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Created in collaboration with Winsor & Newton, the world's leading supplier of art materials, this exciting new series of painting techniques and inspirational ideas is an asset for artists of every level of skill and experience. Packed with 6 complete, full-color demonstrations, each book aims to enhance artists' enjoyment of painting as well as broaden their techniques and skills.This book provides easy-to-follow steps to help readers create a painting packed with atmosphere, mood and light. They'll find invaluable advice on using a painted source of light to capture a particular time of day or specific mood. From start to finish, this guide helps artists give their watercolors just the right tone for the ambience they wish to convey.
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
Charlie O'Shields is the creator of Doodlewash®, founder of World Watercolor Month in July, and host of the Sketching Stuff podcast. Every single day, for over three years, he created a watercolor illustration and wrote a short essay about whatever came to mind that day and posted it on his blog. These are some of the collected favorites along with some brand new musings. With over 180 illustrations, this book is part personal memoir and sometimes just a randomly fun romp through the sillier bits of this crazy world we all inhabit. Written to take on the impossible task of inspiring creativity, unleashing your inner child, and instilling hope, it will, at the very least, make you smile and touch your heart.
Trevor Chamberlain's watercolour paintings are a celebration of light and atmosphere, and his skill in painting directly from nature to capture the mood of his subjects has earned him an enviable reputation among both amateur and professional artists. Here Trevor Chamberlain offers a fascinating glimpse over his shoulder as he describes his approach to interpreting the effects of light and weather using the limited watercolourist's palette. Mood in nature is his constant source of inspiration and his favoured subjects are marine, town and landscape. He particularly enjoys capturing the transient aspects of the English weather but he has also travelled extensively and enjoys the challenge of confronting the unfamiliar light and surroundings in exotic locations such as Egypt, Iran and India. An artist of the plein air tradition, he always paints directly from nature at first hand, an approach which he enthusiastically recommends to readers of this book.
In this second book in a series covering elements of the landscape, renowned watercolourist, David Bellamy shows how to paint skies, light and atmosphere and how choices involving these three key elements can affect a painting. Starting with skies, David Bellamy covers basic techniques, composition, clouds, special effects like silver linings, sunsets and shafts of light, and much more, then there is a step by step dramatic sky demonstration. Next comes light, with plenty of advice including warm and cool light, using glazes, cast shadows, light from different directions, painting the sun and reflected light, followed by a step by step demonstration featuring strong light and shadow. The atmosphere section covers haze and mist, fog, mountains in cloud, smoke and steam, rain, storms and tranquil moods, and is followed by an atmospheric step by step painting of a waterfall. David Bellamy's extensive travels and much admired painting style ensure that there are plenty of beautiful, inspiring paintings of skies, light and atmosphere throughout the book.
The watercolor clock shows artists how to manipulate watercolor materials for dazzling, atmospheric effects.
This volume outlines the fundamentals and applications of light scattering, absorption and polarization processes involving ice crystals.
This new text offers experienced students a comprehensive review of available techniques for the remote sensing of aerosols. These small particles influence both atmospheric visibility and the thermodynamics of the atmosphere. They are also of great importance in any consideration of climate change problems. Aerosols may also be responsible for the loss of harvests, human health problems and ecological disasters. Thus, this detailed study of aerosol properties on a global scale could not be more timely.
Light scattering review (vol 8) is aimed at the presentation of recent advances in radiative transfer and light scattering optics. The topics to be covered include: scattering of light by irregularly shaped particles suspended in atmosphere (dust, ice crystals), light scattering by particles much larger as compared the wavelength of incident radiation, atmospheric radiative forcing, astrophysical radiative transfer, radiative transfer and optical imaging in biological media, radiative transfer of polarized light, numerical aspects of radiative transfer.
Landscapes in Oil is the first-ever comprehensive guide to classical landscape painting reinterpreted for the twenty-first century. Drawing from the tradition established by American painters of the Hudson River School--artists like Thomas Cole, Frederic Church, and George Inness--author and painter Ken Salaz reveals great masters' philosophy and methods, updating their approaches for the contemporary landscape painter. Beginning painters are given the basic tools and step-by-step demonstrations, intermediate painters are challenged with unpublished techniques that allow them to break through to the next level, and advanced painters learn to apply their skills under unified theories. Landscapes in Oil devotes a chapter to each of the fundamental elements of landscape painting--drawing, value, color, composition, and light quality--and offers critical advice on selecting tools and materials, choosing colors, and structuring your palette for best results. Emphasizing the necessity of plein air drawing and painting, Salaz demonstrates how to translate small, quick studies made outdoors into full-scale studio paintings. He provides detailed step-by-step breakdowns of the creation of four of his own paintings, focusing not only on application but also on the ideas that underpin every decision a landscape painter must make. The scores of landscape masterworks, past and present, that illustrate this book have been carefully chosen for their aesthetic power and because each embodies a specific aspect of the landscape painter's craft. For Salaz, landscape painting is a noble pursuit, and the goal of the landscape artist is not to paint "pretty pictures" but to create compelling images that express human beings' profound connection to nature in all its diversity and grandeur. At a time when classical landscape is enjoying a renaissance in art schools, ateliers, and galleries across North America, this book is an essential resource for beginning and experienced painters alike.