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"Antoine-Louis Barye (1796-1875), called by Gautier "le Michel-Ange de la Menagerie," is a sculptor whose star continues to rise both among critic-historians and among private collectors. Major museums--notably the Louvre, the Metropolitan, and the Walters--constantly add to their holdings of his work, while auction prices rose fivefold in the 1970's. Barye's relationship to contemporary sculptors and his influence on succeeding generations also are increasingly recognized. His art, in the author's words, "embodies the yearning and turmoil, the triumphs and anguish" of the Romantic Age. Bayre's work combines scientific precision (especially zoological), technical skill (particularly with bronze), and--despite his apparent thoroughgoing realism--composition approaching abstract expressionism. An introductory chapter tells what little is known of Barye's life: his friendship with Delacroix, his apprenticeship under the goldsmith to Napoleon I, his absorption of both the romanticism of Hugo and the positivism of Comte, his allegories for the royal house of Orleans, his association with Napoleon III in creating the New Louvre, and his tutelage of Rodin in the technique of animal sculpture. The bulk of the book presents a chronological critique of Barye's oeuvre, incorporating a complete catalog. It therefore serves not only as a study in artistic evolution but also as a handbook for curator and connoisseur."--Publisher's description.
The volume offered by the Barye Monument Association to those interested in the fund for a monumnet to Antoine Louis Barye at Paris is the memorial of a very uncommon event. The United States has no sentimental feeling with regard to France as the fatherland, like that which a large number of American cherish toward Great Britain and Ireland. Bonds of amity were knit in the past, and others have been formed since France became a republic ; but the difference of tongue more than offsets these. Therefore great merit must exist in the artist whose work exercises enough fascination to set Americans on the task of gathering funds for a monument that is to stand three thousand miles away across the ocean. It is often said that art has no country. But when, before this, has a foreign land raised a monument to a sculptor of modern times? -- Preface note.
The volume offered by the Barye Monument Association to those interested in the fund for a monumnet to Antoine Louis Barye at Paris is the memorial of a very uncommon event. The United States has no sentimental feeling with regard to France as the fatherland, like that which a large number of American cherish toward Great Britain and Ireland. Bonds of amity were knit in the past, and others have been formed since France became a republic ; but the difference of tongue more than offsets these. Therefore great merit must exist in the artist whose work exercises enough fascination to set Americans on the task of gathering funds for a monument that is to stand three thousand miles away across the ocean. It is often said that art has no country. But when, before this, has a foreign land raised a monument to a sculptor of modern times? -- Preface note.
WINNER OF THE FRANCO-BRITISH SOCIETY LITERARY AWARD 2020 'Art is a Tyrant recounts [Bonheur's] life with no little brio.' Michael Prodger, The Times Books of the Year 2020 'A diligently researched, beautifully produced and insistently sympathetic biography.' Kathryn Hughes, Guardian A new biography of the wildly unconventional 19th-century animal painter and gender equality pioneer Rosa Bonheur, from the author of the acclaimed Mistress of Paris and Renoir's Dancer. Rosa Bonheur was the very antithesis of the feminine ideal of 19th-century society. She was educated, she shunned traditional 'womanly' pursuits, she rejected marriage - and she wore trousers. But the society whose rules she spurned accepted her as one of their own, because of her genius for painting animals. She shared an intimate relationship with the eccentric, self-styled inventor Nathalie Micas, who nurtured the artist like a wife. Together Rosa, Nathalie and Nathalie's mother bought a chateau and with Rosa's menagerie of animals the trio became one of the most extraordinary households of the day. Catherine Hewitt's compelling new biography is an inspiring evocation of a life lived against the rules.
Contains photographs of sculptures created by Henri Matisse.
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