rich and varied novelistic tradition. It covers all demographic areas, including United States Latino authors, in exploring the diversity of this literature and its major themes, such as exile, migration, and gender representation.
Plutarch is one of the most prolific and important writers from antiquity. His Parallel Lives continue to be an invaluable historical source, and the numerous essays in his Moralia, covering everything from marriage to the Delphic Oracle, are crucial evidence for ancient philosophy and cultural history. This volume provides an engaging introduction to all aspects of his work, including his method and purpose in writing the Lives, his attitudes toward daily life and intimate relations, his thoughts on citizenship and government, his relationship to Plato and the second Sophistic, and his conception of foreign or 'other'. Attention is also paid to his style and rhetoric. Plutarch's works have also been important in subsequent periods, and an introduction to their reception history in Byzantium, Italy, England, Spain, and France is provided. A distinguished team of contributors together helps the reader begin to navigate this most varied and fascinating of writers.