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This book is an examination of the use of the family album in contemporary Spanish culture. Through the analysis of films, narratives, painting, and a photographic exhibition produced from the end of Franco's dictatorship to the present, Kim interrogates how the family album serves as a critical instrument to reflect on the treatment of the past in contemporary Spain, the recuperation of repressed identities, nostalgia for collective memory symptomatic of the cultural discontent with the erosion of a national boundary due to globalization and the increasing claim of diversity, and ethical concerns for immigration. This study explores a broad range of works by canonical as well as less studied writers and artists, including Juan Goytisolo, Carlos Saura, and Marta Balletbo-Coll. Yeon-Soo Kim is Assistant Professor of Spanish at Rutgers University.
Obsessively neat Lily, a writer who writes about writers, is asked to interview the enigmatic Rita Boothe, journalist, photographer, self-styled culinary expert and wit. Sitting in Rita's living room, leafing through a book of photographs from the early seventies, Lily comes across a picture of an incandescently sexy young woman sitting in the back of a limousine swigging Jack Daniels. It is her mother, Mattie. Lily isn't shocked. She's envious. She wants to be like that--beautiful, exuberant. Mattie, though, is no longer the meltingly gorgeous creature she was. She and her husband scrape by and bicker. Upstairs in their neglected house, Grandpa flirts on the Internet. Marie, Lily's sister, is facing a custody suit. Rory, the brother, hates coming home--those endless catch-up conversations. Usually it is Lily, the dutiful daughter, who sorts out the family. She knows she's flawed, but boringly so. Now she wants to be flawed in an interesting way, to be a woman of wicked mystery and intrigue. Like the one in the photograph. SECRETS OF A FAMILY ALBUM is a beautifully written novel that explores the struggles and triumphs of one extraordinary family.
"In this haunting new novel, the act of forgetting is as strange and interesting as the power of remembering." —The New York Times Book Review Look out for Penelope Lively’s new book, The Purple Swamp Hen and Other Stories. Penelope Lively is renowned for her signature combination of silken storytelling and nuanced human insights. In Family Album, lively masterfully peels back one family's perfect façade to reveal the unsettling truths. All Alison ever wanted was to provide her six children with a blissful childhood. Its creation, however, became an obsession that involved Ingrid, the family au pair. As adults, Paul, Gina, Sandra, Katie, Roger, and Clare return to their family home and as mysteries begin to unravel, each must confront how the consequences of long-held secrets have shaped their lives.
As Cynthia ruminates on her changing circumstances, life forces her to take a look at those she calls family. A former literary notable, Cynthia Wilkes is looking down the barrel of an empty nest, an empty desk, and an endless supply of empty pages when an unlikely protégé comes calling, setting in motion a chain of events that will force Cynthia, and those closest to her, to redefine the idea of family and of self. This novel is a humorous look at the creation and reconstruction of family and the lingering hold of the people we keep close and those we try to let go ... the siblings and step-siblings, parents and step-parents, spouses and exes, the friends, the colleagues, and the others we call family.
A comprehensive survey of women's issues within art therapy. Leading international practitioners discuss topics such as assertiveness, empowerment, sexuality and childbirth, as well as issues around class, race and age.
Dedicated to art practices that mobilize the model of the archive, Staging the Archive demonstrates the ways in which such “archival artworks” probe the possibilities of what art is and what it can do. Through a variety of media, methodologies and perspectives, the artists surveyed here also challenge the principles on which the notions of organization, evidence, and documentation are built. The earliest examples of the modern archival artwork were made in the 1930s, but only since the 1960s have artists really embraced archival principles to inform, structure, and shape their works. This includes practices that consist of archive construction, archaeological investigation, record keeping, and the use of archived materials, but also interrogations of the principles, claims, and effects of the archive. Staging the Archive shows how artists read the concept of the archive against the grain, questioning not only what the archive is and can be but what materials, images, or ideas can be archived. Ernst van Alphen examines these archival artists and artworks in detail, setting them within their social, political, and aesthetic contexts. Exploring the works of Marcel Duchamp, Marcel Broodthaers, Christian Boltanski, Annette Messager, Fiona Tan, and Sophie Calle, among others, he reveals how modern and contemporary artists have used and contested the notion of the archive to establish new relationships to history, information, and data.