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The rapid development of Information Technology has also effected the layout and planning of our towns. Increasingly, physical structures are being covered with a veneer of visual-virtual light architecture which makes use of the new media to alter existing buildings and quarters, enriching and enhancing them. The townscape of tomorrow will become a huge, multilayered screen, which will draw the passers-by into an interactive electronic world. Gianni Ranaulo, born in 1957, is a practising architect, architectural critic and curator of exhibitions. He lives in France.
In the vast expanse of architectural design, the interplay between light and space forms the foundation of our built environment. Natural lighting, in particular, stands as a beacon of inspiration, guiding architects, designers, and builders toward sustainable, luminous spaces that resonate with the rhythms of nature and elevate the human experience. In this exploration of natural lighting in architecture, we embark on a journey of discovery—a journey that transcends the confines of tradition and convention to embrace the transformative power of light. Through the pages that follow, we delve into the art and science of daylighting, uncovering insights, inspiration, and possibilities that illuminate the path toward a brighter, more sustainable future for all. As we navigate this terrain of exploration, it is essential to acknowledge the myriad voices, perspectives, and influences that have shaped our understanding of natural lighting. From ancient civilizations that revered the sun as a symbol of life and renewal to modern pioneers who have revolutionized our approach to sustainable design, each contribution adds depth and richness to the tapestry of human knowledge and creativity. At its core, this exploration of natural lighting is a celebration—a celebration of light as a source of beauty, wonder, and connection to the world around us. It is a testament to the enduring power of human ingenuity and imagination—a reminder that, in the pursuit of excellence, we can create spaces that inspire, uplift, and endure for generations to come. As we embark on this journey together, let us embrace the spirit of exploration, curiosity, and collaboration that defines the architectural profession. Let us seek inspiration in the play of light and shadow, the dance of form and space, and the infinite possibilities that lie beyond the horizon of our imagination. In the chapters that follow, we will delve into the depths of natural lighting in architecture, exploring its principles, practices, and profound impact on the world we inhabit. Let us embark on this journey with open minds and open hearts, knowing that together, we can illuminate the world with beauty, wonder, and possibility.
Reviewing the use of natural light by architects in the era of electricity, this book aims to show that natural light not only remains a potential source of order in architecture, but that natural lighting strategies impose a usefully creative discipline on design. Considering an approach to environmental context that sees light as a critical aspect of place, this book explores current attitudes to natural light by offering a series of in-depth studies of recent projects and the particular lighting issues they have addressed. It gives a more nuanced appraisal of these lighting strategies by setting them within their broader topographic, climatic and cultural contexts.
The Wessex Institute of Technology has for years been convening conferences on sustainable architecture and planning, design in nature, heritage architecture, and environmental health. With the growing importance of lighting in the creation of better, healthier environments, the enhancement of heritage architecture, and the recovery of urban areas, as well as new developments in more sustainable lighting it became clear that a conference focusing on lighting issues would be useful. This book contains the papers to be presented at the first International Conference on Lighting in Engineering, Architecture and the Environment, discussing the latest developments in a variety of topics related to light and illumination, from its engineering aspects to its use in art and architecture and the effect of light on living systems and human health. Ranging from discussions of technical issues regarding equipment design and light measurement to human perception of light and the effect of light on human health, the book will be of interest to architectures, planners, environmental health experts, and stage designers in academia, industry and government, as well as colleagues discussing the latest developments in a variety of topics related to light and illumination, from its engineering aspects to its use in art and architecture and the effect of light on living systems and human health.
In this planning guide, the renowned lighting designer Ulrike Brandi documents all her findings on the topics of lighting design, daylight, sustainability and healthy living spaces. It is a challenge to create holistic lighting design in times of advancing mechanization, but it is the right thing to do in terms of achieving sustainability in the use of light and energy. The renowned lighting designer Ulrike Brandi explains this attitude with the words, “It’s better to make the most of natural light from the start, rather than compensating with artificial light afterwards”. The guideline Light Nature Architecture proves how essential, but also simple, it is to integrate natural light into architectural planning and thus into the design of healthy and pleasant living and working environments. This richly illustrated handbook is structured based on natural light phenomena and combines Ulrike Brandi’s wealth of experience, theoretical principles, and design methods to create a reference work and source of inspiration. Richly illustrated basic work for holistic lighting design Insight into the extensive practical experience and the individual approach of the renowned lighting designer Ulrike Brandi Source of inspiration for professional planners, architects and laypeople Available in English and German (Licht Natur Architektur, ISBN 9783035624083)
An updated guide to designing buildings that heat with the sun, cool with the wind, and light with the sky. This fully updated Third Edition covers principles of designing buildings that use the sun for heating, wind for cooling, and daylight for natural lighting. Using hundreds of illustrations, this book offers practical strategies that give the designer the tools they need to make energy efficient buildings. Hundreds of illustrations and practical strategies give the designer the tools they need to make energy efficient buildings. Organized to quickly guide the designer in making buildings respond to the sun, wind and light.
The image of open working and living spaces flooded with light has, more than any other, become fixed in our minds as a symbol of modernity and the spirit of the times. While the workplace has always been the focus of ergonomic studies and optimization with respect to a good provision of daylight, large glass surfaces have now become the order of the day for living spaces as well. But does this automatically make for better illumination? Taking this question as its starting point, the publication Illuminating thematizes central aspects of light planning, including the connection between the provision of daylight and architectural design, building orientation, the nature of the facade, the ground plan, comfort, and the proportions and atmosphere of rooms. In the process, general characteristics and fundamental principles as well as subtle facets of an intelligent treatment of daylight are discussed and critically examined within an expanded architecture- and culture-historical context.
The emergence of urbanism in Iraq occurred under the distinctive climatic conditions of the Mesopotamian plain; rainy winters and extremely hot summers profoundly affected the formation and development of these early cities. Sunlight and Shade in the First Cities explores the relationship between society, culture and lived experience through the way in which sunlight was manipulated in the urban built environment. Light is approached as both a physical phenomenon, which affects comfort and the practical usability of space, and as a symbolic phenomenon rich in social and religious meaning. Through the reconstruction of ancient urban light environments, to the extent possible from the archaeological remains, the location, timing and meaning of activities within early Mesopotamian cities become accessible. Sunlight is shown to have influenced the formation and symbolism of urban architecture and shaped the sensory experience of urban life.From cities as part of the sunlit landscape, this work progresses to consider city forms as a whole and then to the examination of architectural types; residential, sacred and palatial. Architectural analysis is complemented by analysis of contemporary textual sources, along with iconographic and artefactual evidence. The cities under detailed examination are limited to those on the Mesopotamian plain, focusing on the Early Dynastic periods up to the end of the second millennium BC.This volume demonstrates the utility of light as a tool with which to analyse, not just ancient Mesopotamian settlements, but the built environment of any past society, especially where provision of, or protection from sunlight critically affects life. The active influence of sunlight is demonstrated within Mesopotamian cities at every scale of analysis.