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First multi-year cumulation covers six years: 1965-70.
"The Encyclopedia of Library and Information Science provides an outstanding resource in 33 published volumes with 2 helpful indexes. This thorough reference set--written by 1300 eminent, international experts--offers librarians, information/computer scientists, bibliographers, documentalists, systems analysts, and students, convenient access to the techniques and tools of both library and information science. Impeccably researched, cross referenced, alphabetized by subject, and generously illustrated, the Encyclopedia of Library and Information Science integrates the essential theoretical and practical information accumulating in this rapidly growing field."
This volume brings John Milton's Paradise Lost into dialogue with the challenges of cosmology and the world of Galileo, whom Milton met and admired: a universe encompassing space travel, an earth that participates vibrantly in the cosmic dance, and stars that are 'world[s] / Of destined habitation'. Milton's bold depiction of our universe as merely a small part of a larger multiverse allows the removal of hell from the center of the earth to a location in the primordial abyss. In this wide-ranging work, Dennis Danielson lucidly unfolds early modern cosmological debates, engaging not only Galileo but also Copernicus, Tycho, Kepler, and the English Copernicans, thus placing Milton at a rich crossroads of epic poetry and the history of science.
Pioneering New Serials Frontiers: From Petroglyphs to Cyberserials represents the proceedings from the North American Serials Interest Group's annual conference held at the University of New Mexico in Albuquerque. From librarians, publishers, vendors, and scholars, this collection provides many perspectives on the issues and problems facing everyone involved in producing, maintaining, and using journal literature. You will gain insight, ideas, and some practical skills for dealing with the changing world of serials. Pioneering New Serials Frontiers includes presentations from the conference's plenary sessions, the discussions from concurrent sessions, and the summary reports of each of the preconferences and workshops. Just as the attendees did, you'll have the opportunity to acquire specialized knowledge of standards for Electronic Data Exchange and to develop new skills as risktakers. You'll also learn the answers to these questions: How do you manage the ever-growing and increasingly complex arena of electronic serials? What does the serialist need to know about copyright issues and electronic product licensing? How does one evaluate and select Internet resources--and once selected, how are they cataloged and maintained? What is the role of the paper-based journal . . . from a publisher's perspective? How is electronic publishing making inroads in scholarly publishing? How should we bridge the gap between the Internet and libraries? What's the best way to educate and retrain serialists for change? Whether you were in attendance at this conference or not, Pioneering New Serials Frontiers is the resource that recaps all that transpired. From technical service concerns and customer relations to management strategies and working with the Web, the variety of topics covered in this book helps confirm that today's serialist must contend with and manage new formats, new standards, and new technologies.
'To err is human'. As a material and mechanical process, early printing made no exception to this general rule. Against the conventional wisdom of a technological triumph spreading freedom and knowledge, the history of the book is largely a story of errors and adjustments. Various mistakes normally crept in while texts were transferred from manuscript to printing formes and different emendation strategies were adopted when errors were spotted. In this regard, the 'Gutenberg galaxy' provides an unrivalled example of how scholars, publishers, authors and readers reacted to failure: they increasingly aimed at impeccability in both style and content, developed time and money-efficient ways to cope with mistakes, and ultimately came to link formal accuracy with authoritative and reliable information. Most of these features shaped the publishing industry until the present day, in spite of mounting issues related to false news and approximation in the digital age. Early modern misprinting, however, has so far received only passing mentions in scholarship and has never been treated together with proofreading in a complementary fashion. Correction benefited from a somewhat higher degree of attention, though check procedures in print shops have often been idealised as smooth and consistent. Furthermore, the emphasis has fallen on the people involved and their intervention in the linguistic and stylistic domains, rather than on their methodologies for dealing with typographical and textual mistakes. This book seeks to fill this gap in literature, providing the first comprehensive and interdisciplinary guide into the complex relationship between textual production in print, technical and human faults and more or less successful attempts at emendation. The 24 carefully selected contributors present new evidence on what we can learn from misprints in relation to publishers' practices, printing and pre-publication procedures, and editorial strategies between 1450 and 1650. They focus on texts, images and the layout of incunabula, sixteenth- and early seventeenth-century books issued throughout Europe, stretching from the output of humanist printers to wide-ranging vernacular publications.