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Swedish by birth, Parisian by inclination, and American following her marriage to Irving Penn in 1950. Lisa Fonssagrives-Penn (1911-1992) was the most sought-after model in the history of international fashion photography for three decades and the most famous face in such magazines as Vogue and Harper's Bazaar. During her long career, she posed for all the prominent photographers of her day: George Hoyningen-Huene, Man Ray, Horst, Erwin Blumenfeld, George Platt Lynes, Louise Dahl-Wolfe, Norman Parkinson and Richard Avedon, among others. Of special importance was her work with Fernand Fonssagrives, her first husband; with Horst, with whom she shared a common fate as a European immigrant; and of course with Irving Penn, her second husband. Lisa Fonssagrives was obviously more than just a model for photographers - she was both their muse and inspiration. Many of them made their most beautiful and noteworthy fashion photographs in cooperation with her. Among these is a surprisingly large number which rank among the absolute classics in the history of fashion photography of our century. This volume was compiled and arranged by David Seidner, a talented fashion photographer of the new generation who unearthed an undiscovered collection of photographs which once belonged to Lisa Fonssagrives. The British photo historian Martin Harrison wrote the accompanying biographical essay.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Irving Penn (1917-2009) was among the most esteemed and influential photographers of the twentieth century. Over the course of a nearly seventy-year career, he mastered a pared-down aesthetic of studio photography that is distinguished for its meticulous attention to composition, nuance, and detail. This indispensable book features one of the largest selections of Penn's photographers ever compiled–nearly 300 in all–including famous and beloved images as well as works that have never been published. Celebrating the centennial of Penn's birth, this lavish volume spans the entirety of his groundbreaking career. An enlightening introduction situates his work in the context of the various artistic, social, and political environments and events that affected the content of his photographs. Lively essays acquaint readers with Penn's primary subjects and campaigns, including early documentary scenes and imagery; portraits of cultural figures and celebrities; fashion; female nudes; peoples of Peru, Dahomey (Benin), New Guinea, and Morocco; and still lifes. Rounding out the book are discussions of Penn's advertising pictures and his painstaking printing processes, as well as an illustrated chronology. Irving Penn: Centennialis essential for any fan of this artist's work or of the history of twentieth-century photography.
A sparkling life of the monumental fashion designer Cristóbal Balenciaga When Cristóbal Balenciaga died in 1972, the news hit the front page of The New York Times. One of the most innovative and admired figures in the history of haute couture, Balenciaga was, said Schiaparelli, “the only designer who dares do what he likes.” He was, said Christian Dior,“the master of us all.” But despite his extraordinary impact, Balenciaga was a man hidden from view. Unlike today’s celebrity designers, he saw to it that little was known about him, to the point that some French journalists wondered if he existed at all. Even his most notable and devoted clients—Marlene Dietrich, Barbara Hutton, a clutch of Rothschilds—never met him. But one woman knew Balenciaga very well indeed. The first person he hired when he opened his Paris house (then furnished with only a table and a stool) was Florette Chelot, who became his top vendeuse—as much an adviser as a saleswoman. She witnessed the spectacular success of his first collection, and they worked closely for more than thirty years, until 1968, when Balenciaga abruptly closed his house without telling any of his staff. Youth-oriented fashion was taking over, Paris was in upheaval, and the elder statesman wanted no part of it. In The Master of Us All , Mary Blume tells the remarkable story of the man and his house through the eyes of the woman who knew him best. Intimate and revealing, this is an unprecedented portrait of a designer whose vision transformed an industry but whose story has never been told until now.
"[Book] examines the relationship between high fashion and the evolving ideals of beauty through the careers and personifications of iconic models who posed in the salons, walked the runways, and exploded onto the pages of Vogue, Harper's Bazaar, and even Life and Time. High-profile models enlivened the designs of the world's most celebrated couturiers and, on occasion, even inspired them." --Book jacket.
Throughout history, fashion models have occupied a curious position: while their faces were instantly familiar, virtually nothing else was known about them. But their impression upon Vogue's readership has always been considerable -- they reflect and represent the ever-changing ideal of beauty. It was models such as Barbara Goalen and Fiona-Campbell Walter in Britain and Lisa Fonssagrives and Dorien Leigh in the US, in the 1950s, who were the first to become household names and to achieve the glamour and prestige that came with world fame. The supermodels of the 1990s turned the profession into a billion-dollar industry, and today models like Kate Moss, Claudia Schiffer and Gisele Bundchen are brand names. Our fascination with these sublime creatures never seems to wane. Shining a light on these women's lives, Vogue Model uses photographs and illustrations from more than ninety years of Vogue's history to tell the fascinating story of the real faces of fashion.
Vicky Tiel started as an "it" girl of the 1960s and has had a four decade career designing clothes that make real women look fabulous. Her sexy, fresh hot pants and miniskirts were used by Woody Allen in his first movie, What's New, Pussycat?, her classic design inspired the red dress that transformed Julia Roberts in Pretty Woman, and her creations are worn today by stars such as Halle Berry and Kim Kardashian. Tiel's own life has been dance-the-night-away fun, from her earliest days flunking out of Parsons to design on her own, to starting a chic boutique with best friend Mia Fonssagrives in Paris, from marrying MGM's top make-up man to becoming Elizabeth Taylor's dear friend and part of her longtime entourage. Tiel forged her own path, and picked up some distinctive and hard-earned lessons from the rich, famous and celebrated along the way. In IT'S ALL ABOUT THE DRESS, you'll get a glimpse of what it's like to be Hollywood royalty (think yachts, tiny dogs, giant pearls and peanut butter sandwiches washed down with Chateau Margaux), discover the seduction secrets of the greats (from Kim Novak to Goldie Hawn to Warren Beatty), take in a little husband-hunting advice, and even learn legendary model Dorian Leigh's recipe for gigot d'agneau sept heures. Vicky Tiel will teach you to dress like a sex symbol, cook like the owner of a French country inn, and seize what you want from the world like an American ingénue.
Trained as an artist, Irving Penn began photographing for "Vogue" in the 1940s--and went on to become one of the most versatile and accomplished image-makers of the last 50 years. His photographs have become documents of the century, from his portraits of native peoples to his gravity defying still lifes of Clinque cosmetics. This landmark retrospective showcases 90 of Penn's standout images.