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Featuring some of the most important contemporary tattoo artists who are making cutting-edge graphics, typography, and customized artistic masterpieces. Tatt Book: Visionaries of Tattoo is a unique collection of the designs of the most creative contemporary tattoo artists from around the world. These contemporary tattooists are, first and foremost, artists creating tattoo designs inked on the human body as well as works for galleries and personal collections. Curated by the renowned artist JK5 and including work from over twenty distinguished artists, such as Stephanie Tamez, Mike Giant, and Scott Harrison, Tatt Book explores the intricate customized body art and also the artwork these "inking" geniuses do outside the tattoo studio. This will be an indispensable reference catalogue for type forms, illustration, fine art, and design in a time where tattoos are a mark of personal creativity and individuality.
The "Art book" presents a whole new way of looking at art. Easy to use, informative and fun, it's an A to Z guide to 500 great painters and sculptors from medieval to modern times.
An examination of sculpture and authorship in eighteenth-century Quito that documents Caspicara as a participant in the innovative artistic production of the city’s workshops and its widespread commerce of polychrome sculptures. Who is Caspicara? Nothing is known of Caspicara’s life, and not a single sculpture has been documented as his work. Yet traditional histories laud him as a prolific Indigenous sculptor in eighteenth-century Quito who created exquisite polychrome figures and became a national artistic icon. Drawing on extensive archival, historical, and object research, Susan Verdi Webster peels away layers of historiographical fabrication to reveal what we do and do not know about Caspicara and his work. Rather than being a solitary master, Caspicara collaborated with other, largely Indigenous artists in Quito’s protoindustrial workshops, manufacturing sculptures now credited to him alone. The high quality of Quito sculptures produced by anonymous artists turned the city into a hub of wide-ranging commerce in religious icons. The art world and post-independence Ecuadorians have lionized the one named sculptor, Caspicara, according to the Western model of the artist-genius, amplifying the market for works bearing his name and creating a national hero on par with European masters. Lost in this process were the artists themselves. Webster returns to their world, detailing their methods and labor and, for the first time, documenting a sculpture made by Caspicara.
Includes entries for maps and atlases.
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