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Second edition of The Pocket Guide to Edwardian England, newly revised and expanded. The Edwardian Era simplified, organized, and easy to reference. Aimed towards writers of historical fiction, though genealogists, Downton Abbey fans, and the curious alike will find this an excellent starting point for their own research. Compiled from lectures and blog posts on Edwardian Promenade, as well as 70% more original content, Edwardian England: A Guide to Everyday Life, 1900-1914 poses to give a entry level, but thorough look at the time period made popular by Downton Abbey and Mr. Selfridge.
Compiled from lectures and blog posts on Edwardian Promenade, the Pocket Guide to Edwardian England poses to give a fun, frothy, but thorough look at the time period made popular by Downton Abbey and Upstairs Downstairs! From the royal family of Edward VII to the working class, to the servants who toiled in great country houses and their masters, to the mighty politicians and their goals. For anyone wanting a short and concise, yet deeply engrossing look at this opulent era, Pocket Guide to Edwardian England is just book to take you away.
Exposition. London. Barbican Art Gallery. 1987-1988.
Looking at the lives of servants from the scullery maid to the butler, bestselling author Alison Maloney presents a vibrant account of a way of life from a bygone era.
The real lives of servants in the era of the TV series 'Downton Abbey'.
At a formal dinner you must never take a second helping or you will find yourself dining alone. The Edwardian age (1901-1910), the last period of the English country house, was defined by its etiquette for those both upstairs and down. This 'golden era' of gentility had answers to everything. Discover the correct way to address tradesmen, how to produce a pomade against baldness, how to deal with gossip and ways to get a perfect shine to glass among many other indispensable gems in this Edwardian guide to life.
'Must be regarded as an important step in rescuing Edwardian history from what he rightly calls "an academic limbo" ... combines the qualities of readability, breadth of focus, willingness to explain.' - TES
"A convincing account of a watershed epoch, Hattersley's concise yet comprehensive history casts new light on a much-misunderstood era." - Publishers Weekly Edwardian Britain has often been described as a golden sunlit afternoon---personified by its genial and self-indulgent King. In fact, modern Britain was born during the reign of Edward VII, when politics, science, literature, and the arts were turned upside down. In Parliament, the peers were crushed for the first time since Magna Carta. Irish nationalists and suffragettes took politics out on to the streets. Home Rule and Votes for Women were delayed, not precipitated, by the First World War. Great parliamentary stars such as Lloyd George and Winston Churchill typified an era in which personalities dominated the headlines of the new tabloid newspapers. It was the age of Rolls and Royce, Scott and Shackleton, Edward Elgar, Shaw, the Pankhursts, and Mrs. Alice Keppel, whose social life was reported without mention of her relationship with the King. The theater of ideas superseded drawing room dramas. Novelists of genius---from Henry James to D. H. Lawrence---produced a masterpiece each year. A London gallery caused a sensation with an exhibition of "Postimpressionists." Edward Elgar was the first English composer for two hundred years to stand comparison with the continental European masters. In sport, Victorian chivalry was replaced with unashamed professionalism. Man flew for the first time and the motorcar became a common sight on city streets. Physicists examined the structure of the atom and philosophers disputed the traditional definition of virtue. The churches tried, without success, to confront and confound a new skepticism. Explorers sought to prove that men could live, and die, like gods. Drawing on previously unpublished diaries and letters, Roy Hattersley's The Edwardians is a beguiling account of a turbulent and frequently misunderstood period. It is a full and often humorous portrait of an era that he elevates to its rightful place in British history.