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In the contemporary biblical studies climate, proposals regarding the theological interpretation of Scripture are contested, particularly but not only because they privilege, encourage, and foster ecclesial or other forms of normative commitments as part and parcel of the hermeneutical horizon through which scriptural texts are read and understood. Within this context, confessional approaches have been emerging, including some from within the nascent pentecostal theological tradition. This volume builds on the author's previous work in theological method to suggest a pentecostal perspective on theological interpretation that is rooted in the conviction that all Christian reading of sacred Scripture is post-Pentecost, meaning after the Day of Pentecost outpouring of the Spirit on all flesh in anticipation of the coming reign of God. In that respect, such a pentecostal interpretative perspective is not parochially for those within the modern day movement bearing that name but is arguably apostolic in following after the scriptural imagination of the earliest disciples of Jesus the messiah and therefore has ecumenical and missional purchase across space and time. The Hermeneutical Spirit thus provides close readings of various texts across the scriptural canon as a model for Christian theological interpretation of Scripture suitable for the twenty-first-century global context.
In its earliest days, photography was seen as depicting its subjects with such objectivity as to be inherently free of ideological bias. Today we are rightly more skeptical -- at least most of the time. When it comes to photography from the past, we tend to set some of our skepticism aside. But should we? In Light on Darkness? T. Jack Thompson, a leading historian of African Christianity, revisits the body of photography generated by British missionaries to sub-Saharan Africa in the nineteenth and early twentieth centuries and demonstrates that much more is going on in these images than meets the eye. This volume offers a careful reassessment of missionary photographers, their photographs, and their African and European audiences. Several dozen fascinating photographs from the period are included.
Veteran missionary and missiologist C. Gordon Olson has distilled his knowledge and experience to produce an introductory text to missions that is marked by its balance between theory and practice.