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Radical Chic and Mau-Mauing the Flak Catchers is classic Tom Wolfe, a funny, irreverent, and "delicious" (The Wall Street Journal) dissection of class and status by the master of New Journalism The phrase 'radical chic' was coined by Tom Wolfe in 1970 when Leonard Bernstein gave a party for the Black Panthers at his duplex apartment on Park Avenue. That incongruous scene is re-created here in high fidelity as is another meeting ground between militant minorities and the liberal white establishment. Radical Chic provocatively explores the relationship between Black rage and White guilt. Mau-Mauing the Flak Catchers, set in San Francisco at the Office of Economic Opportunity, details the corruption and dysfunction of the anti-poverty programs run at that time. Wolfe uncovers how much of the program's money failed to reach its intended recipients. Instead, hustlers gamed the system, causing the OEO efforts to fail the impoverished communities.
National radio talk show host Gallagher provides a careful study into the psyche of the liberal mind, using humor and irony to both entertain and instruct.
In Dream Worlds, Rosalind Williams examines the origins and moral implications of consumer society, providing a cultural history of its emergence in late nineteenth-century France.
A revisionist history of American liberalism, from the Great Depression to the Cold War. Finalist of the MSA First Book Prize by The Modernist Studies Association In Making Liberalism New, Ian Afflerbach traces the rise, revision, and fall of a modern liberalism in the United States, establishing this intellectual culture as distinct from classical predecessors as well as the neoliberalism that came to power by century's end. Drawing on a diverse archive that includes political philosophy, legal texts, studies of moral psychology, government propaganda, and presidential campaign materials, Afflerbach also delves into works by Tess Slesinger, Richard Wright, James Agee, John Dewey, Lionel Trilling, and Vladimir Nabokov. Throughout the book, he shows how a reciprocal pattern of influence between modernist literature and liberal intellectuals helped drive the remarkable writing and rewriting of this keyword in American political life. From the 1930s into the 1960s, Afflerbach writes, modern American fiction exposed and interrogated central concerns in liberal culture, such as corporate ownership, reproductive rights, color-blind law, the tragic limits of social documentary, and the dangerous allure of a heroic style in political leaders. In response, liberal intellectuals borrowed key values from modernist culture—irony, tragedy, style—to reimagine the meaning and ambitions of American liberalism. Drawing together political theory and literary history, Making Liberalism New argues that the rise of American liberal culture helped direct the priorities of modern literature. At the same time, it explains how the ironies of narrative form offer an ideal medium for readers to examine conceptual problems in liberal thought. These problems—from the abortion debate to the scope of executive power—remain an indelible feature of American politics.
Alfred S. Regnery, the publisher of The American Spectator, has been a part of the American conservative movement since childhood, when his father founded The Henry Regnery Company, which subsequently became Regnery Publishing -- the preeminent conservative publishing house that, among other notable achievements, published William F. Buckley's first book, God and Man at Yale. Including many uniquely personal anecdotes and stories, Regnery himself now boldly chronicles the development of the conservative movement from 1945 to the present. The outpouring of grief at the funeral of Ronald Reagan in 2004 -- and the acknowledgment that Reagan has come to be considered one of the greatest presidents of the twentieth century -- is Regnery's opening for a fascinating insider story. Beginning at the start of the twentieth century, he shows how in the years prior to and just post World War II, expanding government power at home and the expanding Communist empire abroad inspired conservatives to band together to fight these threats. The founding of the National Review, the drive to nominate Barry Goldwater first as vice-president and later as president, the apparent defeat of the conservative movement at the hands of Lyndon Johnson, and the triumphant rise of Ronald Reagan from the ashes are all chronicled in vivid prose that shows a uniquely intimate knowledge of the key figures. Regnery shares his views on the opposition that formed in response to Earl Warren's Supreme Court rulings, the role of faith (both Roman Catholic and Evangelical) in the renewed vigor of conservatism, and the contributing role of American businessmen who attempted to oppose big government. Upstream ultimately gives perspective to how the most vibrant political and cultural force of our time has influenced American culture, politics, economics, foreign policy, and all institutions and sectors of American life.
A wide-ranging, controversial collection of critical essays on the political mania plaguing the West by one of the most important public intellectuals of our time. In America and in England, faltering economies at home and failed wars abroad have generated a political and intellectual hysteria. It is a derangement manifested in a number of ways: nostalgia for imperialism, xenophobic paranoia, and denunciations of an allegedly intolerant left. These symptoms can be found even among the most informed of Anglo-America. In Bland Fanatics, Pankaj Mishra examines the politics and culture of this hysteria, challenging the dominant establishment discourses of our times. In essays that grapple with the meaning and content of Anglo-American liberalism and its relations with colonialism, the global South, Islam, and “humanitarian” war, Mishra confronts writers such as Jordan Peterson, Niall Ferguson, and Salman Rushdie. He describes the doubling down of an intelligentsia against a background of weakening Anglo-American hegemony, and he explores the commitments of Ta-Nehisi Coates and the ideological determinations of The Economist. These essays provide a vantage point from which to understand the current crisis and its deep origins.
Eugene McCarthy was one of the most fascinating political figures of the postwar era: a committed liberal anti-Communist who broke with his party’s leadership over Vietnam and ultimately helped take down the political giant Lyndon B. Johnson. His presidential candidacy in 1968 seized the hearts and fired the imaginations of countless young liberals; it also presaged the declining fortunes of liberalism and the rise of conservatism over the past three decades. Dominic Sandbrook traces Eugene McCarthy’s rise to prominence and his subsequent failures, and makes clear how his story embodies the larger history of American liberalism over the last half century. We see McCarthy elected from Minnesota to the House and then to the Senate, part of a new liberal movement that combined New Deal domestic policies and fierce Cold War hawkishness, a consensus that produced huge electoral victories until it was shattered by the war in Vietnam. As the situation in Vietnam escalated, many liberals, like McCarthy, found themselves increasingly estranged from the anti-Communism that they had supported for nearly two decades. Sandbrook recounts McCarthy’s growing opposition to President Johnson and his policies, which culminated in McCarthy’s stunning near-victory in the New Hampshire presidential primary and Johnson’s subsequent withdrawal from the race. McCarthy went on to lose the nomination to Hubert Humphrey at the infamous 1968 Democratic National Convention in Chicago, which secured his downfall and led to Richard Nixon’s election, but he had pulled off one of the greatest electoral upsets in American history, one that helped shape the political landscape for decades. These were tumultuous times in American politics, and Sandbrook vividly captures the drama and historical significance of the period through his intimate portrait of a singularly interesting man at the center of it all.
In 1966 Richard Nixon hired Patrick J. Buchanan, a young editorial writer at the St. Louis Globe-Democrat, to help lay the groundwork for his presidential campaign. Fiercely conservative and a whiz at messaging and media strategy, Buchanan continued with Nixon through his tenure in office, becoming one of the president’s most important and trusted advisors, particularly on public matters. The copious memos he produced over this period, counseling the president on press relations, policy positions, and political strategy, provide a remarkable behind-the-scenes look into the workings of the Nixon White House—and a uniquely informed perspective on the development and deployment of ideas and practices that would forever change presidential conduct and US politics. Of the thousand housed at the Richard Nixon Presidential Library, presidential scholar Lori Cox Han has judiciously selected 135 of Buchanan’s memos that best exemplify the significant nature and reach of his influence in the Nixon administration. Here, in his now-familiar take-no-prisoners style, Buchanan can be seen advancing his deeply conservative agenda, counterpunching against advisors he considered too moderate, and effectively guiding the president and his administration through a changing, often hostile political environment. On every point of policy and political issue—foreign and domestic—through two successful campaigns, Nixon’s first term, and the fraught months surrounding the Watergate debacle, Buchanan presses his advantage, all the while honing the message that would push conservatism ever rightward in the following years. Expertly edited and annotated by Han, Advising Nixon: The White House Memos of Patrick J. Buchanan offers rare insight into the decision-making and maneuvering of some of the most powerful figures in government—with lasting consequences for American public life.