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The languages of the ancient world and the mysterious scripts, long undeciphered, in which they were encoded have represented one of the most intriguing problems of classical archaeology in modern times. This celebrated account of the decipherment of Linear B in the 1950s by Michael Ventris was written by his close collaborator in the momentous discovery. In revealing the secrets of Linear B it offers a valuable survey of late Minoan and Myceanean archaeology, uncovering fascinating details of the religion and economic history of an ancient civilisation.
The language of the Minoan people has remained an enigma for more than a century since their ancient civilization was discovered. The script that records it, known as Linear A, has long been thought to use the same sounds and symbols as its successor-Linear B. After Linear B was deciphered in 1952 by Michael Ventris, and was found to represent an archaic form of Greek, the language of the earlier Linear A script continued to defy all those attempting to read it. A recent insight regarding synonym-parallels in ancient Minoan texts has now illuminated their meaning for the first time. This book guides the reader through the Linear A decipherment process and provides English translations for many of the most important Minoan artifacts. So enter the labyrinth as Europe's first great civilization is finally given voice after three and a half thousand years, and discover how its people have actually been speaking to us all along.
Ground-breaking analysis of the Linear B undeciphered signs shedding light on the writing system and the activities of its writers.
Interdisciplinary examination of the transmission process of Linear A to Linear B script.
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“Highly readable . . . a fitting tribute to the quiet outsider who taught the professionals their business and increased our knowledge of the human past.”—Archaeology Odyssey More than a century ago, in 1900, one of the great archaeological finds of all time was made in Crete. Arthur Evans discovered what he believed was the palace of King Minos, with its notorious labyrinth, home of the Minotaur. As a result, Evans became obsessed with one of the epic intellectual stories of the modern era: the search for the meaning of Linear B, the mysterious script found on clay tablets in the ruined palace. Evans died without achieving his objective, and it was left to the enigmatic Michael Ventris to crack the code in 1952. This is the first book to tell not just the story of Linear B but also that of the young man who deciphered it. Based on hundreds of unpublished letters, interviews with survivors, and other primary sources, Andrew Robinson’s riveting account takes the reader through the life of this intriguing and contradictory man. Stage by stage, we see how Ventris finally achieved the breakthrough that revealed Linear B as the earliest comprehensible European writing system.
In the tradition of Simon Winchester and Dava Sobel, The Riddle of the Labyrinth: The Quest to Crack an Ancient Code tells one of the most intriguing stories in the history of language, masterfully blending history, linguistics, and cryptology with an elegantly wrought narrative. When famed archaeologist Arthur Evans unearthed the ruins of a sophisticated Bronze Age civilization that flowered on Crete 1,000 years before Greece’s Classical Age, he discovered a cache of ancient tablets, Europe’s earliest written records. For half a century, the meaning of the inscriptions, and even the language in which they were written, would remain a mystery. Award-winning New York Times journalist Margalit Fox's riveting real-life intellectual detective story travels from the Bronze Age Aegean—the era of Odysseus, Agamemnon, and Helen—to the turn of the 20th century and the work of charismatic English archeologist Arthur Evans, to the colorful personal stories of the decipherers. These include Michael Ventris, the brilliant amateur who deciphered the script but met with a sudden, mysterious death that may have been a direct consequence of the deipherment; and Alice Kober, the unsung heroine of the story whose painstaking work allowed Ventris to crack the code.
Deciphering the Rosetta Stone -- Reading a text: the Egyptian scripts of the Rosetta Stone -- Towards reading a cultural code: the uses of writing in ancient Egypt -- The future: futher codes to crack.
The author identified the idiom written with Linear A as a language of agglutinative character. The Hurrian language appeared to be the best candidate from a linguistic and historical point of view. The predominantly Hurrian kingdom of Mitanni, with its vassal states in Syria such as Alala and Aleppo (alba in Hurrian, alab in Semitic), was the only great political and military power next to Egypt, contemporary with Minoan Linear A in Crete. Since Hurrians played a significant part in Minoan civilization, it appears preferable to explain the striking parallels between Hesiod?s Theogony and the Hurrian myths of?the Kingdom in Heaven? and?the Song of Ullikummi? through close contacts between Mycenaean Greeks and?Hurrian? Minoans in Crete during the Bronze Age than by later contacts of Greeks with the Near East and Asia Minor in historical times. The author also demonstrates that the parallels are not limited to the struggle between three generations of Gods: Hurrian Anu (Heaven), his son Kumarbi and grandson Tesub and Greek Ouranos (Heaven), his son Kronos and grandson Zeus.
This introduction is suitable for the student with some knowledge of Greek who wishes to have access to Linear B material. Part One places the development of the Linear B script against its historical background; the earlier varieties of Aegean writing are discusses, and Ventris' decipherment of Linear B is described and the Mycenaean dialect of Greek is examined. In Part two, the reader is taken through a number of important Linear B texts. These are presented first in a 'normalised' transcription of the Linear B characters, so as to induce familiarity with the lay-out of the original texts, secondly in transliteration, and thirdly in translation where this is possible.