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Moving from fable and historical fiction to contemporary realism, this book of stories from Barry Lopez is erotic and wise, full of irresistible characters doing things they shouldn't do for reasons that are mysterious and irreducible. In "The Letters of Heaven," a packet of recently discovered 17th-century Peruvian love letters presents a 20th-century man with the paralyzing choice of either protecting or exposing their stunning secret. When some young boys on the lookout for easy money get caught with a truckload of stolen horses, thievery quickly turns into redemption. For a group of convicts, a gathering of birds in the prison yard may be the key to transcendence, both figurative and literal. And, with the title story, Lopez enters a territory of unmitigated evil reminiscent of Conrad. Here are saints who shouldn't touch, but do; sinners who insist on the life of the spirit; a postcard paradise that turns into nightmare. Light Action in the Caribbean has already been hailed by Russell Banks as "tough-minded, emotionally turbulent, and always intelligent." E. Annie Proulx describes these stories as "subtle and mysterious" and says that a reader "cannot leave Lopez's fictional territory unchanged." This is a book that breaks exciting new ground for Barry Lopez.
Vintage Readers are a perfect introduction to some of the greatest modern writers presented in attractive, accessible paperback editions. “Lopez has such great narrative skill and uses his words so carefully the simple intensity is often nearly overwhelming.” —The Oregonian Barry Lopez is an unparalleled explorer of the relationship between humanity and nature, one he limns in prose as beautiful as it is economical. His essays and short fiction have appeared everywhere from Outside to Harper’s and The Paris Review. He is the winner of a 1986 National Book Award for his bestselling Arctic Dreams. Vintage Lopez is divided into two parts, nonfiction and fiction. It includes “Landscape and Narrative” ; the prologue to Arctic Dreams; and such classic short stories “The Entreaty of the Wiideema” and “The Mappist.” Also included, for the first time in book form, the essay “The Naturalist.”
From the National Book Award-winning author of Arctic Dreams, a highly charged, stunningly original work of fiction–a passionate response to the changes shaping our country today. In nine fictional testimonies, men and women who have resisted the mainstream and who are now suddenly “parties of interest” to the government tell their stories. A young woman in Buenos Aires watches bitterly as her family dissolves in betrayal and illness, but chooses to seek a new understanding of compassion rather than revenge. A carpenter traveling in India changes his life when he explodes in an act of violence out of proportion to its cause. The beginning of the end of a man’s lifelong search for coherence is sparked by a Montana grizzly. A man blinded in the war in Vietnam wrestles with the implications of his actions as a soldier–and with innocence, both lost and regained. Punctuated with haunting images by acclaimed artist Alan Magee, Resistance is powerful fiction with enormous significance for our times.
In Crossing Open Ground, Barry Lopez weaves the same invigorating spell as in his National Book Award-winning classic Arctic Dreams. Here, he travels through the American Southwest and Alaska, discussing endangered wildlife and forgotten cultures. Through his crystalline vision, Lopez urges us toward a new attitude, a re-enchantment with the world that is vital to our sense of place, our well-being . . . our very survival.
America's secret war in the Caribbean during the Cold War is revealed as never before in this riveting story of the machinations and blunders of superpowers, and the daring of the mavericks who took them on. During the presidencies of Eisenhower, Kennedy and Johnson, the Caribbean was in crisis, while the United States and the USSR acted out the world's rising tensions in its island nations. Meanwhile the leaders of these nations - the charismatic Fidel Castro, and his mysterious brother Raúl; the ideologue Che Guevara; the capricious psychopath Rafael Trujillo; and François 'Papa Doc' Duvalier, a buttoned-down doctor with interests in Vodou, embezzlement and torture - had ambitions of their own. Alex von Tunzelmann's brilliant narrative follows these five rivals and accomplices from the beginning of the Cold War to its end. The superpowers thought they could use these Caribbean leaders as puppets, but what neither bargained on was that their puppets would come to life. The United States, in its all-consuming fight against communism, stumbled into one disaster after another. First, with the Bay of Pigs, and then with the Cuban Missile Crisis, it helped bring the world as close to catastrophic nuclear war as it has ever been. Red Heatis an authoritative and eye-opening account of a wildly dramatic and dangerous era of international politics that has unmistakable resonance today.
Meet Jack Sparrow and his young pirate friends as they embark on a thrilling journey on the high seas. Their goal: to locate and procure the legendary Sword of Cortés, which will grant them unimaginable power. Jack and his crew return to New Orleans to find the entire city covered in precious metal--and ruled over by the nefarious Madamme Minuit. Can the combined crews of the Barnacle and the Fleur de la Mort defeat Madamme Minuit and her powerful allies? Spotlight is a division of ABDO and features licensed editions of popular fiction printed and bound specifically for the library market. Each Spotlight book is printed on the highest quality paper with reinforced library bindings.
A novelization of the upcoming Walt Disney Studios film, Pirates of the Caribbean: Dead Men Tell No Tales, starring Johnny Depp as the unforgettable Captain Jack Sparrow! The newest film in the box-office smashing franchise Pirates of the Caribbean, Dead Men Tell No Tales features the return of fan-favorites Johnny Depp as Jack Sparrow, and Geoffrey Rush as Hector Barbossa, alongside franchise newcomers Javier Bardem (No Country for Old Men, Skyfall), Kaya Scodelario (The Maze Runner), and Brenton Thwaites (Maleficent).
Despite high crime rates among men in the Caribbean, rising rates of violence against women in the region, and a significant number of Caribbean nationals incarcerated abroad due to drug smuggling, existing research has yet to offer explanations that are tailored to the unique Caribbean societies and the individuals in them. This edited volume adds to the existing body of scientific, empirical and theoretical work on crime (victimization), and criminal justice in the Caribbean, with a specific focus on impacts of post-colonialism and gender. To investigate these impacts on a developing Caribbean criminology, the contributions in this volume focus on how impacts of post-colonialism, associated racial stereotypes, and/or gender throughout the Caribbean impact on (a) types of offending, (b) victimization, and (c) criminal justice system responses and policies. Bringing together a broad range of experts, this book sheds light on key criminological topics in the Caribbean, including victimization, risk factors for offending, subcultures of violence and particularly gendered violence, and the role of motherhood within matrifocal societies. It is essential reading for those engaged with Caribbean - or decolonial - Criminology and those engaged with comparative and international studies in crime and justice more generally.
Why write? Why ask a reader to give their time and attention to your words? How can writing be more than narcissism and self-aggrandizement? These questions were ones that the writer and naturalist Barry Lopez asked at the Bread Loaf Writers’ Conference in the summer of 2000, and they are questions at the heart of About That Life, a meditation on matters of living, making, and seeking. While Lopez is best known for such works of nonfiction as the National Book Award-winning Arctic Dreams, Matthew Cheney brings our attention to the many works of short fiction that Lopez published throughout his life, demonstrating how they fit within Lopez’s sense of ethical aesthetics. That sense is then set alongside the work of San Francisco’s New Narrative writers, insights from David Hinton’s translations of Tu Fu, the story of community arising around a pottery kiln in western Oregon, the beauties and contradictions of Sōetsu Yanagi’s The Unknown Craftsman, and the implications of the right-wing mob attack on the U.S. Capitol – an event that occurred on what would have been Barry Lopez’s 76th birthday. Through a collage of memoir, history, literary criticism, philosophy, aesthetic theory, and creative writing exercises, About That Life wonders how we might live and dream in a world that seems ever more cruel and destructive.
In the late 1630s, lured by the promise of the New World, Andrea Stuart’s earliest known maternal ancestor, George Ashby, set sail from England to settle in Barbados. He fell into the life of a sugar plantation owner by mere chance, but by the time he harvested his first crop, a revolution was fully under way: the farming of sugar cane, and the swiftly increasing demands for sugar worldwide, would not only lift George Ashby from abject poverty and shape the lives of his descendants, but it would also bind together ambitious white entrepreneurs and enslaved black workers in a strangling embrace. Stuart uses her own family story—from the seventeenth century through the present—as the pivot for this epic tale of migration, settlement, survival, slavery and the making of the Americas. As it grew, the sugar trade enriched Europe as never before, financing the Industrial Revolution and fuelling the Enlightenment. And, as well, it became the basis of many economies in South America, played an important part in the evolution of the United States as a world power and transformed the Caribbean into an archipelago of riches. But this sweet and hugely profitable trade—“white gold,” as it was known—had profoundly less palatable consequences in its precipitation of the enslavement of Africans to work the fields on the islands and, ultimately, throughout the American continents. Interspersing the tectonic shifts of colonial history with her family’s experience, Stuart explores the interconnected themes of settlement, sugar and slavery with extraordinary subtlety and sensitivity. In examining how these forces shaped her own family—its genealogy, intimate relationships, circumstances of birth, varying hues of skin—she illuminates how her family, among millions of others like it, in turn transformed the society in which they lived, and how that interchange continues to this day. Shifting between personal and global history, Stuart gives us a deepened understanding of the connections between continents, between black and white, between men and women, between the free and the enslaved. It is a story brought to life with riveting and unparalleled immediacy, a story of fundamental importance to the making of our world.