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A Civil Society explores the struggle to initiate women as full participants in the masonic brotherhood that shared in the rise of France's civil society and its "civic morality" on behalf of women's rights. As a vital component of the third sector during France's modernization, freemasonry empowered women in complex social networks, contributing to a more liberal republic, a more open society, and a more engaged public culture. James Smith Allen shows that although women initially met with stiff resistance, their induction into the brotherhood was a significant step in the development of French civil society and its "civic morality," including the promotion of women's rights in the late nineteenth century. Pulling together the many gendered facets of masonry, Allen draws from periodicals, memoirs, and archival material to account for the rise of women within the masonic brotherhood in the context of rapid historical change. Thanks to women's social networks and their attendant social capital, masonry came to play a leading role in French civil society and the rethinking of gender relations in the public sphere.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In this delightful and now classic narrative, written by the brilliant composer and critic Hector Berlioz, readers are made privy to 25 highly entertaining evenings with a fascinating group of distracted performers.
Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In an original and evocative journey through modern Paris from the mid-eighteenth century to World War II, Patrice Higonnet offers a delightful cultural portrait of a multifaceted, continually changing city. In examining the myths and countermyths of Paris that have been created and re-created over time, Higonnet reveals a magical urban alchemy in which each era absorbs the myths and perceptions of Paris past, adapts them to the cultural imperatives of its own time, and feeds them back into the city, creating a new environment. Paris was central to the modern world in ways internal and external, genuine and imagined, progressive and decadent. Higonnet explores Paris as the capital of revolution, science, empire, literature, and art, describing such incarnations as Belle Epoque Paris, the Commune, the surrealists' city, and Paris as viewed through American eyes. He also evokes the more visceral Paris of alienation, crime, material excess, and sensual pleasure. Insightful, informative, and gracefully written, "Paris" illuminates the intersection of collective and individual imaginations in a perpetually shifting urban dynamic. In describing his Paris of the real and of the imagination, Higonnet sheds brilliant new light on this endlessly intriguing city.
Highly readable narrative of a writing phenomenon. The world's most translated best-selling writer.
In the summer of 1813, as war with Britain intensified, President James Madison secretly dispatched an envoy to the Regency government of Spain with the urgent goal of thwarting a feared British bid to use Spanish Florida as a base from which to attack the United States, and with the further hope of acquiring that territory for America. The man Madison sent to pursue those challenging tasks was Anthony Morris, a friend of Dolley’s from their youth in Philadelphia and a devout Quaker lawyer who had never before journeyed abroad. Morris, a widower, had willingly accepted the president’s call, despite the separation it would impose from his four teenage children. The Morris mission did not proceed as intended, as developments in Spain conspired to alter its scope and prolong its duration. Long after the war had ended, Morris was compelled to persevere at his post as the only American link to an unfriendly Spanish monarchy. As he dutifully carried on, ill-founded accusations by two other frustrated American diplomats slurred his reputation. Meanwhile, he thirsted to rejoin his maturing children, whose lives were taking paths that would have been unlikely had he never left them. Throughout this ordeal, a steadfastly philosophical Anthony Morris strove to counter his distress by thoughtful exploration of a national culture and a religious faith so very different from his own. The full story of this distinctive but little-remembered diplomatic endeavor has not previously been recounted. The telling of it here reveals much about the vexation and confusion endemic to American diplomacy in the age of sail, when events often moved faster than the mails. Interwoven with that historical account is the poignant revelation of the spiritual and cultural growth that Anthony Morris reaped from his odyssey, as displayed in a stream of intimate, charming letters to the daughters he had left at home. Published in the ADST-DACOR Diplomats and Diplomacy Series
A wide-ranging account of opera on stage and in society in the age of Rousseau, from Rameau to Gluck.