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Lindsay Anderson was the most original British filmmaker and theatrical director of his generation. His films "If . . ., O Lucky Man!, and "Britannia Hospital created a Human Comedy of life in Britain during the second half of the twentieth century and were witty, daring, and often prophetic. "This Sporting Life and "O Lucky Man! made Richard Harris and Malcolm McDowell international stars; "The Whales of August provided Lillian Gish, Bette Davis, and Ann Sothern the opportunity to give extraordinary farewell performances. He also directed notable documentaries in several countries: in Britain, the Academy Award-winning "Thursday's Children, about a school for deaf-mute children; in Poland, "The Singing Lesson, a personal impression of a group of students at a drama school. In China, he recorded the 1985 concert tour by George Michael and Andrew Ridgeley of WHAM! As a theatre director he collaborated with playwright David Storey on a series of successes ("The Contractor, The Changing Room, In Celebration, Home), and he worked with such actors as John Gielgud, Ralph Richardson, Alan Bates, Albert Finney, Helen Mirren, Peter O'Toole, Joan Plowright, and Rachel Roberts. Anderson was, as well, an outspoken and sometimes ferocious critic of British films--and of Britain itself. He was the author of the most important and acclaimed book on John Ford. And he was one of Gavin Lambert's closest friends for more than fifty years. Lambert's book begins with his and Anderson's days as movie-struck schoolboys, becoming fast friends, growing up in the shadow of World War II. He shows us their postwar creation of and collaboration on the influential magazine "Sequence--a magazine thatwas produced on love and a shoestring, and which shook up the British film world with its admiration for both Hollywood noir and MGM musicals (at the time unfashionable genres) and its celebration of such directors as Ford, Bunuel, Cocteau, Vigo, and Sturges. He describes how both men rebelled in opposite directions--Anderson remaining in England, Lambert leaving in 1958 for Los Angeles--and traces their unorthodox paths through the film industry. An illuminating, multifaceted portrait--of a friendship, of postwar moviemaking on both sides of the Atlantic, and, mainly, of the remarkable Lindsay Anderson.
Screenwriter David Sherwin reveals what it is really like to work in Hollywood and discusses his friendship with director Lindsay Anderson, whom he collaborated with on the films "If...," "O Lucky Man," and "Brittania Hospital." Contains the original screenplay of "If..."
Two friends. Five months. One car. Ten provinces. Three territories. Seven islands. Eight ferries. Two flights. One 48-hour train ride. And only one call to CAA. The result: over 100 incredible Canadian recipes from coast to coast and the Great White North. In the midst of a camping trip in Squamish, British Columbia, Lindsay Anderson and Dana VanVeller decided that the summer of 2013 might be the right time for an adventure. And they knew what they wanted that adventure to be: a road trip across the entire country, with the purpose of writing about Canada's food, culture, and wealth of compelling characters and their stories. 37,000 kilometres later, and toting a "Best Culinary Travel Blog" award from Saveur magazine, Lindsay and Dana have brought together stories, photographs and recipes from across Canada in Feast: Recipes and Stories from a Canadian Road Trip. The authors write about their experiences of trying whale blubber in Nunavut, tying a GoPro to a fishing line in Newfoundland to get a shot of the Atlantic Ocean's "cod highway," and much more. More than 80 contributors--including farmers, grandmothers, First Nations elders, and acclaimed chefs--have shared over 90 of their most beloved regional recipes, with Lindsay and Dana contributing some of their own favourites too. You'll find recipes for all courses from Barley Pancakes, Yukon Cinnamon Buns, and Bannock to Spot Prawn Ceviche, Bison Sausage Rolls, Haida Gwaii Halibut and Maritime Lobster Rolls; and also recipes for preserves, pickles and sauces, and a whole chapter devoted to drinks. Feast is a stunning representation of the diversity and complexity of Canada through its many favourite foods. The combination of Lindsay and Dana's capitivating journey with easy-to-follow recipes makes the book just as pleasurable to read as it is to cook from.
This book is about the British film-maker Lindsay Anderson. Anderson was a highly influential personality within British cinema, mostly famous for landmark films like This Sporting Life (1963) and If....(1968). Lindsay Anderson Revisited deals primarily with hitherto unexplored aspects of his career: his biographical background in the British upper class, his devoted film criticism, and his angry relationship to contemporary society in general. Thus, the book contains chapters about his childhood in India, his writings about John Ford, his relationship to French star Serge Reggiani, his work on TV in the 1950s, his troubles with the British film establishment, and his gradually emerging preoccupation with being Scottish, not English. Also featured are chapters written by close friends of Anderson, who died in 1994, dwelling on his penchant for controversy and quarrel, but also on his remarkable artistic talent and commitment.
As a director, critic, writer and actor, Lindsay Anderson established a reputation as one of the most innovative, impassioned and fiercely independent British artists of the twentieth century.
In a long and varied career, Lindsay Anderson made training films, documentaries, searing family dramas and blistering satires, including This Sporting Life, O Lucky Man! and Britannia Hospital. Students of British cinema and television from the 1950s to 1990s will find this book a valuable source of information about a director whose work came to public attention with Free Cinema but who, unlike many of his peers in that movement did not take the Hollywood route to success. What emerges is a strong feeling for the character of the man as well as for a remarkable career in British cinema. The book will appeal to admirers, researchers and students alike. Making use of hitherto unseen original materials from Anderson’s extensive personal and professional records, it is most valuable as a study of how the films came about: the production problems involved, the collaborative input of others, as well as the completed films’ promotion and reception. It also offers a finely argued take on the whole issue of film authorship, and achieves the rare feat of being academically authoritative whilst also being completely accessible. It prompts renewed respect for the man and the artist and a desire to watch the films all over again.
The extraordinary and revealing diaries of the revolutionary British film and theatre director who became one of the major cultural figures of his time As a director, critic, writer and actor, Lindsay Anderson established a reputation as one of the most innovative, impassioned and fiercely independent British artists of the twentieth century. In directing films such as If, This Sporting Life and O Lucky Man he championed a new wave of social responsiveness in British cinema, while as director at the Royal Court he was responsible for establishing the reputation of a number of groundbreaking plays. Throughout his life Anderson stood in opposition to the establishment of his day. Published for the first time, his diaries provide a uniquely personal document of his artistic integrity and vision, his work, and his personal and public struggles. Peopled by a myriad of artists and stars - Malcolm McDowell, Richard Harris, Albert Finney, Anthony Hopkins Brian Cox, Karel Reisz, Arthur Miller, George Michael - the Diaries provide a fascinating account of one of the most creative periods of British cultural life. Gripping Daily Express "Vicious and velvety in roughly equal measure ... Demands reading at a single sitting" Daily Telegraph "the reader of this book is richly rewarded" Daily Mail
A 2022 William C. Morris YA Debut Award Finalist, What Beauty There Is is Cory Anderson's stunning novel about brutality and beauty, and about broken people trying to survive—"Intense, brutal, and searingly honest," perfect for fans of Patrick Ness, Laura Ruby, and Meg Rosoff. To understand the truth, you have to start at the beginning. Ava Bardem lives in isolation, a life of silence. For seventeen years, Ava’s father, a merciless man, has controlled her fate. He’s taught her to love no one. But then she meets Jack. Living in poverty, Jack Dahl is holding his breath. He and his younger brother have nothing—except each other. With their parents gone, Jack faces a stark choice: lose his brother to foster care or find the drug money that sent his father to prison. He chooses the money. Suddenly, Jack’s and Ava’s fates become intimately—and dangerously—linked as Ava’s father hunts for the same money as Jack. When he picks up on Jack’s trail, Ava must make her own wrenching choice: remain silent or speak and fight for Jack’s survival. Choices. They come at a price.
USA TODAY BESTSELLER Truth of the Divine is the latest alternate-history first-contact novel in the Noumena series from the instant New York Times, Wall Street Journal and Los Angeles Times bestselling author Lindsay Ellis. The human race is at a crossroads; we know that we are not alone, but details about the alien presence on Earth are still being withheld from the public. As the political climate grows more unstable, the world is forced to consider the ramifications of granting human rights to nonhuman persons. How do you define “person” in the first place? Cora Sabino not only serves as the full-time communication intermediary between the alien entity Ampersand and his government chaperones but also shares a mysterious bond with him that is both painful and intimate in ways neither of them could have anticipated. Despite this, Ampersand is still keen on keeping secrets, even from Cora, which backfires on them both when investigative journalist Kaveh Mazandarani, a close colleague of Cora’s unscrupulous estranged father, witnesses far more of Ampersand’s machinations than anyone was meant to see. Since Cora has no choice but to trust Kaveh, the two must work together to prove to a fearful world that intelligent, conscious beings should be considered persons, no matter how horrifying, powerful, or malicious they may seem. Making this case is hard enough when the public doesn’t know what it’s dealing with—and it will only become harder when a mysterious flash illuminates the sky, marking the arrival of an agent of chaos that will light an already-unstable world on fire. With a voice completely her own, Lindsay Ellis deepens her realistic exploration of the reality of a planet faced with the presence of extraterrestrial intelligence, probing the essential questions of humanity and decency, and the boundaries of the human mind. While asking the question of what constitutes a “person,” Ellis also examines what makes a monster.
While awake, I cannot help but smile. Not only is my girlfriend sleeping peacefully next to me, but today is her eighteenth birthday. This makes me happy. Happiness filling my heart, I lay back down and put my arm around L.J's waist, and fall asleep.