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Although romanticized as the last of the ancient Maya living isolated in the forest, several generations of the Lacandon Maya have had their lives shaped by the international oil economy, tourism, and political unrest. Watching Lacandon Maya Lives is an examination of dramatic cultural changes in a Maya rainforest farming community over the last forty years, including changes to their families, industries, religion, health and healing practices, and gender roles. The book contains several discussions of anthropological theory in accessible, jargon-free language, including how the use of different theoretical perspectives impacts an ethnographer’s fieldwork experience. While relating his own mishaps, experiences of community strife, and conflicts, Jon McGee encourages students to shed the romantic veil through which ethnographies are usually viewed and think more deeply about how events in our own lives influence how we understand the behavior of people around us. New to the Second Edition: Revised Introduction incorporates the author’s recent work with the Lacandon and discussions of anthropological writing, culture theory, and how events in the author’s personal life have changed his approach to anthropological fieldwork. Revised chapter, “Finding an Income in the Lacandon Jungle” focuses on families who have shifted from a subsistence farming economy to earning revenue by renting facilities to tourists, owning small community stores, working as hired labor for archaeologists, or make use of a variety of government rural aid programs created in the last two decades (Chapter 5). New chapter, “Forty Years Among the Lacandon: Some Lessons Learned,” discusses what the author’s 40 years of experience as an ethnographer has taught him about the discipline of anthropology and the concept of culture (Chapter 8)
An introduction to the complex stories of Mesoamerican divinity through the carvings, ceramics, and metalwork of the Maya Classic period Lives of the Gods reveals how ancient Maya artists evoked a pantheon as rich and complex as the more familiar Greco-Roman, Hindu-Buddhist, and Egyptian deities. Focusing on the period between A.D. 250 and 900, the authors show how this powerful cosmology informed some of the greatest creative achievements of Maya civilization.
Like their regal counterparts in societies around the globe, ancient Maya rulers departed this world with elaborate burial ceremonies and lavish grave goods, which often included ceramics, red pigments, earflares, stingray spines, jades, pearls, obsidian blades, and mosaics. Archaeological investigation of these burials, as well as the decipherment of inscriptions that record Maya rulers' funerary rites, have opened a fascinating window on how the ancient Maya envisaged the ruler's passage from the world of the living to the realm of the ancestors. Focusing on the Classic Period (AD 250-900), James Fitzsimmons examines and compares textual and archaeological evidence for rites of death and burial in the Maya lowlands, from which he creates models of royal Maya funerary behavior. Exploring ancient Maya attitudes toward death expressed at well-known sites such as Tikal, Guatemala, and Copan, Honduras, as well as less-explored archaeological locations, Fitzsimmons reconstructs royal mortuary rites and expands our understanding of key Maya concepts including the afterlife and ancestor veneration.
The definitive history of the Maya, fully updated with the latest archaeological studies and featuring full-color illustrations. The definitive history of the Maya, fully updated with the latest archaeological studies and featuring full-color illustrations. The Maya has long been established as the best, most readable introduction to the ancient Maya by experts Michael D. Coe and Stephen Houston. In this new edition, this classic has been updated by distilling the latest scholarship for the general reader and student. This edition incorporates the most recent archaeological and epigraphic findings, which continue to proceed at a fast pace, along with full-color illustrations. The new material includes evidence of the earliest human occupants of the Maya region and the beginnings of agriculture and settled life; analysis from lidar on swampy areas, such as Usumacinta, that show enormous rectangle earthworks, including Aguada Fe´nix, dating from 1050 to 750 BCE; and recent advances in decoding Maya writing and imagery. This revised edition also expands information on the roles of women, courtiers, and outsiders; covers novel research about Maya cities, including research into water quality, marketplaces, fortifications, and integrated road systems; and includes coverage of more recent Maya, including their displacement and mistreatment, along with growing affirmations of their cultural identity and legal rights. The Maya highlights the vitality of current scholarship about this brilliant culture.
From the dramatization of local legends to the staging of plays by Shakespeare and other canonical playwrights to the exploration of contemporary sociopolitical problems and their effects on women and children, Mayan theatre is a flourishing cultural institution in southern Mexico. Part of a larger movement to define Mayan self-identity and reclaim a Mayan cultural heritage, theatre in Mayan languages has both reflected on and contributed to a growing awareness of Mayans as contemporary cultural and political players in Mexico and on the world's stage. In this book, Tamara Underiner draws on fieldwork with theatre groups in Chiapas, Tabasco, and Yucatán to observe the Maya peoples in the process of defining themselves through theatrical performance. She looks at the activities of four theatre groups or networks, focusing on their operating strategies and on close analyses of selected dramatic texts. She shows that while each group works under the rubric of Mayan or indigenous theatre, their works are also in constant dialogue, confrontation, and collaboration with the wider, non-Mayan world. Her observations thus reveal not only how theatre is an agent of cultural self-definition and community-building but also how theatre negotiates complex relations among indigenous communities in Mayan Mexico, state governments, and non-Mayan artists and researchers.
From the ancient traditions of the Lacandón Maya comes an Indigenous model for a sustainable future Having lived for centuries isolated within Mexico’s largest remaining tropical rainforest, the Indigenous Lacandón Maya now live at the nexus of two worlds—ancient and modern. While previous research has focused on documenting Lacandón oral traditions and religious practices in order to preserve them, this book tells the story of how Lacandón families have adapted to the contemporary world while applying their ancestral knowledge to create an ecologically sustainable future. Drawing on his 49 years of studying and learning from the Lacandón Maya, James Nations discusses how in the midst of external pressures such as technological changes, missionary influences, and logging ventures, Lacandón communities are building an economic system of agroforestry and ecotourism that produces income for their families while protecting biodiversity and cultural resources. Nations describes methods they use to plant and harvest without harming the forest, illustrating that despite drastic changes in lifestyle, respect for the environment continues to connect Lacandón families across generations. By helping with these tasks and inheriting the fables and myths that reinforce this worldview, Lacandón children continue to learn about the plants, animals, and spiritual deities that coexist in their land. Indigenous peoples such as the Lacandón Maya control one-third of the intact forest landscapes left on Earth, and Indigenous knowledge and practices are increasingly recognized as key elements in the survival of the planet’s biological diversity. The story of the Lacandón Maya serves as a model for Indigenous-controlled environmental conservation, and it will inform anyone interested in supporting sustainable Indigenous futures. A volume in the series Maya Studies, edited by Diane Z. Chase and Arlen F. Chase
These articles mark a significant stage in the study of Maya architecture and the society that built it. They represent advances in our understandings of the past, point toward avenues for further studies, and note the distance yet to travel in fully appreciating and understanding this ancient American culture and its material remains.
This volume reprints 20 chapters from the editors’ comprehensive Histories of Maize (2006) that are relevant to Mesoamerican specialists and students. New findings and interpretations from the past three years have been included. Histories of Maize is the most comprehensive reference source on the botanical, genetic, archaeological, and anthropological aspects of ancient maize published. Included in this abridged volume are new introductory and concluding chapters and updated material on isotopic research. State of the art research on maize chronology, molecular biology, and stable carbon isotope research on ancient human diets have provided additional lines of evidence on the changing role of maize through time and space and its spread throughout the Americas. The multidisciplinary evidence from the social and biological sciences presented in this volume have generated a much more complex picture of the economic, political, and religious significance of maize.
People have long been fascinated about times in human history when different cultures and societies first came into contact with each other, how they reacted to that contact, and why it sometimes occurred peacefully and at other times was violent or catastrophic. Studies in Culture Contact: Interaction, Culture Change, and Archaeology, edited by James G. Cusick,seeks to define the role of culture contact in human history, to identify issues in the study of culture contact in archaeology, and to provide a critical overview of the major theoretical approaches to the study of culture and contact. In this collection of essays, anthropologists and archaeologists working in Europe and the Americas consider three forms of culture contact—colonization, cultural entanglement, and symmetrical exchange. Part I provides a critical overview of theoretical approaches to the study of culture contact, offering assessments of older concepts in anthropology, such as acculturation, as well as more recently formed concepts, including world systems and center-periphery models of contact. Part II contains eleven case studies of specific contact situations and their relationships to the archaeological record, with times and places as varied as pre- and post-Hispanic Mexico, Iron Age France, Jamaican sugar plantations, European provinces in the Roman Empire, and the missions of Spanish Florida. Studies in Culture Contact provides an extensive review of the history of culture contact in anthropological studies and develops a broad framework for studying culture contact’s role, moving beyond a simple formulation of contact and change to a more complex understanding of the amalgam of change and continuity in contact situations.