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An anthology of critical assaults on well-known composers and their works written by the late Nicolas Slonimsky--writer, lexicographer, pianist, composer, conductor, teacher, and in his own words, "legendary...musicologist of manifold endeavors [and] failed wunderkind." It also includes his "Invecticon," an index to the nasty words and phrases found in the book. This is a reprint of the 1953 edition with a new foreword by Peter Schickele who describes the collection as "funny and instructive." c. Book News Inc.
Scathing reviews, whimsical stories, and diverting games fill the pages of this utterly engaging kaleidoscope of skewed tales on the world of Classical music. It dishes out a marvelous feast of tales served up by a master storyteller whose reach extends around the world and to the beginnings of civilization.
Defines musical terms, and identifies important works, forms, and movements
A book of memoirs and essays by notable composer, critic and teacher Arthur Berger. The author writes vividly about the music scenes in New York, Paris, and Boston, and of his work with notable colleagues such as Stravinsky, Copeland, and Virgil Thompson.
The pianist, composer, conductor and now musical lexicographer recounts in fascinating detail a life that spans the whole of 20th-century music, ranging from his childhood in St. Petersburg through the Russian Revolution to his present career as a musical lexicographer. Illustrated.
The fascinating letters of conductor-author Nicolas Slonimsky (1894-1995) to his wife, sharing his adventures as he traveled around the world to conduct new American music. In the mid-twentieth century renowned musicologist, conductor, and lexicographer Nicolas Slonimsky traveled to cities throughout the world to play and conduct music of the American avant-garde. From trips to Paris, Berlin, Havana, New York, Los Angeles, Buenos Aires, Rio de Janeiro, and Moscow, Slonimsky wrote letters to his wife, the art critic Dorothy Adlow, vividly and humorously describing his adventures. Dear Dorothy: Letters from NicolasSlonimsky to Dorothy Adlow is a collection of these missives. Though personal, they chronicle Slonimsky's work as an ambassador of modern music who introduced twentieth-century composers, particularly American composers, to audiences worldwide. Full of his admired wit and energy, the letters recount his performances, rehearsals, lectures, day-to-day activities in foreign cities and concert halls, and the anxieties of stretching limited funds to cover an ever-expanding itinerary. They also reveal a side of Slonimsky not seen from his other published writings: a man with deep devotion to his wife and family. Annotated and with an introduction by Slonimsky's daughter, Electra Slonimsky Yourke, this collection documents the meeting of historic musical cultures-Old World Europe, the Soviet Union, and the vibrant countries of Latin America-with the modernist music of the United States. Written in a lively, humorous style, these letters will be of interest to scholars and students of American music and social historians as well as musicians, music lovers, and concertgoers. Electra Slonimsky Yourke is the daughter ofNicolas Slonimsky and Dorothy Adlow, and editor of several collections of her father's work, including The Listener's Companion and the four-volume Writings on Music. Nicolas Slonimsky (1894-1995) was a Renaissance man in the modern-music world of the mid-twentieth century. Composer, conductor, critic, and lexicographer, he authored many books including Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven's Time and a memoir, Perfect Pitch.
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
(Music Sales America). This book is a condensed, made-for-guitar version of Nicolas Slonimsky's publication Thesaurus of Scales and Melodic Patterns the book that musicians as diverse as John Coltrane and Frank Zappa used for ideas and inspiration. Musicians familiar with the original Thesaurus know that it contains a daunting amount of information crammed in its over 230 pages. But there is a definite symmetry and logic in these Slonimsky examples. What appear to be random patterns are actually mathematical combinations of some or all of the twelve notes in music. As the musician/student plays through the examples, the patterns will unfold and become more obvious.