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Available again for the first time in decades, this jewel of a memoir is the poignant story of a young Jewish girl growing up in a Polish farm village, from the peaceful early 1930s through the tragic war years, and finding safe harbor at last. “Deeply moving”—Elie Wiesel “A tone poem evocative of a vanished world”—Chaim Potok In her own words and with her own beautiful paintings and drawings, artist Toby Knobel Fluek (1926–2011) lovingly unfurls a unique view of Jewish life. She introduces us to her village, to her family, to the people among whom they lived; she shows us how customs and holidays were observed; and, with both feeling and restraint, she illustrates how this long-enduring way of life was shattered by World War II. She depicts her family’s experiences through Russian occupation and the devastation wreaked by the Nazis—and, finally, her new beginning in America. New to this edition is a foreword by Rakhmiel Peltz, PhD, PhD, Founding Director of the Judaic Studies Program at Drexel University, which he led for twenty years.
In 1990, American news magazine 20/20 first showed the world the horrible conditions that many of Romania's orphans encountered on an almost daily level each and every day. The images and videos of these orphanages, run down and almost in shambles, inhabited by children who looked barely living and nonhuman, shocked the world. Almost immediately, there was an international outcry, and an outpouring of international adoptions and aid into the country to save these children. The country of Romania panicked, and the world watched as more and more horrible stories emerged about the awful conditions of these orphans, the ones that would become a lost and abandoned generation. But, what was it really like? Besides the things the world saw and heard, what was the daily life and doings of the common Romanian orphan? What did they experience? How did they survive the terrible things that befell them? What was it really like to live in these awful conditions? In "Memories of Childhood," you'll get an exclusive inside story of a Romanian orphan named Nicolae Burcea. His memoirs from 1997 to 2001 recounts the vivid details of the day to day life of a typical Romanian orphan. You'll see the constant "relocations," the daily beatings, the friendships that were made and lost within a few minutes, the poor education and schooling, the concerns and worries about where to find food next, the abuse that never ended, the happy vacations that came a few times a year, the charity events, the long and never ending process to get adoption finalized, and the fight to remain dominant in a building crowded with other orphans struggling to survive and live. You'll see the hopes and devastations of a lonely child, and the thoughts and feelings of a boy who couldn't and wouldn't lose hope. Step into a world where everything normal is flipped upside down, and innocence as we know it simply does not exist. This book is truly unique in its vivid details and observations. Here is an eyewitness account of a boy- and others like him- who were simply abandoned and forgotten. Nicolae Burcea's story gives a voice to the thousands of orphaned children who had suffered the unimaginable fate of a child's worst nightmare. In an ironic and matter-of-fact style, Burcea lets you see, and even feel, the life of Romanian orphan.
Aggregating 46 years of research, this book proposes a fresh approach on how to conduct assessment and therapy using autobiographical memories. It offers a system to identify and deconstruct major lifetime memories and shows how clinicians can work with the content of these memories to help clients better understand past events as present events are filtered through them. Dr. Bruhn’s first book on this subject, Earliest Childhood Memories: Theory and Application to Clinical Practice (1990), illustrated what could be learned about clients’ present situation from the Early Memories Procedure (EMP), which is designed to identify and explore autobiographical memories of problematic experiences in therapy. The present book, which builds upon Dr. Bruhn’s work with incarcerated women and male parolees, shows what can be done with these key memories by working directly on them in therapy. Dr. Bruhn showcases a new insight-oriented treatment paradigm, "memories work," to help resolve the issues identified in EMP responses. Chapters offer an alternative view of processing trauma and explore each facet of using memories work to design mental health interventions with clients. Included throughout are detailed case studies and techniques to re-engineer dysfunctional perceptions. Clinicians and therapists will come away with the tools necessary to use memories work successfully with clients.
As America huffed its way to the end of the '70s, a change more profound than any one cultural trope's evolutionary death knell was taking place. Perceptively distilled in a new volume of photographs by longtime National Geographic shooter Nathan Benn, Kodachrome Memory: American Pictures 1972-1990 depicts an America of boisterous legend and vibrant regionalism, teetering on the cusp of the coming Information Age's great cultural flattening. Nathan Benn embraced color photography before it was considered an acceptable medium for serious documentary expression, traveling globally for National Geographic magazine for two decades. In revisiting his archive of almost half a million images, and editing his photographs with a 21st-century perspective, he discovered hundreds of unpublished American pictures that appeared inconsequential to editors of the 1970s and 1980s, but now resonate-in beautiful Kodachrome color-with empathic perspectives on everyday life in forgotten neighborhoods. Kodachrome Memory exemplifies forthright storytelling about everyday people and vernacular spaces. The photographs, organized by geographic and cultural affinities (North East, Heartland, Pittsburgh, and Florida), delight with poetic happenstance, melancholy framing, and wistful abandon. The past, an era heavily eulogized, comes alive again in its deliciously homely demeanor, and glorious Kodachrome hues. Yes, this is your father's America. An essay by scholar Paul M. Farber contextualizes the creation and selection of these images, offering a fresh perspective about color photography on the eve of the digital revolution. "Mr. Benn's [Kodachrome Memory] is a study of regional texture, the fruit of two decades as a photographer for National Geographic. Mr. Benn's unshowy compositions and the rich, clear colors of his Kodachrome slide-film make his images seem both timeless and particular." -The Wall Street Journal "Kodachrome Memory celebrates the significance of American regional diversity as it was 30 or 40 years ago, before the advent of Internet culture and before the country became one vast strip mall stretching from sea to sea. The seemingly inconsequential subjects of Benn's photographs-which are keenly observed and evocative of a time and place-act as metaphors for American culture and values. Although much of Benn's work was done for a magazine and not gallery walls, his use of color throughout holds its own with artists of the period such as William Eggleston and Stephen Shore." -Richard Buckley "Even if you've never seen Nathan Benn's photographs from the 1970s, they feel somehow familiar-like the refrain of a half-remembered song. With a uniquely American mix of formality and ease, and a color palette so tart you can almost taste it, Benn makes the past vividly-even painfully-present. So there's nothing nostalgic about his pictures of parades, homecomings, and town meetings, juke joints and barbershops, front porches and back roads, because you are there. Maybe that's why Kodachrome Memory: American Pictures 1972-1990 feels like an instant classic." -Vince Aletti
There are many different paths to the future. According to P.M.H. Atwater, one of the foremost investigators into near-death experiences, future memory allows people to "live" life in advance and remember the experience in detail when something triggers that memory. Atwater explains the unifying, and permanent, effect of that experience is a brain a "brain shift" which she believes "may be at the very core of existence itself." In Future Memory, Atwater shows that structural and chemical changes are occurring in our brains, changes indicative of higher evolutionary development. This mind-blowing exploration of a mind-blowing topic traces her findings about this phenomenon and explores its implications for the individual and for society. Future Memory: Provides a series of steps to assist in developing future memory Explores new models of time, existence, and consciousness Presents an in-depth study of the brain shift and how it can be experienced Offers an extensive appendix and resource manual Future Memory is an important step in understanding the relationship between human perception and reality.
Child psychiatrist Dr. Ian Stevenson describes what researchers at the University of Virginia Medical Center have learned by studying young children's reports of past-life memories.
Read this hilarious and touching biography about legendary coach and announcer Glen Sonmor. He dishes about everything from his playing days to coaching. Sonmor talks candidly about his career-ending eye injury, how he overcame alcoholism and more.
These are stories I have written about my life experiences throughout the years. I hope you enjoy them! They are written with my 6 children and countless family relatives in mind.
This volume contains two essays by Frederick Crews attacking Freudian psychoanalysis and its aftermath in the so-called recovered memory movement. The first essay reviews a growing body of evidence indicating that Freud doctored his data and manipulated his colleagues in an effort to consolidate a cult-life following that would neither defy nor upstage him. The second essay challenges the scientific and therapeutic claims of the rapidly growing recovered-memory movement, maintaining that its social effects have been devestating.