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"Life and Adventures of James Williams, a Fugitive Slave" is a 1873 account by American slave James Williams, describing his early life, abuse, and eventual escape to New York City. The first slave narrative published by the American Anti-Slavery Society, today the story is commonly remembered as fraudulent due to contemporary Southern newspaper columnists' attacks on the narrative's veracity. The book was ghostwritten by John Greenleaf Whittier, a Quaker poet and abolitionist. Contents include: "An Introductory Excerpt by W. Mckinstry", "Preface", "When and Where Born", "Why I Ran Away", "First Contact with the Underground Railroad", "In the Riot Against the Killers", "Escape from Pursuers", "Raffling for Geese, and What Came of it", "Making Coffee out of Salt Water", etc. A powerful account of life as an African-American slave that will appeal to those interested in black history and literature. Read & Co. History is proudly republishing this classic slave narrative now in a brand new edition, complete with an introductory excerpt by W. Mckinstry.
Argues that human freedom is threatened by systems of intelligent persuasion developed by tech giants who compete for our time and attention. This title is also available as Open Access.
Reprint of the original, first published in 1873.
LARGE PRINT EDITIONTHE Author, thinking an account of his life and experience would be of service to persons into whose hands it might fall, has, by the advice of some of his friends, come to the conclusion to narrate, as correctly as possible, things that he encountered and that came under his notice during a period of some forty-five years. He hopes, after a perusal of his first attempt, the reader will pardon him for any errors which may have been committed; and if I can only think that any good may have grown out of my adventures, I shall then consider that I have commenced to answer the end I and all human beings were created for--having lived that the world may be bettered by me.
Winner • Herbert H. Lehman Prize for Distinguished Scholarship in New York History Winner • GANYC Apple Award for Outstanding Book Writing (Nonfiction) Finalist • Brendan Gill Prize (Municipal Art Society of New York) Open Letters Review • 10 Best Biographies of 2019 The Bowery Boys Podcast • 10 Favorite Books of 2019 A long-overdue biography of the head of Grand Central Terminal’s Red Caps, who flourished in the cultural nexus of Harlem and American railroads. In a feat of remarkable research and timely reclamation, Eric K. Washington uncovers the nearly forgotten life of James H. Williams (1878–1948), the chief porter of Grand Central Terminal’s Red Caps—a multitude of Harlem-based black men whom he organized into the essential labor force of America’s most august railroad station. Washington reveals that despite the highly racialized and often exploitative nature of the work, the Red Cap was a highly coveted job for college-bound black men determined to join New York’s bourgeoning middle class. Examining the deeply intertwined subjects of class, labor, and African American history, Washington chronicles Williams’s life, showing how the enterprising son of freed slaves successfully navigated the segregated world of the northern metropolis, and in so doing ultimately achieved financial and social influence. With this biography, Williams must now be considered, along with Cornelius Vanderbilt and Jacqueline Onassis, one of the great heroes of Grand Central’s storied past.
Given the rise of new interdisciplinary and methodological approaches to African American and Black Atlantic studies, The Oxford Handbook of the African American Slave Narrative will offer a fresh, wide-ranging assessment of this major American literary genre. The volume will begin with articles that consider the fundamental concerns of gender, sexuality, community, and the Christian ethos of suffering and redemption that are central to any understanding of slave narratives. The chapters that follow will interrogate the various agendas behind the production of both pre- and post-Emancipation narratives and take up the various interpretive problems they pose. Strategic omissions and veiled gestures were often necessary in these life accounts as they revealed disturbing, too-painful truths, far beyond what white audiences were prepared to hear. While touching upon the familiar canonical autobiographies of Frederick Douglass and Harriet Jacobs, the Handbook will pay more attention to the under-studied narratives of Josiah Henson, Sojourner Truth, William Grimes, Henry Box Brown, and other often-overlooked accounts. In addition to the literary autobiographies of bondage, the volume will anatomize the powerful WPA recordings of interviews with former slaves during the late 1930s. With essays on the genre's imaginative afterlife, its final essays will chart the emergence and development of neoslave narratives, most notably in Styron's The Confessions of Nat Turner, Toni Morrisons's Beloved and Octavia Butler's provocative science fiction novel, Kindred. In short, the Handbook will provide a long-overdue assessment of the state of the genre and the vital scholarship that continues to grow around it, work that is offering some of the most provocative analysis emerging out of the literary studies discipline as a whole.
Jack Lack is a mainstreamed eleven-year-old with high-functioning autism. Because he can "talk and did well on spelling tests," he doesn't qualify for the sanctuary of the autism classroom, but instead has been thrown into the BD/JD [behavior-disordered/juvenile delinquent] classroom, which is full of wise-cracking malcontents. Jack is the only one who doesn't constantly misbehave, but because he lacks social skills, he is the one who is invariably blamed for everyone else's misdeeds. After a "typical" school day, Jack returns home to find out that he and his parents will be spending a month with his extended family, to help plan his eccentric Aunt Eva's second wedding. The good news is that he will be taken out of school; the bad news is that he will have to spend that month with his scheming, nefarious cousins, who have always been "out to get him." And in fact, as the month progresses, mysterious things happen, things that (of course) Jack is always blamed for. Determined to prove his innocence, Jack becomes a self-styled detective, hunting for clues to find the real villain. In the process, he ends up finding out things about himself and his extended family that surprise everyone. Cover art by Lauren Williams. Learn more at www.outtogetjack.com
In a feat of remarkable research and timely reclamation, Eric K. Washington uncovers the nearly forgotten life of James H. Williams (1878–1948), the chief porter of Grand Central Terminal’s Red Caps—a multitude of Harlem-based black men whom he organized into the essential labor force of America’s most august railroad station. Washington reveals that despite the highly racialized and often exploitative nature of the work, the Red Cap was a highly coveted job for college-bound black men determined to join New York’s bourgeoning middle class. Examining the deeply intertwined subjects of class, labor, and African American history, Washington chronicles Williams’s life, showing how the enterprising son of freed slaves successfully navigated the segregated world of the northern metropolis, and in so doing ultimately achieved financial and social influence. With this biography, Williams must now be considered, along with Cornelius Vanderbilt and Jacqueline Onassis, one of the great heroes of Grand Central’s storied past.