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"This study presents a new approach to the theory of Romanticism. Peer proceeds through key Romantic documents about form and structure, while displacing and condensing modern scholarly assumptions that interrupt modern theoretical protocol. A line of development is suggested, moving from eighteenth-century explorations in Kant, Fielding, and Diderot, through Schlegelian Romantic beginnings, and on through Emily Bronte, Pushkin, and the Romantic Manifesto, culminating in the profound achievement of Manzoni. Summarizing narrative implications by looking at the modern discipline of Comparative Literature, this book deliberately deforms both our contemporary ideas about Romanticism as well as our non-Romantic way of teaching it."--BOOK JACKET.
Schlegel's notebooks, like those of Coleridge, are complementary to his published writings; they are repositories in which can be traced the growth and continued revision of his ideas. One hundred survived his death, more than half of which have been preserved; of the series of fifteen which deal with literature, none has hitherto been published. Dr Eichner has edited the first three of this series, covering Schlegel's most influential period, the years 1797-1801. In these pages is to be found the only record of the theory of the Roman which he later proclaimed as the gospel of romantische Poesie, and the original versions of many of his published Fragmente. The ideas later to take shape in the Gespräch uber die Poesie are seen here in their first form. No less than in his published works, Schlegel reveals himself in these notebooks as one of the founders of modern criticism. The text is given in the original German. The editor, who is Associate Professor of German at Queen's University, Ontario, has provided an introduction and an extensive commentary in English.
The work of French writer and essayist Maurice Blanchot (1907-2003) is without doubt among the most challenging the twentieth century has to offer. Contemporary debate in literature, philosophy, and politics has yet to fully acknowledge its discreet but enduring impact. Arising from a conference that took place in Oxford in 2009, this book sets itself a simple, if daunting, task: that of measuring the impact and responding to the challenge of Blanchot's work by addressing its engagement with the Romantic legacy, in particular (but not only) that of the Jena Romantics. Drawing upon a wide range of philosophers and poets associated directly or indirectly with German Romanticism (Kant, Fichte, Goethe, Jean Paul, Novalis, the Schlegels, Hölderlin), the authors of this volume explore how Blanchot's fictional, critical, and fragmentary texts rewrite and rethink the Romantic demand in relation to questions of criticism and reflexivity, irony and subjectivity, narrative and genre, the sublime and the neutre, the Work and the fragment, quotation and translation. Reading Blanchot with or against key twentieth-century thinkers (Benjamin, Foucault, de Man), they also examine Romantic and post-Romantic notions of history, imagination, literary theory, melancholy, affect, love, revolution, community, and other central themes that Blanchot's writings deploy across the century from Jean-Paul Sartre to Jean-Luc Nancy. This book contains contributions in both English and French.
Includes entries for maps and atlases.