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A young girl is arguing with a cherry tree. That's a new one for Lily, who's managed to reach the end of her first year at high school without too much weirdness. Unfortunately for her, it's not long after solving this odd mystery that her untroubled life begins to unravel. Discovering an abandoned room at the end of the music department corridor, she finds that aside from it being utterly run-down, it's also devoid of its sole occupant: Sonata Sonoda, the missing journalism club president.
Join Angelina Ballerina and dance all around the lovely town of Chipping Cheddar as she and her friends gather for a summer festival in this shaped 8x8 storybook with a sparkly cover—perfect for ballerinas of all ages! Angelina Ballerina and her friends are so excited for the summer festival in the town square! Come along as Angelina introduces us to all of her favorite mouselings! We’ll meet: Angelina’s best friend, Alice; ballet teacher, Miss Lilly; Miss Quaver, the ballet school pianist; her mom, dad, and sister, Polly; her cousin, Henry; Mrs. Thimble, a local store owner; and Angelina’s neighbor, Mrs. Hodgepodge, who is NOT a fan of dancing! With Katharine Holabird’s lively writing and Helen Craig’s charming illustrations, Angelina Ballerina will have young readers leaping with delight. © 2020 Helen Craig Ltd and Katharine Holabird. The Angelina Ballerina name and character and the dancing Angelina logo are trademarks of HIT Entertainment Limited, Katharine Holabird, and Helen Craig.
A new day comes with a new way to be woken up. On a warm summer's morning, a bicycle chime outside Lily's window plunges her into waking consciousness, followed by the scowl of a girl with twintailed hair. As the days grow steadily longer, she struggles to navigate the mountains which conspire to ruin her peaceful days. And yet her hardships only begin when she makes her way across the finishing line.
Miyako Florence isn’t sad when her fiancé breaks off their engagement after two years. It’s all according to plan! Whisked to the world of her favorite otome game, Miyako frees herself from a dull noble to pursue her true soulmate: the game’s villainess Fuuka Hamilton. Proud Fuuka only has eyes for their mutual ex-fiancé! Miyako confesses her love to Fuuka and proposes that they run away together. Fuuka agrees on one condition: Miyako must make her say “I’m happy” in 14 days. With conniving nobles, strange diseases, and magical rituals pulling them apart, can Miyako win the villainess’s heart? A tentative bud blossoms in this twisting romance from the author of Sexiled!
Master Impressionism with an art-instruction classic. Impressionism has inspired generations of American artists. And no one has done more for the cause of American Impressionism than Charles Hawthorne, the founder of the Cape Cod School of Art. In Painting the Impressionist Landscape, author and artist Lois Griffel explores Hawthorne’s theories about color and light in depth. Griffel, the longtime director of the school Hawthorne founded, teaches his philosophy like no other painter can, with inspiring step-by-step painting lessons and illuminating text. A true classic of art instruction, Painting the Impressionist Landscape has sold more than 30,000 copies in hardcover in the fifteen years since it was first published. Now a new generation of painters can bring impressionism into their work with this convenient and affordable paperback edition.
For many, the terms aging, maturation and senescence are synonymous and used interchangeably, but they should not be. Whereas senescence represents an endogenously controlled degenerative programme leading to plant or organ death, genetiC aging encompasses a wide array of passive degenerative genetiC processes driven primarily by exogenous factors (Leopold, 1975). Aging is therefore considered a consequence of genetiC lesions that accumulate over time, but by themselves do not necessarily cause death. These lesions are probably made more severe by the increase in size and complexity in trees and their attendant physiology. Thus while the withering of flower petals following pollination can be considered senescence, the loss of viability of stored seeds more clearly represents aging (Norden, 1988). The very recent book "Senescence and Aging in Plants" does not discuss trees, the most dominant group of plants on the earth. Yet both angiospermic and gymnospermic trees also undergo the above phenomena but less is known about them. Do woody plants senesce or do they just age? What is phase change? Is this synonymous with maturation? While it is now becoming recognized that there is no programmed senescence in trees, senescence of their parts, even in gymnosperms (e. g. , needles of temperate conifers las t an average of 3. 5 years), is common; but aging is a readily acknowledged phenomenon. In theory, at least, in the absence of any programmed senescence trees should -live forever, but in practice they do not.
Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer
The blooming azaleas. The overcast sky. The rising humidity. During the day, the heat of June clashes with the start of the rainy season, while at night, the fragrance of damp leaves flows through the open window. But the coming of summer does little to warm Lily's spirits. As the world turns slower than it did yesterday, a new emptiness appears which the vibrant colours fail to fill.
In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed. In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.