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A reluctant lady sleuth finds she's investigating her own family. 1881, Sussex. With a drowned husband—the second love lost—an overbearing family, no longed-for child, and the responsibility of a huge baroque mansion, it's not surprising Lady Helena Whitcombe is overwhelmed. When attractive, mysterious, French physician Armand Fortier disturbs her first weeks of mourning with his theory of murder, Helena's reluctant and ineffective attempts at investigation are hardly life-changing—until the resulting revival in her long-abandoned herbalist studies bring her into confrontation with her past and her family's. Can Lady Helena survive bereavement the second time around? Can she stand up to her six siblings' assumption of the right to control her new life as a widow? And what role will Fortier—who, as a physician, is a most unsuitable companion for an earl's daughter—play in her investigations? Every family has its secrets. The Scott-De Quincy family has more than most.
An extraordinary masterpiece written from personal experience, Middlemarch is a deep psychological observation of human nature that revolves around the issues of love, jealousy, and obligation. Eliot's feminist views are apparent through the novel: she stresses the fact that women should control their own lives.
A vivid and immersive history of Georgian England that gives its reader a firsthand experience of life as it was truly lived during the era of Jane Austen, Percy Bysshe Shelley, and the Duke of Wellington. This is the age of Jane Austen and the Romantic poets; the paintings of John Constable and the gardens of Humphry Repton; the sartorial elegance of Beau Brummell and the poetic licence of Lord Byron; Britain's military triumphs at Trafalgar and Waterloo; the threat of revolution and the Peterloo massacre. In the latest volume of his celebrated series of Time Traveler's Guides, Ian Mortimer turns to what is arguably the most-loved period in British history: the Regency, or Georgian England. A time of exuberance, thrills, frills and unchecked bad behavior, it was perhaps the last age of true freedom before the arrival of the stifling world of Victorian morality. At the same time, it was a period of transition that reflected unprecedented social, economic, and political change. And like all periods in history, it was an age of many contradictions—where Beethoven's thundering Fifth Symphony could premier in the same year that saw Jane Austen craft the delicate sensitivities of Persuasion. Once more, Ian Mortimer takes us on a thrilling journey to the past, revealing what people ate, drank, and wore; where they shopped and how they amused themselves; what they believed in, and what they were afraid of. Conveying the sights, sound,s and smells of the Regency period, this is history at its most exciting, physical, visceral—the past not as something to be studied but as lived experience.
An authoritative account of everyday life in Regency England, the backdrop of Austen’s beloved novels, from the authors of the forthcoming Gibraltar: The Greatest Siege in British History (March 2018) Jane Austen, arguably the greatest novelist of the English language, wrote brilliantly about the gentry and aristocracy of two centuries ago in her accounts of young women looking for love. Jane Austen’s England explores the customs and culture of the real England of her everyday existence depicted in her classic novels as well as those by Byron, Keats, and Shelley. Drawing upon a rich array of contemporary sources, including many previously unpublished manuscripts, diaries, and personal letters, Roy and Lesley Adkins vividly portray the daily lives of ordinary people, discussing topics as diverse as birth, marriage, religion, sexual practices, hygiene, highwaymen, and superstitions. From chores like fetching water to healing with medicinal leeches, from selling wives in the marketplace to buying smuggled gin, from the hardships faced by young boys and girls in the mines to the familiar sight of corpses swinging on gibbets, Jane Austen’s England offers an authoritative and gripping account that is sometimes humorous, often shocking, but always entertaining.
In Jane Austen and Representations of Regency England, Roger Sales looks at Jane Austen's entire oeuve, and views her historically as a Regency writer voicing concerns on the condition of England. Examining Austen's literary works; her letters - in the context of those of other Regency women; as well as contemporary texts such as television adaptations of her work, Jane Austen and Representations of Regency England reconstructs the breadth of Jane Austen's writing. It also examines: * her representations of dandyism and masculine identities * the events of the Regency crisis of 1810-12 * the way in which Austen engaged in topical debates such as healthcare in both Emma and Persuasion.
First in a sumptuous, female-led Arthurian Fantasy Romance trilogy When Anna Pendragon was born, Merlin prophesied: "Through all the ages, and in the hearts of men, you will be forgotten." Married at twelve, and a mother soon after, Anna - the famed King Arthur's sister - did not live a young life full of promise, myth, and legend. She bore three strong sons and delivered the kingdom of Orkney to her brother by way of her marriage. She did as she was asked, invisible and useful for her name, her status, her dowry, and her womb. Twenty years after she left her home, Anna returns to Carelon at Arthur's bidding, carrying the crown of her now-dead husband, Lot of Orkney. Past her prime and confined to the castle itself, she finds herself yet again a pawn in greater machinations and seemingly helpless to do anything about it. Anna must once again face the demons of her childhood: her sister Morgen, Elaine, and Morgause; Merlin and his scheming Avillion priests; and Bedevere, the man she once loved. To say nothing of new court visitors, like Lanceloch, or the trouble concerning her own sons. Carelon, and all of Braetan, is changing, though, and Anna must change along with it. New threats, inside and out, lurk in the shadows, and a strange power begins to awaken in her. As she learns to reconcile her dark gift, and struggles to keep the power to herself, she must bargain her own strength, and family, against her ambition and thirst for revenge.
This Is A New Release Of The Original 1830 Edition. Containing General Instructions For Combining Elegance, Simplicity, And Economy With Fashion In Dress.
An altogether unsatisfactory arrangement After their father's death, Miss Judith Taverner and her brother Peregrine travel to London to meet their guardian, Lord Worth, expecting an elderly gentleman. To their surprise and utter disgust, their guardian is not much older than they are, doesn't want the office of guardian any more than they want him, and is determined to thwart all their interests and return them to the country. With altogether too many complications But when Miss Taverner and Peregrine begin to move in the highest social circles, Lord Worth cannot help but entangle himself with his adventuresome wards... Praise for Regency Buck: "Clever!"— Library Journal "Georgette Heyer is unbeatable."— Sunday Telegraph "Light and frothy, in the vein of the author's other Regency novels, this follows the fortunes of Miss Judith Taverner and her brother, Sir Peregrine. A good introduction to Heyer's period stories..." — The Booklist "Reading Georgette Heyer is the next best thing to reading Jane Austen."— Publishers Weekly "A writer of great wit and style... I've read her books to ragged shreds"— Katie Fenton, Daily Telegraph "Wonderful characters, elegant, witty writing, perfect period detail, and rapturously romantic. Georgette Heyer achieves what the rest of us only aspire too."—Katie Fforde