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In a hilariously charming domestic memoir, America’s celebrated master of terror turns to a different kind of fright: raising children In her celebrated fiction, Shirley Jackson explored the darkness lurking beneath the surface of small-town America. But in Life Among the Savages, she takes on the lighter side of small-town life. In this witty and warm memoir of her family’s life in rural Vermont, she delightfully exposes a domestic side in cheerful contrast to her quietly terrifying fiction. With a novelist’s gift for character, an unfailing maternal instinct, and her signature humor, Jackson turns everyday family experiences into brilliant adventures. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
A darkly funny account of family life from the author of The Haunting of Hill House and The Lottery 'Sometimes, in my capacity as a mother, I find myself sitting open-mouthed and terrified before my own children' As well as being a master of the macabre, Shirley Jackson was also a pitch-perfect chronicler of everyday family life. In Life Among the Savages, her caustically funny account of raising her children in a ramshackle house in Vermont, she deals with rats in the cellar, misbehaving imaginary friends, an oblivious husband and ever-encroaching domestic chaos, all described with wit, warmth and plenty of bite. 'Jackson's family chronicles have a genuinely subversive aspect ... Read today, her pieces feel surprisingly modern - mainly because she refuses to sentimentalize or idealize motherhood' The New York Times Book Review 'Comic masterpieces, laced with hints of the discontent that lies beneath' Guardian
In the uproarious sequel to Life Among the Savages, the author of The Haunting of Hill House confronts the most vexing demons yet: her children In the long out-of-print sequel to Life Among the Savages, Jackson’s four children have grown from savages into full-fledged demons. After bursting the seams of their first house, Jackson’s clan moves into a larger home. Of course, the chaos simply moves with them. A confrontation with the IRS, Little League, trumpet lessons, and enough clutter to bury her alive—Jackson spins them all into an indelible reminder that every bit as thrilling as a murderous family in a haunted house is a happy family in a new home.
Saint among Savages tells the remarkable story of St. Isaac Jogues, a French Jesuit who was killed by Mohawks while serving as a missionary in New France. Coming from a upper middle class life in Orleans, he knew from an early age that he wanted to be a priest and serve abroad as a missionary to risk his life in order to save souls. Along with several others, collectively known as the North American Martyrs, he followed his dreams and met death in the American wilderness. Living with the Huron people in what is now Ontario, he was captured by Mohawk warriors and tortured and held captive for over a year. He escaped back to France with help from the Dutch in New York, and remarkably insisted on going back to New France, even though he knew what he might be facing. Besides Jogues' life there is also a lot of material about the lives and customs of the Native American peoples who lived along the St. Lawrence River.
Biography.
Winner • National Book Critics Circle Award (Biography) Winner • Edgar Award (Critical/Biographical) Winner • Bram Stoker Award (Nonfiction) A New York Times Notable Book A Washington Post Notable Nonfiction Pick of the Year Named one of the Best Books of the Year by Entertainment Weekly, NPR, TIME, Boston Globe, NYLON, San Francisco Chronicle, Seattle Times, Kirkus Reviews, and Booklist In this “thoughtful and persuasive” biography, award-winning biographer Ruth Franklin establishes Shirley Jackson as a “serious and accomplished literary artist” (Charles McGrath, New York Times Book Review). Instantly heralded for its “masterful” and “thrilling” portrayal (Boston Globe), Shirley Jackson reveals the tumultuous life and inner darkness of the literary genius behind such classics as “The Lottery” and The Haunting of Hill House. In this “remarkable act of reclamation” (Neil Gaiman), Ruth Franklin envisions Jackson as “belonging to the great tradition of Hawthorne, Poe and James” (New York Times Book Review) and demonstrates how her unique contribution to the canon “so uncannily channeled women’s nightmares and contradictions that it is ‘nothing less than the secret history of American women of her era’ ” (Washington Post). Franklin investigates the “interplay between the life, the work, and the times with real skill and insight, making this fine book a real contribution not only to biography, but to mid-20th-century women’s history” (Chicago Tribune). “Wisely rescu[ing] Shirley Jackson from any semblance of obscurity” (Lena Dunham), Franklin’s invigorating portrait stands as the definitive biography of a generational avatar and an American literary genius.
A haunting and psychologically driven collection from Shirley Jackson that includes her best-known story "The Lottery" At last, Shirley Jackson's "The Lottery" enters Penguin Classics, sixty-five years after it shocked America audiences and elicited the most responses of any piece in New Yorker history. In her gothic visions of small-town America, Jackson, the author of such masterworks as The Haunting of Hill House and We Have Always Lived in the Castle, turns an ordinary world into a supernatural nightmare. This eclectic collection goes beyond her horror writing, revealing the full spectrum of her literary genius. In addition to Come Along with Me, Jackson's unfinished novel about the quirky inner life of a lonely widow, it features sixteen short stories and three lectures she delivered during her last years. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
THE STORY: The home of the Blackwoods near a Vermont village is a lonely, ominous abode, and Constance, the young mistress of the place, can't go out of the house without being insulted and stoned by the villagers. They have also composed a nasty s
“A harrowing portrait of race relations in America, as beautiful as it is urgent.”—Entertainment Weekly “Black satire with bite, like Zora Neale Hurston used to do, with a smile and a sharp elbow. A touch of Paul Beatty, a dose of Dolemite, and a serving of Dorothy Parker, too. Give My Love to the Savages announces Chris Stuck as a fearless talent, a debut that'll make your sides and your heart hurt.”—Victor LaValle, author of The Changeling “Give My Love To The Savages is a wildly inventive collection of provocative stories about navigating the minefield of black masculinity in America. Stuck’s fresh and fearless perspective overturns assumptions about race and identity to reveal complex layers of absurdity. At times merciless, always darkly funny, these are stories of unexpected communion, connection, and compassion.”—Chanelle Benz, author of The Gone Dead A provocative and raw debut collection of short fiction reminiscent of Junot Diaz’s Drown. A Black man’s life, told in scenes—through every time he’s been called nigger. A Black son who visits his estranged white father in Los Angeles just as the ’92 riots begin. A Black Republican, coping with a skin disease that has turned him white, is forced to reconsider his life. A young Black man, fetishized by an older white woman he’s just met, is offered a strange and tempting proposal. The nine tales in Give My Love to the Savages illuminate the multifaceted Black experience, exploring the thorny intersections of race, identity, and Black life through an extraordinary cast of characters. From the absurd to the starkly realistic, these stories take aim at the ironies and contradictions of the American racial experience. Chris Stuck traverses the dividing lines, and attempts to create meaning from them in unique and unusual ways. Each story considers a marker of our current culture, from uprisings and sly and not-so-sly racism, to Black fetishization and conservatism, to the obstacles placed in front of Black masculinity and Black and interracial relationships by society and circumstance. Setting these stories across America, from Los Angeles, Phoenix and the Pacific Northwest, to New York and Washington, DC, to the suburbs and small Midwestern towns, Stuck uses place to expose the absurdity of race and the odd ways that Black people and white people converge and retreat, rub against and bump into one another. Ultimately, Give My Love to the Savages is the story of America. With biting humor and careful honesty, Stuck riffs on the dichotomy of love and barbarity—the yin and yang of racial experience—and the difficult and uncertain terrain Black Americans must navigate in pursuit of their desires.
A bewitchingly brilliant collection of never-before-published letters from the renowned author of “The Lottery” and The Haunting of Hill House NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS • “This biography-through-letters gives an intimate and warm voice to the imagination behind the treasury of uncanny tales that is Shirley Jackson’s legacy.”—Joyce Carol Oates Shirley Jackson is one of the most important American authors of the last hundred years and among our greatest chroniclers of the female experience. This extraordinary compilation of personal correspondence has all the hallmarks of Jackson’s beloved fiction: flashes of the uncanny in the domestic, sparks of horror in the quotidian, and the veins of humor that run through good times and bad. i am having a fine time doing a novel with my left hand and a long story—with as many levels as grand central station—with my right hand, stirring chocolate pudding with a spoon held in my teeth, and tuning the television with both feet. Written over the course of nearly three decades, from Jackson’s college years to six days before her early death at the age of forty-eight, these letters become the autobiography Shirley Jackson never wrote. As well as being a bestselling author, Jackson spent much of her adult life as a mother of four in Vermont, and the landscape here is often the everyday: raucous holidays and trips to the dentist, overdue taxes and frayed lines of Christmas lights, new dogs and new babies. But in recounting these events to family, friends, and colleagues, she turns them into remarkable stories: entertaining, revealing, and wise. At the same time, many of these letters provide fresh insight into the genesis and progress of Jackson’s writing over nearly three decades. The novel is getting sadder. It’s always such a strange feeling—I know something’s going to happen, and those poor people in the book don’t; they just go blithely on their ways. Compiled and edited by her elder son, Laurence Jackson Hyman, in consultation with Jackson scholar Bernice M. Murphy and featuring Jackson’s own witty line drawings, this intimate collection holds the beguiling prism of Shirley Jackson—writer and reader, mother and daughter, neighbor and wife—up to the light.