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A fascinating narrative of life in communist Romania, and a thought-provoking meditation on the nature of literature and censorship. Winner of the 2023 Oxford Weidenfeld Translation Prize A Censor’s Notebook is a window into the intimate workings of censorship under communism, steeped in mystery and secrets and lies, confirming the power of literature to capture personal and political truths. The novel begins with a seemingly non-fiction frame story—an exchange of letters between the author and Emilia Codrescu, the female chief of the Secret Documents Office in Romania’s feared State Directorate of Media and Printing, the government branch responsible for censorship. Codrescu had been responsible for the burning and shredding of the censors’ notebooks and the state secrets in them, but prior to fleeing the country in 1974 she had stolen one of these notebooks. Now, forty years later, she makes the notebook available to Liliana, the character of the author, for the newly instituted Museum of Communism. The work of a censor—a job about which it is forbidden to talk—is revealed in this notebook, which discloses the structures of this mysterious institution and describes how these professional readers and ideological error hunters are burdened with hundreds of manuscripts, strict deadlines, and threatening penalties. The censors lose their identity, and are often frazzled by neuroses and other illnesses.
PULITZER PRIZE WINNER • NATIONAL BOOK AWARD FINALIST • A NEW YORK TIMES NOTABLE BOOK • “A searing account of grief and the quest to bring her sister’s murderer to justice years after the fact” (The Boston Globe), from “one of Mexico’s greatest living writers” (Jonathan Lethem). “Part memoir, part true-crime story, Garza’s chronicle is both personal and political.”—The Washington Post A BEST BOOK OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, Time, Chicago Public Library, She Reads, Electric Lit October 18, 2019. Cristina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. “My name is Cristina Rivera Garza,” she writes in her request to the attorney general, “and I am writing to you as a relative of Liliana Rivera Garza, who was murdered on July 16, 1990.” It’s been twenty-nine years. Twenty-nine years, three months, and two days since Liliana was murdered by an abusive ex-boyfriend. Inspired by feminist movements across the world and enraged by the global epidemic of femicide and intimate partner violence, Cristina embarks on a path toward justice. Liliana’s Invincible Summer is the account—and the outcome—of that quest . In luminous, poetic prose, Rivera Garza tells a singular yet universally resonant story: Liliana is a spirited, wondrously hopeful young woman who tried to survive in a world of increasingly normalized gendered violence. Rivera Garza traces her sister’s history, depicting everything from Liliana’s early romance with a handsome but possessive and short-tempered man to that exhilarating final summer of 1990 when she loved, thought, and traveled more widely and freely than she ever had before. Using her skills as an acclaimed scholar, novelist, and poet, Rivera Garza collected and curated evidence—handwritten letters, police reports, school notebooks, interviews with Liliana’s loved ones—to document her sister’s life. Through this remarkable and genre-defying memoir, she confronts the trauma of losing her sister and examines how this tragedy continues to shape who she is—and what she fights for—today.
Complicating the common view that immigrant incorporation is a top-down process, determined largely by parents, Vikki Katz explores how children actively broker connections that enable their families to become woven into the fabric of American life. Children’s immersion in the U.S. school system and contact with mainstream popular culture enables them more quickly to become fluent in English and familiar with the conventions of everyday life in the United States. These skills become an important factor in how families interact with their local environments. Kids in the Middle explores children’s contributions to the family strategies that improve communication between their parents and U.S. schools, healthcare facilities, and social services, from the perspectives of children, parents, and the English-speaking service providers that interact with these families via children’s assistance. Katz also considers how children’s brokering affects their developmental trajectories. While their help is critical to addressing short-term family needs, children’s responsibilities can constrain their access to educational resources and have consequences for their long-term goals. Kids in the Middle explores the complicated interweaving of family responsibility and individual attainment in these immigrant families. Through a unique interdisciplinary approach that combines elements of sociology and communication approaches, Katz investigates not only how immigrant children connect their families with local institutional networks, but also how they engage different media forms to bridge gaps between their homes and mainstream American culture. Drawing from extensive firsthand research, Katz takes us inside an urban community in Southern California and the experiences of a specific community of Latino immigrant families there. In addition to documenting the often-overlooked contributions that children of immigrants make to their families’ community encounters, the book provides a critical set of recommendations for how service providers and local institutions might better assist these children in fulfilling their family responsibilities. The story told in Kids in the Middle reveals an essential part of the immigrant experience that transcends both geographic and ethnic boundaries.
Celia Cantú, a pediatrician in Havana, is trying to live a regular life in today's Cuba. She is engaged to her childhood friend Luis and lives with her 16-year-old niece, Liliana. Celia's life is disrupted when Luis's brother, Joe, returns from Miami flaunting his American ways. Joe's arrival and Liliana's adolescent restlessness force Celia to examine the discrepancy between her country's revolutionary ideals and its reality. As this family drama unfolds, Celia is unnerved by moments when her mind and body seem to be taken over by Celia Sánchez, a heroine of the Revolution and long-time intimate of Fidel Castro. The turbulent past and an undefined future collide when Liliana disappears and Celia sets out into the Cuban countryside in search of her. The Woman She Was is a deeply moving novel that explores the aspirations, hopes, and fears of contemporary Cubans, as well as the challenges they still face.
DIVTestimonial text by a Mapuche woman, with commentary and other ethnographic interventions by a U.S. historian./div
J.J. Graves is back in Bloody Mary, but she's a long way from feeling at home. Between her bodily scars from being the target of a murderer and the emotional scars left by her parents, she doesn't know who she can trust. But death doesn't stop for anyone. The first murder is grisly. The second even more so. And though things are shaky between them, she and her best friend, Jack, have no choice but to join forces and find the killer. Because the life of someone they love dearly hangs in the balance.
Italy, 2020. Liliana Accardi, an Heiress to the Accardi Family Mafia, is sent by her grandfather to investigate the Romano Family. She is dangerous, strong, and intelligent, covered in tattoos, and ready to lead her family to a better, brighter future when she takes over after her grandfather passes. Then she meets him. The Boss of the Romano family, Nicolo Romano. And he surpasses her expectations while being everything she looks for in a man. Can she find love and passion in his arms? Or will she turn him away when her mission is complete? Nicolo Romano isn't known for kindness, yet he seems to favor Lili Orlando, the maid from the Accardi family. Her seriousness, cool rejection of him, and unflinching gaze have him begging for more. Yet he is suspicious of the reason she is here. The Accardi family is not well known by other Mafia, but the elders of his family recommend caution around her. Will he find out the reason she is there before anything bad happens? And can he seduce her before she disappears?
A demon. An angel. An exorcist. And a romance twenty years in the making. Welcome to The Liliana Chronicle and Other Short Stories. Contents 1 Twenty Years Later 2 The Liliana Chronicle 3 A Star Burns Too Brightly 4 Angel Erin 5 All On His Own 6 Limbo 7 First Love 8 Levi & Lizette 9 The Island 10 Dual Identities 11 Unforeseen Circumstances 12 A Strange Feeling 13 Forgive Me Father 14 Girl on the Bridge 15 Twenty Years Ago
After the dramatic events that transpired in the imperial capital, Suimei feels like he's gotten what he can out of the Empire for now. Following a clue discovered in the book Felmenia brought to him from Astel's royal library, he sets off on the next leg of his journey with the court mage, spirit swordswoman, and reformed dark magic user in tow. What awaits them in the Saadias Alliance? And what's this about a third hero? Moreover, what of the dark forces that are now working in the shadows?