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Sir Christopher Wren (1632–1723) is now mostly remembered as a genius of architecture – but he was also an accomplished polymath, who only came to architecture quite late in life. Most famous as the mastermind behind the rebuilding of St Paul's Cathedral and more than fifty parish churches after the Great Fire of London, among his countless other projects Wren also designed the Royal Hospital at Chelsea, the Royal Naval Hospital at Greenwich, and much of Hampton Court Palace. Replete with colourful images of his buildings, this concise biography tells the story of a man whose creations are still popular tourist attractions to this day, but also casts light on Wren's credentials as an intellectual and a founding member of the Royal Society.
A biography of Sir Christopher Wren from one of Britain's best writers and historians
A short history of the 51 Wren-designed churches in the city of London.
Everything Sir Christopher Wren undertook, he envisaged on a grander scale -- bigger, better, more enduring than anything that had gone before. A versatile genius who could have pursued a number of brilliant careers with equal virtuosity, he was a mathematical prodigy, an accomplished astronomer, a skillful anatomist, and a founder of the Royal Society. Eventually, he made a career in what he described disparagingly in later life as "Rubbish" -- the architecture, design, and construction of public buildings. Through the prism of Wren's tumultuous life and brilliant intellect, historian Lisa Jardine unfolds the vibrant, extraordinary emerging new world of late-seventeenth-century science and ideas.
James Elmes (1782-1862), the son of a builder, trained at the Royal Academy Schools as an architectural designer, but his career encompassed publishing and writing on architecture as well. A friend of Benjamin Robert Haydon and his circle, he was the first publisher (in his Annals of Fine Arts) of Keats' most famous odes. This work - the first biography of Wren - was published in 1823, and is dedicated to the President and Fellows of the Royal Society, of which Wren was a founder member in 1660. Elmes based his work on the so-called 'Parentalia', or notes on the Wren family compiled by his son (also Christopher), and privately printed by his grandson Stephen in 1750. Elmes puts Wren's life and works into the context of the intellectual ferment of Restoration England, and combines the narrative of Wren's life with an architectural commentary on his most important works.
A fresh look at the Eastern origins of Christopher Wren's architecture In this revelatory study of one of the great architects in British history, Vaughan Hart considers Christopher Wren's (1632-1723) interest in Eastern antiquity and Ottoman architecture, an interest that would animate much of his theory and practice. As the early modern understanding of antiquity broadened to include new discoveries at Palmyra and Persepolis, Wren disputed common assumptions about the European origins of Classical and Gothic architecture, tracing these building traditions not to the Greeks or Germans but to the stonemasons of the biblical East. In a deft analysis, Hart contextualizes Wren's use of classical elements--columns, domes, and cross plans--within his enthusiasm for the East and the broader Anglican interest in the Eastern church. A careful study of diary records reappraises Wren's working relationship with Robert Hooke (1635-1703), who shared in many of Wren's theoretical commitments. The result is a new, deepened understanding of Wren's work. Distributed for the Paul Mellon Centre for Studies in British Art
Christopher Wren (1632-1723) was the greatest architect Britain has ever known. But he was more than that. A founder of the Royal Society, he mapped the moon and the stars, investigated the problem of longitude and the rings of Saturn, and carried out groundbreaking experiments into the circulation of the blood. His observations on comets, meteorology and muscular action made vital contributions to the developing ideas of Newton, Halley and Boyle. His Invention So Fertile presents the first complete picture of this towering genius: the Surveyor-General of the King's Works, running the nation's biggest architectural office and wrestling with corruption and interference; the pioneering anatomist; the mathematician, devising new navigational instruments and lecturing on planetary motion. It also shows us the man behind the legend. Wren was married and widowed twice, he fathered a mentally handicapped child, quarrelled with his colleagues and fell foul of his employers. He scrambled over building sites and went to the theatre and drank in coffee-houses. The book explores what it was like to be at Oxford during the Commonwealth, as a generation struggled to make sense of a society in chaos; it recreates the tensions which tore apart the court of James II; it brings to life the petty jealousies that formed an integral part of both the building world and scientific milieu of the Royal Society. Above all, His Invention So Fertile makes clear to the general reader and the art historian just why Wren remains a cultural icon - both a creation and a creator of the world he lived in.