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What should the state look like in the third millennium? That is the question addressed in this book by Hans-Adam II, The Reigning Prince of Liechtenstein, drawing on two decades of experience as ruler of a constitutional monarchy. The State in the Third Millennium analyzes the forces that have shaped human history in the past and are likely to do so for the foreseeable future. Prince Hans-Adam explores strategies on how to realize worldwide the modern democratic constitutional state in the third millennium. He observes that citizens should no longer be viewed as servants of the state, but rather that states be converted into benevolent service companies which serve the people as their customers. Prince Hans-Adam's explorations of governance range wide, including his analysis of direct and indirect democracies via the experience of the American Revolution and the Swiss Constitution of 1848. He draws lessons on opportunities for reform derived from his own observations of Liechtenstein's paths to political reform.
In a fresh and timely reinterpretation, Nelson Lichtenstein examines how trade unionism has waxed and waned in the nation's political and moral imagination, among both devoted partisans and intransigent foes. From the steel foundry to the burger-grill, from Woodrow Wilson to John Sweeney, from Homestead to Pittston, Lichtenstein weaves together a compelling matrix of ideas, stories, strikes, laws, and people in a streamlined narrative of work and labor in the twentieth century. The "labor question" became a burning issue during the Progressive Era because its solution seemed essential to the survival of American democracy itself. Beginning there, Lichtenstein takes us all the way to the organizing fever of contemporary Los Angeles, where the labor movement stands at the center of the effort to transform millions of new immigrants into alert citizen unionists. He offers an expansive survey of labor's upsurge during the 1930s, when the New Deal put a white, male version of industrial democracy at the heart of U.S. political culture. He debunks the myth of a postwar "management-labor accord" by showing that there was (at most) a limited, unstable truce. Lichtenstein argues that the ideas that had once sustained solidarity and citizenship in the world of work underwent a radical transformation when the rights-centered social movements of the 1960s and 1970s captured the nation's moral imagination. The labor movement was therefore tragically unprepared for the years of Reagan and Clinton: although technological change and a new era of global economics battered the unions, their real failure was one of ideas and political will. Throughout, Lichtenstein argues that labor's most important function, in theory if not always in practice, has been the vitalization of a democratic ethos, at work and in the larger society. To the extent that the unions fuse their purpose with that impulse, they can once again become central to the fate of the republic. State of the Union is an incisive history that tells the story of one of America's defining aspirations.
The story of how a much-contested legal category—statelessness—transformed the international legal order and redefined the relationship between states and their citizens. Two world wars left millions stranded in Europe. The collapse of empires and the rise of independent states in the twentieth century produced an unprecedented number of people without national belonging and with nowhere to go. Mira Siegelberg’s innovative history weaves together ideas about law and politics, rights and citizenship, with the intimate plight of stateless persons, to explore how and why the problem of statelessness compelled a new understanding of the international order in the twentieth century and beyond. In the years following the First World War, the legal category of statelessness generated novel visions of cosmopolitan political and legal organization and challenged efforts to limit the boundaries of national membership and international authority. Yet, as Siegelberg shows, the emergence of mass statelessness ultimately gave rise to the rights regime created after World War II, which empowered the territorial state as the fundamental source of protection and rights, against alternative political configurations. Today we live with the results: more than twelve million people are stateless and millions more belong to categories of recent invention, including refugees and asylum seekers. By uncovering the ideological origins of the international agreements that define categories of citizenship and non-citizenship, Statelessness better equips us to confront current dilemmas of political organization and authority at the global level.
From first to last the New Deal was a work in progress, a patchwork of often contradictory ideas.
For more than thirty years Nelson Lichtenstein has deployed his scholarship--on labor, politics, and social thought--to chart the history and prospects of a progressive America. A Contest of Ideas collects and updates many of Lichtenstein's most provocative and controversial essays and reviews. These incisive writings link the fate of the labor movement to the transformations in the shape of world capitalism, to the rise of the civil rights movement, and to the activists and intellectuals who have played such important roles. Tracing broad patterns of political thought, Lichtenstein offers important perspectives on the relationship of labor and the state, the tensions that sometimes exist between a culture of rights and the idea of solidarity, and the rise of conservatism in politics, law, and intellectual life. The volume closes with portraits of five activist intellectuals whose work has been vital to the conflicts that engage the labor movement, public policy, and political culture.
Roy before he was Lichtenstein: the path to becoming a Pop Art titan began with Lichtenstein's cycling through a provocative range of visual culture, from fairy tales and children's and folk art to mythic forms of Americana, such as cowboys and Disney. Roy Lichtenstein: History in the Making, 1948-1960 is the first major museum exhibition to investigate the early work of one of the best-known American artists of the twentieth century. Co-organized by Colby College Museum of Art and Nasher Museum of Art at Duke University, the exhibition will include approximately ninety works from the artist's fruitful and formative early career, many never before seen by the public. The show and accompanying catalog will include paintings, drawings, sculptures, and prints which reveal an artist, even in the earliest stages of his career, with a keen interest in visual culture, culling--with a critical eye--from a wide range of sources. These inspirations were the essential but little-known precursors to the artist's later sourcing of comic books and advertisements. Likewise, his exploration of abstraction, just before the artist's abrupt turn to Pop Art in 1961, straddles the line between unabashed lyricism and wry critique of second-generation Abstract Expressionism. The catalog, with new scholarship by leading experts in the field, provides a new understanding of Lichtenstein's influential techniques of appropriation and offers the opportunity to more fully assess the artistic and cultural dynamism of postwar America.
Liechtenstein is a small, landlocked country located between Austria and Switzerland. It is the sixth smallest country in the world, with an area of only 160 square kilometers and a population of approximately 38,000 people. The country's economy is largely based on the financial sector, and it is known for its strict banking secrecy laws. Liechtenstein is also known for its beautiful Alpine scenery and its historic castles, which are popular tourist attractions. Liechtenstein has a long and fascinating history. The country was founded in 1719 by the Liechtenstein family, who purchased the territory from the Austrian Empire. For many years, Liechtenstein was closely aligned with Austria, and the two countries shared a common currency until the 1920s. In the 20th century, Liechtenstein became increasingly independent and developed its own unique culture and identity. Today, it is a prosperous and thriving country, with a high standard of living and a strong economy.
Ulrich von Liechtenstein's extraordinary account of his adventures as a knight-errant is one of the most vivid images of chivalric life. Ulrich von Liechtenstein's extraordinary account of his adventures as a knight-errant is one of the most vivid images of chivalric life to have come down to us. His knightly autobiography was written in the mid-thirteenth century, and gives an account of the "journey of Venus" which he undertook in 1226 in honour of his lady, in which he claimed to have broken 307 spears in jousts against all comers in the space of a month. Some of it is obviously quietlyexaggerated, written for his friends' entertainment many years later, and he is not above a sly dig at the conventions of courtly love, but he completely accepts its basic ideas. It is full of lively episodes and good stories, aswell as verses in honour of his lady; if the tale has been polished up for effect, it is nonetheless a thoroughly entertaining account of how a knight saw his ideal career in the jousting field. If the name is unexpectedly familiar to modern readers, it is because it was borrowed by the hero of the film A Knight's Tale; Ulrich would have certainly approved of his exploits. Introduction by KELLY DEVRIES.