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Excerpt from Literary Remains of Albrecht Durer The history of the following book is a somewhat long one. In the summer of 1881 the author, having recently finished his work on the Woodcutters of the Netherlands, proceeded to Vienna, for the purpose of there pursuing the study of the productions of the early school of German line-engravers. He placed himself under the guidance of the late Professor Moritz Thausing, Director of the Albertina Collection, and author of the excellent Life of Durer, which has deservedly superseded all others. By Professor Thausing he was swiftly led on to study the works of Durer, and, almost before he knew it, he found himself engaged upon a complete translation of all Durer's writings. The majority of the translations contained in this book were made at that time, and with Professor Thausing's help. The remainder of the year 1881 and most of 1882 were devoted by the author to study of Durer's paintings (almost every known example of which he travelled to see), his drawings, engravings, and woodcuts. By the autumn of 1882 the work as it now stands was in all essential parts complete. Assistance received at that time, first from Mr T. R. Hughes and afterwards from Mr Walter Leaf, in connexion with the translation of Camerarius' crabbed Latin, is also thankfully acknowledged. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
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The artist and entrepreneur Albrecht Durer lived in Germany in the early 1500s, when two storms were threatening the Holy Roman Empire. First, Suleiman the Magnificent and his army of Ottoman Turks were expanding from Constantinople to Vienna, the doorstep of Europe. Second, Martin Luther, a German monk and professor, wrote his Ninety-Five Theses identifying corruption within the Roman Catholic Church. This challenged the authority of both Emperor Charles V and Pope Leo X, who responded by accusing Luther of heresy. Albrecht Durer influenced art and media throughout Europe as strongly as Martin Luther influenced people's views of life, death, and their relationship with God. Durer's art and writing reveal how this creative and thoughtful man responded to the changes offered by Luther. Why was Durer so attracted to Luther's writings? Why would he risk being accused of being a heretic? Both of these men inspired changes in art, religion, and politics that still underlie the foundation of today's social structures and Western culture.
"English anthology of Dürer's religious paintings, portraits, landscapes and decorations"--Cover.
Hutchison's book is a complete guide on Durer and the research on his work, his historical import and his aesthetic legacy.
The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910