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Describes the history, government, economy, people, geography, and cultural life of Libya.
Centered around the 2011 Libyan Revolution, Libyan Sugar is a road trip through a war zone, detailed through photographs, journal entries, and written communication with family and colleagues. A record of Michael Christopher Brown's life both inside and outside Libya during that year, the work is about a young man going to war for the first time and his experience of that age-old desire to get as close as possible to a conflict in order to discover something about war and something about himself, perhaps a certain definition of life and death.
Testament is a collection of photographs and writing by late photojournalist Chris Hondros spanning over a decade of coverage from most of the world's conflicts since the late 1990s, including Kosovo, Afghanistan, the West Bank, Iraq, Liberia, Egypt, and Libya. Through Hondros' images, we witness a jubilant Liberian rebel fighter exalt during a firefight, a U.S. Marine remove Saddam Hussein's portrait from an Iraqi classroom, American troops ride confidently in a thin-skinned unarmored Humvee during the first months of the Iraq war, "the probing eyes of an Afghan village boy," and "rambunctious Iraqi schoolgirls enjoying their precious few years of relative freedom before aging into more restricted adulthoods." Hondros was not just a front-line war photographer, but also a committed observer and witness, and his work humanizes complex world events and brings to light shared human experiences. Evident in his writings, interspersed throughout, Hondros was determined to broaden our understanding of war and its consequences. This unyielding determination led Hondros to take dozens of trips to Iraq and Afghanistan, even as the news turned elsewhere. During these "routine" trips, Hondros examined and observed daily life in these war-torn societies. His inventive Humvee picture series frames the ever-changing landscapes of these countries, offering a glimpse into the daily lives of those most affected by conflict. "One of the ongoing themes in my work, I hope, and one of the things I believe in, is a sense of human nature, a sense of shared humanity above the cultural layers we place on ourselves [which don't] mean that much compared to the human experience." —Chris Hondros As a photographer working in the world's most difficult and dangerous places, Chris Hondros had the distinctive ability to connect his viewers with people embroiled in far-flung and sometimes obscure conflicts. He recognized the shared humanity among those affected by war, regardless of culture or beliefs, and he was determined to share their challenges to the wider world in the hope of provoking thought, raising awareness, and fostering understanding. In the introduction to the book, Getty Images Co-founder and CEO Jonathan Klein writes, "Chris believed that his work could and would make a difference. He dedicated and ultimately lost his life in pursuit of that belief. I have no doubt that Chris was correct. Images can and do influence public opinion, galvanize people and societies, and force governments to change. They bring much-needed focus and attention to the suffering of people who are otherwise unable to communicate their plight." Inspired by his life, work, and vision—The Chris Hondros Fund endeavors to bring light to shared human experiences by supporting and protecting photojournalists. Through their generous support, Getty Images' proceeds from the sale of the book will be donated to the Fund. For more information please visit www.chrishondrosfund.org.
Brings to life a group of Greco-Roman cities long lost under the desert sands of North Africa. The discoveries of these sites offer a unique view of both Africa and the Greco-Roman world.
“Spectacular . . . a majestic collection that captures the drama of everyday existence in war zones around the world. . . . There is no disputing the impact of this revelatory collection.” —BookPage From the Pulitzer Prize-winning photojournalist and New York Times bestselling author, a stunning and personally curated selection of her work across the Middle East, South Asia, and Africa Pulitzer Prize–winning photojournalist and MacArthur Fellow Lynsey Addario has spent the last two decades bearing witness to the world’s most urgent humanitarian and human rights crises. Traveling to the most dangerous and remote corners to document crucial moments such as Afghanistan under the Taliban immediately before and after the 9/11 attacks, Iraq following the US-led invasion and dismantlement of Saddam Hussein’s government, and western Sudan in the aftermath of the genocide in Darfur, she has captured through her photographs visual testimony not only of war and injustice but also of humanity, dignity, and resilience. In this compelling collection of more than two hundred photographs, Addario’s commitment to exposing the devastating consequences of human conflict is on full display. Her subjects include the lives of female members of the military, as well as the trauma and abuse inflicted on women in male-dominated societies; American soldiers rescuing comrades in the Korengal Valley of Afghanistan, and Libyan opposition troops trading fire in Benghazi. Interspersed between her commanding and arresting images are personal journal entries and letters, as well as revelatory essays from esteemed writers such as Dexter Filkins, Suzy Hansen, and Lydia Polgreen. A powerful and singular work from one of the most brilliant and influential photojournalists working today, Of Love & War is a breathtaking record of our complex world in all its inescapable chaos, conflict, and beauty.
Presents a photographic introduction to the land, history, government, economy, people, and culture of the African country of Chad.
"My father-in-law's disappearance was part of a larger story of political struggle in Libya. After the 2011 revolution, I wanted to photograph specific locations where atrocities had taken place under the Gaddafi regime. Libyans knew and spoke of the events that occurred at these sites, but almost all of the evidence had been destroyed. Each of the images in this body of work document a building or place where an atrocity has taken place. It has not been an accident that I have pointed my camera towards architecture and the physical places where human rights abuses occurred. The buildings are some of the few lasting symbols that relate to the crimes, and their existance stands in as a kind of imperfect evidence to events that went undocumented under the regime."--Author's website.
Photographer Guy Martin investigates the blurred lines between reality and fiction in Turkey.
Historical photographs taken in Latin America have now become key sites for memory politics, ethnographic imagination, and the negotiation of identity. This volume opens up a set of questions relating to the contemporaneous agency of images as well as their current appropriation via new technologies. Case studies of pictures taken in Mexico, Colombia, Peru and Brazil analyze these processes by tracing how the images have been resignified over time and space. The contributions examine photographs that have been recently rediscovered by such diverse actors as European museums, human rights organizations, anthropologists, shamans, local historians, and communities of internet users.