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Alongside sixty-two of Butcher's iconic photographs, "Light on the Prairie" conveys the irrepressible spirit of a man whose passion would give us a firsthand look at the men and women who settled the Great Plains.
Temple Emanu-El, the first Jewish congregation in North Texas, has played a historic role in the growth of Dallas. Founded in 1875, the temple evolved from the Hebrew Benevolent Association, organized in 1872 by eleven men who established a cemetery and held the first Jewish services. This initial gathering of pioneer Jews occurred just two weeks before the arrival of the first train--the indispensable catalyst for Dallas' development into a bustling commercial center. Arguably, Temple Emanu-El owes its ascendancy to the auspicious designation of Dallas as a railroad crossroads. Jews, like other enterprising newcomers, were drawn to the railroad boom town and became part of the westward sweep of trade and emigration to Dallas. These early settlers participated in every aspect of civic growth and responsibility. They invested their life savings in stores on the courthouse square, manned the volunteer fire department, and ran for public office. Like Alexander Sanger, who opened the Dallas branch of Sanger Bros. in 1872 and was elected city alderman the next year, Jews quickly identified with the progressive "Dallas spirit." While retaining the basic principles of their ancestral faith, Temple Emanu-El's Reform Jews adapted their religious practices to conform to the secular demands of life in America. With confidence in the city's promise of progress, congregants actively promoted Dallas' business, civic, and cultural development. Each succeeding generation of temple families produced important leaders whose contribution to the advancement and enrichment of both the temple and the city shaped both. The temple's rabbis addressed controversial issues--Dr. David Lefkowitz denounced the Ku Klux Klan in the early 1920s and Levi A. Olan preached to the troubled city after President Kennedy's assassination in 1963. Gerry Cristol has set this absorbing story against the history of both Dallas and American Judaism. Temple Emanu-El's story affirms a unique but nonetheless eloquent tribute to the American experience, and in A Light in the Prairie, significant social history becomes fascinating reading.
Playbook
And when an infant is abandoned at Lighted Way Church, Charlotte must once again face the truth that love breaks your heart, but love is the only way to live.
Established in 1884 and operative for nearly a century, the Chilocco Indian School in Oklahoma was one of a series of off-reservation boarding schools intended to assimilate American Indian children into mainstream American life. Critics have characterized the schools as destroyers of Indian communities and cultures, but the reality that K. Tsianina Lomawaima discloses was much more complex. Lomawaima allows the Chilocco students to speak for themselves. In recollections juxtaposed against the official records of racist ideology and repressive practice, students from the 1920s and 1930s recall their loneliness and demoralization but also remember with pride the love and mutual support binding them together—the forging of new pan-Indian identities and reinforcement of old tribal ones.
Karen Grassle, the beloved actress who played Ma on Little House on the Prairie, grew up at the edge of the Pacific Ocean in a family where love was plentiful but alcohol wreaked havoc. In this candid memoir, Grassle reveals her journey to succeed as an actress even as she struggles to overcome depression, combat her own dependence on alcohol, and find true love. With humor and hard-won wisdom, Grassle takes readers on an inspiring journey through the political turmoil on ’60s campuses, on to studies with some of the most celebrated artists at the famed London Academy of Music and Dramatic Arts, and ultimately behind the curtains of Broadway stages and storied Hollywood sets. In these pages, readers meet actors and directors who have captivated us on screen and stage as they fall in love, betray and befriend, and don costumes only to reveal themselves. We know Karen Grassle best as the proud prairie woman Caroline Ingalls, with her quiet strength and devotion to family, but this memoir introduces readers to the complex, funny, rebellious, and soulful woman who, in addition to being the force behind those many strong women she played, fought passionately—as a writer, producer, and activist—on behalf of equal rights for women. Raw, emotional, and tender, Bright Lights celebrates and honors womanhood, in all its complexity.
"An inside view of the Lakota world-of the meaning of Lakota song and dance, of their history, of what it is to be Lakota in America today. . . . A lasting personal tribute to the Lakota way of living."-Whole Earth Review. "A unique, in-depth presentation on Lakota music and the profession of singer, a useful contemporary Oglala representation of the core of their culture, and a version of the involvement of the American Indian Movement on Pine Ridge Reservation, told by a man who was affiliated but not a principal leader. . . . This is a subjective statement, well and persuasively written."-Choice. Severt Young Bear stood in the light-in the center ring at powwows and other gatherings of Lakota people. As founder and, for many years, lead singer of the Porcupine Singers, a traditional singing and drumming group, he also stood, figuratively, in the light of understanding the cherished Lakota heritage. Young Bear's own life in Brotherhood Community, Porcupine District of the Pine Ridge Sioux Reservation, is the linchpin of this narrative, which ranges across the landscape of Dakota culture, from the significance of names to the search for modern Lakota identity, from Lakota oral traditions to powwows and giveaways, from child-rearing practices to humor and leadership. "Music is at the center of Lakota life, " says Young Bear; he describes in rich detail the origins and varieties of Lakota song and dance. Severt Young Bear performed with the Porcupine Singers throughout North America, taught at Oglala Lakota College, and served on the Oglala Sioux tribal council. He was music and dance consultant for the films Dances with Wolves and Thunder Heart. This book is the fruit of his longfriendship and collaboration with R. D. Theisz, a fellow Porcupine Singer and professor of communications and education at Black Hills State University.
The history of black high school football in segregated Texas: “Though this book is long overdue, it is also right on time.” —Texas Observer At a time when “Friday night lights” shone only on white high school football games, African American teams across Texas burned up the gridiron on Wednesday and Thursday nights. Temple Dunbar, Austin Anderson, and other segregated high schools in the Prairie View Interscholastic League—the African American counterpart of the University Interscholastic League, which excluded black schools from membership until 1967—created an exciting brand of football that produced hundreds of outstanding players, many of whom became college All-Americans, All-Pros, and Pro Football Hall of Famers, including NFL greats such as “Mean” Joe Green, Otis Taylor, Dick “Night Train” Lane, Ken Houston, and Bubba Smith. Thursday Night Lights tells the inspiring, largely unknown story of African American high school football in Texas. Drawing on interviews, newspaper stories, and memorabilia, Michael Hurd introduces the players, coaches, schools, and towns where African Americans built powerhouse football programs under the PVIL leadership. He covers fifty years of history, including championship seasons and legendary rivalries such as the annual Turkey Day Classic game between Houston schools Jack Yates and Phillis Wheatley, which drew standing-room-only crowds of up to 40,000. In telling this story, Hurd explains why the PVIL was necessary, traces its development, and shows how football offered a potent source of pride and ambition in the black community, helping black kids succeed both athletically and educationally in a racist society. “[A] groundbreaking book.” —Houston Chronicle “In America’s current Colin Kaepernick-inspired moment, with sports once again taking on a conspicuous role in debates about black citizenship and the persistence of white racism, this book is especially timely and important.” —Great Plains Quarterly
Over 2,200 Jokes from America’s favorite live radio show A treasury of hilarity from Garrison Keillor and the cast of public radio’s A Prairie Home Companion. A guy walks into a bar. Eight Canada Geese walk into a bar. A termite jumps up on the bar and asks, “Where is the bar tender?” Drum roll. The Sixth Edition of the perennially popular Pretty Good Joke Book is everything the first five were and more. More puns, one-liners, light bulb jokes, knock-knock jokes, and third-grader jokes (have you heard the one about Elvis Parsley?). More religion jokes, political jokes, lawyer jokes, blonde jokes, and jokes in questionable taste (Why did the urologist lose his license? He got in trouble with his peers). More jokes about chickens, relationships, and senior moments (the nice thing about Alzheimer’s is you can enjoy the same jokes again and again). It all started back in 1996, when A Prairie Home Companion fans laughed themselves silly during the first Joke Show. The broadcast was such a hit that it became an almost-annual gagfest. Then fans wanted to read the jokes, share them, and pass them around, and the first Pretty Good Joke Book was born. With over 200 new and updated jokes, the latest edition promises countless giggles, chortles, and guffaws anyone—fans of the radio show or not—will enjoy.