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Winner of the 2020 Robert F. Sibert Informational Book Medal A 2020 American Indian Youth Literature Picture Book Honor Winner “A wonderful and sweet book . . . Lovely stuff.” —The New York Times Book Review Told in lively and powerful verse by debut author Kevin Noble Maillard, Fry Bread is an evocative depiction of a modern Native American family, vibrantly illustrated by Pura Belpre Award winner and Caldecott Honoree Juana Martinez-Neal. Fry bread is food. It is warm and delicious, piled high on a plate. Fry bread is time. It brings families together for meals and new memories. Fry bread is nation. It is shared by many, from coast to coast and beyond. Fry bread is us. It is a celebration of old and new, traditional and modern, similarity and difference. A 2020 Charlotte Huck Recommended Book A Publishers Weekly Best Picture Book of 2019 A Kirkus Reviews Best Picture Book of 2019 A School Library Journal Best Picture Book of 2019 A Booklist 2019 Editor's Choice A Shelf Awareness Best Children's Book of 2019 A Goodreads Choice Award 2019 Semifinalist A Chicago Public Library Best of the Best Book of 2019 A National Public Radio (NPR) Best Book of 2019 An NCTE Notable Poetry Book A 2020 NCSS Notable Social Studies Trade Book for Young People A 2020 ALA Notable Children's Book A 2020 ILA Notable Book for a Global Society 2020 Bank Street College of Education Best Children's Books of the Year List One of NPR's 100 Favorite Books for Young Readers Nominee, Pennsylvania Young Readers Choice Award 2022-2022 Nominee, Illinois Monarch Award 2022
An American Family (1918) is a novel by Henry Kitchell Webster. Written at the height of Webster’s career as a popular author of magazine serials, An American Family is a story of war, ambition, and tragedy. Exploring the effects of the burgeoning labor movement on American industry, Webster illustrates the psychological effects of conflict and betrayal on members of a wealthy family. As the third son of a large, upper-class family, Hugh Corbett has always struggled to prove himself. Despite the ambitions of his siblings, Hugh finds himself longing for a life outside of the family business. As owners of a successful factory in Chicago, their position has increasingly been at odds with the needs of their impoverished laborers, many of whom have begun to agitate for higher pay and better rights. Just as this crisis reaches a boiling point, it becomes clear that the United States is preparing to enter the Great War, thrusting a nation into conflict with Europe and deepening its own divisions. Meanwhile, Hugh meets Helena, a committed anarchist who exposes for him the inequities suffered by those the Corbett family employs. When a strike threatens to bring down the business, Hugh is forced to make a choice: should he prove his allegiance to his class and loved ones, or do what he knows to be right for the greater good of humanity. Sweeping in scope and intensely emotional, An American Family is a story of history on a human scale. With a beautifully designed cover and professionally typeset manuscript, this edition of Henry Kitchell Webster’s An American Family is a classic of American literature reimagined for modern readers.
This second edition of a trend-setting volume provides an updated examination of the interaction between families and the most pervasive mass medium: television. Charting the dynamic developments of the American family and television over the past decade, this volume provides a comprehensive representation of programmatic research into family and television and examines extensively the uses families make of television, how extensions of television affect usage, families' evolving attitudes toward television, the ways families have been and are portrayed on television, the effects television has on families, and the ways in which families can mediate its impact on their lives. The volume is an invaluable resource for scholars and students in the areas of media and society, children and media, and family studies.
A moving examination of poverty, its root causes, and how to end it through movement-building by a leading philanthropy executive For the past two decades, the Marguerite Casey Foundation has dedicated its resources to building a movement of low-income families advocating on their own behalf. Now, founding president Luz Vega-Marquis offers a history of the foundation, intertwined with her own history as a Nicaraguan immigrant whose family was exiled, plunged into poverty, and forced to start over in the United States. Ask, Listen, Act is riveting in its description of the evolution of an iconoclastic foundation and of Vega-Marquis herself as she rises from a bookkeeper to become the first Latina to lead a major national foundation. In a powerful counter to the blame-laden narrative we tell ourselves about poverty in this nation, Vega-Marquis explores how the foundation has worked to eliminate poverty through intensive listening, movement building, and the leadership of families who have experienced poverty firsthand. The founder of Hispanics in Philanthropy and a member of numerous philanthropic boards, Vega-Marquis offers a vivid look at the worlds of philanthropy, social change, and, most importantly, the families we are most likely to ignore. Beautifully written and filled with moving stories, Ask, Listen, Act explores the world of philanthropy from the perspective of someone who is at once an insider and an outsider, offering illuminating insights for all. Jacques Books is a bespoke imprint of The New Press, dedicated to publishing culturally significant books that might not otherwise garner the attention of a trade publisher.
Straight talk about what it means to be African American men. "Let’s have a conversation. Let’s talk man-to-man and brother-to-brother. Let’s talk about how we grow into adults and what manhood means. Let’s talk brother-to-brother and man-to-man about how we relate to one another as we grow into adults. Let’s talk about what defines our maleness and our manhood. Let’s talk brother-to-brother as African American men. Let’s talk openly and honestly about what it means to be black men and American. We can no longer assume that we all know what it means to be African American men. This is a conversation that is long overdue. Let’s talk together and listen to one another. This is our time to talk instead of being talked about. It is time for us to shed the unhealthy images and opinions that we have accepted as the standards of what it means to be Black men. The benefits of our talk will transform our souls as well as benefit all the girls and women in our lives." from the book
When Tammy Wynette sang "D-I-V-O-R-C-E," she famously said she "spelled out the hurtin' words" to spare her child the pain of family breakup. In this innovative work, Ted Ownby considers how a wide range of writers, thinkers, activists, and others defined family problems in the twentieth-century American South. Ownby shows that it was common for both African Americans and whites to discuss family life in terms of crisis, but they reached very different conclusions about causes and solutions. In the civil rights period, many embraced an ideal of Christian brotherhood as a way of transcending divisions. Opponents of civil rights denounced "brotherhoodism" as a movement that undercut parental and religious authority. Others, especially in the African American community, rejected the idea of family crisis altogether, working to redefine family adaptability as a source of strength. Rather than attempting to define the experience of an archetypal "southern family," Ownby looks broadly at contexts such as political and religious debates about divorce and family values, southern rock music, autobiographies, and more to reveal how people in the South used the concept of the family as a proxy for imagining a better future or happier past.
Few inventions evoke such nostalgia, such deeply personal and vivid memories as radio—from Amos ’n’ Andy and Edward R. Murrow to Wolfman Jack and Howard Stern. Listening In is the first in-depth history of how radio culture and content have kneaded and expanded the American psyche. But Listening In is more than a history. It is also a reconsideration of what listening to radio has done to American culture in the twentieth century and how it has brought a completely new auditory dimension to our lives. Susan Douglas explores how listening has altered our day-to-day experiences and our own generational identities, cultivating different modes of listening in different eras; how radio has shaped our views of race, gender roles, ethnic barriers, family dynamics, leadership, and the generation gap. With her trademark wit, Douglas has created an eminently readable cultural history of radio.