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The author recounts his experiences in building collections of rare books and manuscripts of French literature, and reveals little-known facts about French artists, composers, and writers.
Gounod was the leading opera composer in France in the mid-nineteenth century, and his best-known operas, including Faust and Romeo and Juliette, date from that time. Despite the overwhelming success of Faust and Gounod's immense influence on all French composers of the later nineteenth century, he has been virtually ignored by scholars until now. Huebner here charts the composer's career and deals with each of the major operas, discussing not only the music but also the critical reception and source material. He considers aspects of the composer's musical style and outlines his influence on subsequent generations of composers.
Gertrude Stein's "Composition as Explanation" delves into the intricate relationship between language and artistic expression. Published in 1926, the essay explores Stein's unique approach to writing and challenges conventional perceptions of composition. With a distinctive prose style, she reflects on the nature of creativity, emphasizing the significance of repetition and abstraction. Stein's work serves as both an exploration of her own artistic process and a broader commentary on the essence of language in shaping our understanding of art.
"Genius Has No Sex" The Sculpture of Marcello (1836-1879) traces the life and sculptural production of Adele d'Affry, the Duchess Castiglione Colonna, best known under the pseudonym Marcello. Although she was born in Switzerland and kept a studio in Fribourg, she spent many years sculpting in France, Italy and Spain, and her works were frequently shown in exhibitions throughout Western Europe. This books presents the history of an artist of great renown and consequence during the second half of the nineteenth century, and it is the first full-scale, academic study of her work in English. --From back cover.
In Guignol's Band, first published in France in 1943, Céline explores the horror of a disordered world.
Beckett's first 'literary landmark' ( St Petersburg Times) is a wonderfully savoury introduction to the Nobel Prize-winning author. Written in 1932, when the twenty-six-year-old Beckett was struggling to make ends meet, the novel offers a rare and revealing portrait of the artist as a young man. When submitted to several publishers, all of them found it too literary, too scandalous or too risky; it was only published posthumously in 1992. As the story begins, Belacqua - a young version of Molloy, whose love is divided between two women, Smeraldina-Rima and the little Alba - 'wrestles with his lusts and learning across vocabularies and continents, before a final "relapse into Dublin"' ( New Yorker). Youthfully exuberant and Joycean in tone, Dream is a work of extraordinary virtuosity.
The most blackly humorous and disenchanted voice in all of French literature. London Review of Books
A long-time companion of Picasso describes the artistic and personal friendship between two giants of twentieth-century art, capturing the affection, rivalry, and creative interaction of the two geniuses, along with examples of their works