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In this practical step-by-step guide, gardening teacher Kath Irvine shares her wealth of knowledge from more than 20 years of helping Kiwi gardeners design, build, grow and maintain their own productive edible gardens. Kath's sage, hands-on, often humorous advice steps readers through everything they need to know to grow great produce at home, including garden design, tools and equipment, seasonal planting advice, soil fertility, seed-saving basics, managing pests and diseases, and how to incorporate organic and permaculture gardening methods into any home garden. While documenting a year on her own property, Kath shows how you can successfully produce bountiful crops throughout the seasons to provide a steady, daily harvest with minimal wastage. The book is illustrated with hundreds of stunning photographs and helpful hand-drawn illustrations that share clever design concepts and planting plans for gardens of all shapes and sizes. Kath is the perfect guide, and this easy-to-understand, comprehensive book is ideal for gardeners at any skill level, from beginners setting up a new garden from scratch, to intermediate trouble-shooters, to advanced green-thumbs seeking deeper knowledge.
The winner of the Man Booker Prize, this "expertly written, perfectly constructed" bestseller (The Guardian) is now a Starz miniseries. It is 1866, and Walter Moody has come to stake his claim in New Zealand's booming gold rush. On the stormy night of his arrival, he stumbles across a tense gathering of 12 local men who have met in secret to discuss a series of unexplained events: a wealthy man has vanished, a prostitute has tried to end her life, and an enormous cache of gold has been discovered in the home of a luckless drunk. Moody is soon drawn into a network of fates and fortunes that is as complex and exquisitely ornate as the night sky. Richly evoking a mid-nineteenth-century world of shipping, banking, and gold rush boom and bust, The Luminaries is at once a fiendishly clever ghost story, a gripping page-turner, and a thrilling novelistic achievement. It richly confirms that Eleanor Catton is one of the brightest stars in the international literary firmament.
Metaphors are ubiquitously used in the humanities to bring the tangibility of the concrete world to the elaboration of abstract thought. Drawing on this cognitive function of metaphors, this collection of essays focuses on the evocative figures of the ‘gateway’ and the ‘wall’ to reflect on the state of postcolonial studies. Some chapters – on such topics as maze-making in Canada and the Berlin Wall in the writings of New Zealand authors – foreground the modes of articulation between literal borders and emotional (dis)connections, while others examine how artefacts ranging from personal letters to clothes may be conceptualized as metaphorical ‘gateways’ and ‘walls’ that lead or, conversely, regulate access, to specific forms of cultural expression and knowledge. Following this line of metaphorical thought, postcolonial studies itself may be said to function as either barrier or pathway to further modes of enquiry. This much is suggested by two complementary sets of contributions: on the one hand, those that contend that the canonical centre-periphery paradigm and the related ‘writing back’ model have prevented scholars from recognizing the depth and magnitude of cross-cultural influences between civilizations; on the other, those that argue that the scope of traditional postcolonial models may be fruitfully widened to include territories such as post-imperial Turkey, a geographical and cultural gateway between East and West that features in several of the essays included in this collection. Ultimately, all of the contributions testify to the fact that postcolonial studies is a field whose borders must be constantly redrawn, and whose paradigms need to be continually reshaped and rebuilt to remain relevant in the contemporary world – in other words, the collection’s varied approaches suggest that the discipline itself is permanently ‘under construction’. Readers are, therefore, invited to perform a critical inspection of the postcolonial construction site. CONTRIBUTORS Vera Alexander - Elisabeth Bekers - Devon Campbell–Hall - Simran Chadha - Carmen Concilio - Margaret Daymond - Marta Dvořák - Claudia Duppé - Elena Furlanetto - Gareth Griffiths - John C. Hawley - Sissy Helff - Marie Herbillon - Deepika Marya - Bronwyn Mills - Padmini Mongia - Golnar Nabizadeh - Gerhard Stilz
This is the companion text to The Tyranny of the Normal: An Anthology. It examines the issues of abnormalities in mental health, intelligence, and sexual behaviour. Both books are comprised of literary and fictional readings and commentary by health care professionals and medical ethicists.
"'As a boy in the late 1930s, young Boden's life is changed for ever the day his neighbour Dudley drives him over the mountains into the vast snow-covered plains of the Mackenzie Country. He realises he will never be the same again. Years later, the 20-year-old Boden, now a university student, helps build an alpine hut high up on the eastern slopes of Mount Cook. Living in snow caves while the hut is built, Boden forms important relationships with members of his working party, most notably with Walter, a conscientious objector from the Second World War" --Back cover.
In 1951, just days before her scheduled lobotomy after years in a mental hospital, New Zealand author Janet Frame's first collection of short stories unexpectedly won the Hubert Church Memorial Award, one of the country's most prestigious honors. The procedure was cancelled, and Frame would go on to become one of the seminal authors of contemporary New Zealand literature. During her time at the MacDowell artist's colony in New Hampshire, Frame met painter William Theophilus Brown, and their friendship resulted in a whimsical and artistic correspondence that lasted until Frame's death in 2004. In Brown, Frame found an ideal listener who inspired her to take the art of letter writing to new creative heights; over the course of their correspondence, Frame included character sketches, personal disclosures, invented tales, and over 300 of her own doodles and collages. This compilation of letters and original illustrations has been published nowhere else in the world, including Frame's home country of New Zealand. This moving and enlightening correspondence opens up the hopes, fears, joys, and inner machinations of one of New Zealand's most renowned authors, and offers a side of her dramatic personal history often ignored or misunderstood by the public. The closeness and intimacy of the two artists allows for unfettered wordplay, where Janet is merely "Jay", Bill merely "Bee", and granular, unprocessed creativity is allowed to flow freely; the result is a book that vividly captures the brilliantly unique wit that was Janet Frame.
A landmark in New Zealand literary scholarship, this book provides an extraordinary insight into the formative years of one of New Zealand's most significant poets. Included are 56 letters written by James K. Baxter to his slightly older friend, Noel Ginn, who was at the time imprisoned as a conscientious objector. In these letters, a teenage Baxter pours out his ideas and feelings on life, philosophy, and his own work. Included are the complete texts of the 255 poems written at the time and discussed in the letters. The introduction, an important work of biographical criticism in its own right, puts Baxter's ideas and interests within the context of the wider public events and intellectual and spiritual currents of his time.