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Anna Pigeon is in Manhattan to look after her hospitalized sister, and explores the Statue of Liberty in her spare time. But when a teenage girl falls to her death from Liberty's ledge, Anna wonders if the suicide was actually a homicide-and begins an investigation that puts her in the line of fire.
From June 1775 to February 1781, during the American War of Independence, ten patriot generals died as a result of combat wounds. Their service and deaths spanned most of the wars duration and geographical expanse. The generals were a diverse group, with six born in America and four in Europe, three coming from professional military backgrounds, and the rest citizen-soldiers, mostly with limited military experience. As the colonists won their independence, the fallen generals became martyrs for the revolutionary ideals that would inspire later generations throughout the world. Libertys Fallen Generals is the first book to analyze these key military leaders service and the quality of their leadership in light of recent scholarship on the Revolutionary War. Each generals profile provides background on military and political events leading to his emergence, assesses the general as a military leader in the war, and examines the campaign that culminated in his battle-related death. A compelling study in leadership and sacrifice, Libertys Fallen Generals is essential reading for those interested in learning more about Americas earliest heroes.
In this collection of twelve dazzling and sensual stories, Pamela Rafael Berkman explores the perplexities of contemporary life through the eyes of women searching for love, truth, and faith. In the title story, a group of coworkers who order miniature plastic nuns rumored to bring love suffer surprising and disheartening consequences. In "Tat," the heroine gets an elaborate Victorian valentine tattooed on her arm and learns the real meaning of wearing her heart on her sleeve. And in "Merry Christmas, Charlie Brown," the classic holiday program brings temporary peace to a troubled young woman. Throughout, miracles and revelations abound, appearing in the most unexpected places -- a planetarium on a college campus, a yuppie Christmas party, a silversmith's booth at an outdoor fair, a corner bar on Halloween. In capturing the dilemmas and difficulties of our times, Berkman brings to life the eternal longings of the human heart.
“Analyzes how ideas about economics and political philosophy find their way into everything from Star Trek to Malcolm in the Middle.” —Wall Street Journal Popular culture often champions freedom as the fundamentally American way of life and celebrates the virtues of independence and self-reliance. But film and television have also explored the tension between freedom and other core values, such as order and political stability. What may look like healthy, productive, and creative freedom from one point of view may look like chaos, anarchy, and a source of destructive conflict from another. Film and television continually pose the question: Can Americans deal with their problems on their own, or must they rely on political elites to manage their lives? In this groundbreaking work, Paul A. Cantor—whose previous book, Gilligan Unbound, was named one of the best nonfiction books of the year by the Los Angeles Times—explores the ways in which television shows such as Star Trek, The X-Files, South Park, and Deadwood and films such as The Aviator and Mars Attacks! have portrayed both top-down and bottom-up models of order. Drawing on the works of John Locke, Adam Smith, Alexis de Tocqueville, and other proponents of freedom, Cantor contrasts the classical liberal vision of America?particularly its emphasis on the virtues of spontaneous order?with the Marxist understanding of the “culture industry” and the Hobbesian model of absolute state control. The Invisible Hand in Popular Culture concludes with a discussion of the impact of 9/11 on film and television, and the new anxieties emerging in contemporary alien-invasion narratives: the fear of a global technocracy that seeks to destroy the nuclear family, religious faith, local government, and other traditional bulwarks against the absolute state.
Rowland presents a detailed exploration of how the archetypes of ancient goddesses Hestia, Artemis, Athena and Aphrodite breathe into and shape female-authored detective fiction. Representing aspects of characterisation not bound by gender, the book examines how these archetypes emerge in themes like the home and hearth, hunting, survival and desire. Rowland assesses numerous examples from a range of works, providing a clear illustration of each archetype and illuminating aspects of femininity, psyche and being. This uniquely interdisciplinary work of literary analysis sheds light on the popularity and underlying mystique of the genre.
While the roots of the detective novel go back to the 19th century, the genre reached its height around 1925 to 1945. This work presents information on 21 British and American women who wrote during the 20th century. As a group they were largely responsible for the great popularity of the detective novel in the first half of the century. The British authors are Dora Turnbull (Patricia Wentworth), Agatha Christie, Dorothy L. Sayers, Elizabeth Mackintosh (Josephine Tey), Ngaio Marsh, Gladys Mitchell, Margery Allingham, Edith Pargeter (Ellis Peters), Phyllis Dorothy James White (P.D. James), Gwendoline Butler (Jennie Melville), and Ruth Rendell, and the Americans are Patricia Highsmith, Carolyn G. Heilbrun (Amanda Cross), Edna Buchanan, Kate Gallison, Sue Grafton, Sara Paretsky, Nevada Barr, Patricia Cornwell, Carol Higgins Clark, and Megan Mallory Rust. A flavor of each author's work is provided.