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Poet Ajit Sripad Rao Nalkur has been writing since age eleven and was initially inspired by the poor of the city in which he was raised. Throughout his many travels, he came to love the country folk he met. This empathy for the underprivileged, along with the innocence found in farming communities, defined his uncomplicated approach to writing poetry. In this poetry collection, his seventhand second of a possible trilogyNalkur continues to narrate the story of his love affair with the Muse, focusing on her and the effect she has on his world. Letters to the Muse II: The Return of Love flows on from the previous collection of the same title and is arranged chronologically to preserve continuity of the underlying story. His subjects are the poor and simple folk of the city and countryside. His love for humanity inspires the simplistic approach he chases throughout his life in writing. This is a peaceful collection that delves into the mysterious realms of love between dream and reality, seeking to achieve the fusion of the two worlds with poetic force and expression.
Akash is devastated when his wife Nisha dies of cancer, leaving him all alone to raise their fouryear- old daughter, Sara. He finds it impossible to deal with the void in his life, and coping with the demands of being a single parent makes the situation worse. The crisis affects his professional life as well, which, too, takes an unexpected turn.
"Pulitzer Prize-winning author of plays such as True West, Fool For Love, and Buried Child, and Academy Award-nominated actor in many films, including The Right Stuff, Sam Shepard is arguably America's finest working dramatist. He has said many times that he will never write a memoir. But he has written intensively about his inner life and creative work to his former father-in-law and housemate, Johnny Dark. This book gathers nearly 40 years of their correspondence, which provides the most honest and complete record of Shepard's professional and personal lives that he is ever likely to publish. The book is illustrated with Dark's candid, revealing photographs of Shepard and their mutual family across many years, as well as facsimiles of numerous letters.It makes a perfect companion to Treva Wurmfeld's recent film, Shepard & Dark"--
Of the nearly ninety emperors who ruled in Constantinople, Manuel II Palaeologus (r. 1391–1425) was one of the most sympathetic as a human being and one of the most gifted as a statesman. A man of broad intellectual interests, he was also dedicated to his God-given task of preserving what remained of the Byzantine Empire when he came to power. This conflict is reflected in his letters, written in such distant places as Ankara, Paris, and London. The correspondence provides new insights into his reign and enable us to understand better the emperor himself, his friends, and the times in which they lived.
George Gordon Byron (Noel) or Lord Byron was an English poet and a leading figure in the Romantic movement. Among his best-known works are the lengthy narrative poems Don Juan and Childe Harold's Pilgrimage, and the short lyric "She Walks in Beauty". Byron is regarded as one of the greatest British poets, and remains widely read and influential. He travelled extensively across Europe, especially in Italy where he lived for seven years. Later in life, Byron joined the Greek War of Independence fighting the Ottoman Empire, for which many Greeks revere him as a national hero. He died in 1824 at the young age of 36 from a fever contracted while in Missolonghi. Often described as the most flamboyant and notorious of the major Romantics, Byron was both celebrated and castigated in life for his aristocratic excesses, including huge debts, numerous love affairs – with men as well as women, as well as rumours of a scandalous liaison with his half-sister – and self-imposed exile. He also fathered Ada, Countess of Lovelace, whose work on Charles Babbage's Analytical Engine is considered a founding document in the field of computer science, and Allegra Byron, who died in childhood — as well as, possibly, Elizabeth Medora Leigh out of wedlock.
Three novels from the “prolific and provocative” British satirist: from the joy of inspiration to the shock of betrayal and the pleasure of vengeance (Time Out). Perhaps best known for her “small, mad masterpiece,” The Life and Loves of a She Devil, Man Booker Prize nominee Fay Weldon has been writing some of the boldest, funniest satirical novels for over half a century (The Washington Post Book World). In her mid-eighties, she’s penned a scathing sequel, The Death of a She Devil, “a brilliant black comedy” (The Mail on Sunday). The three volumes collected here—from an epistolary novel inspired by Jane Austen to a widow’s discovery of her husband’s betrayal and a tale of abandonment that twists into comeuppance—all prove Weldon’s wit and insights into the human condition to be as sharp as ever. Letters to Alice: With the dire warning, “You must read, Alice, before it’s too late,” Aunt Fay implores her niece to immerse herself in the works of enduring authors. Taking its inspiration from Jane Austen’s relationship with her niece, Weldon’s epistolary novel explores the literary life, as lived by both Austen and eighteen-year-old Alice, as she struggles with her own writing, school, parents, romance, ambition, and spiky green hair. “Wise, sharp, informative . . . shrewd and funny.” —The Times Literary Supplement Worst Fears A New York Times Notable Book A darling of the London theater world, Alexandra Ludd is playing Nora in Ibsen’s A Doll’s House when her husband, Ned, former theater critic and stay-at-home father to their young son, Sascha, dies of an apparent heart attack. But when Alexandra returns to their country home, her grief begins to give way to suspicion. Ned didn’t keel over in the dining room, as her good friends told her. He died in their bed—and he wasn’t alone. What’s a widow to do? “This splendid and spiteful novel shows Fay Weldon to be in as fine form as ever.” —The Philadelphia Inquirer The Heart of the Country: When her husband kisses her and their children goodbye, departs for the office, and never returns, Natalie blames herself. Perhaps if she hadn’t been cheating on him every Tuesday and Thursday, he wouldn’t have left her for his secretary, a local beauty queen. Penniless and soon homeless, Natalie finds herself navigating the heartless labyrinth of the state welfare system. There, she meets Sonia, who offers to shelter Natalie and her children. But Sonia has her own agenda (hint: she’s narrating from a mental institution) that will culminate in a monstrous act of vengeance at the town’s carnival. “Galloping, good, mean fun.” —Kirkus Reviews
This is the first collection of letters by a member of the legendary 442nd Combat Team, which served in Italy and France during World War II. Written to his wife by a medic serving with the segregated Japanese American unit, the letters describe a soldier's daily life. Minoru Masuda was born and raised in Seattle. In 1939 he earned a master's degree in pharmacology and married Hana Koriyama. Two years later the Japanese struck Pearl Harbor, and Min and Hana were imprisoned along with thousands of other Japanese Americans. When the Army recruited in the relocation camp, Masuda chose to serve in the 442nd. In April 1944 the unit was shipped overseas. They fought in Italy and in France, where they liberated Bruyeres and rescued a "lost battalion" that had been cut off by the Germans. After the German surrender on May 3, 1945, Masuda was among the last of the original volunteers to leave Europe; he arrived home on New Year's Eve 1945. Masuda's vivid and lively letters portray his surroundings, his daily activities, and the people he encountered. He describes Italian farmhouses, olive groves, and avenues of cypress trees; he writes of learning to play the ukulele with his "big, clumsy" fingers, and the nightly singing and bull sessions which continued throughout the war; he relates the plight of the Italians who scavenged the 442nd's garbage for food, and the mischief of French children who pelted the medics with snowballs. Excerpts from the 442nd daily medical log provide context for the letters, and Hana interposes brief recollections of her experiences. The letters are accompanied by snapshots, a drawing made in the field, and three maps drawn by Masuda.
Readers generally know only one of the two famous James brothers. Literary types know Henry James; psychologists, philosophers, and religion scholars know William James. In reality, the brothers’ minds were inseparable, as the more than eight hundred letters they wrote to each other reveal. In this book, J. C. Hallman mines the letters for mutual affection and influence, painting a moving portrait of a relationship between two extraordinary men. Deeply intimate, sometimes antagonistic, rife with wit, and on the cutting edge of art and science, the letters portray the brothers’ relationship and measure the manner in which their dialogue helped shape, through the influence of their literary and intellectual output, the philosophy, science, and literature of the century that followed. William and Henry James served as each other’s muse and critic. For instance, the event of the death of Mrs. Sands illustrates what H’ry never stated: even if the “matter” of his fiction was light, the minds behind it lived and died as though it was very heavy indeed. He seemed to best understand this himself only after Wm fully fleshed out his system. “I can’t now explain save by the very fact of the spell itself . . . that [Pragmatism] cast upon me,” H’ry wrote in 1907. “All my life I have . . . unconsciously pragmatised.” Wm was never able to be quite so gracious in return. In 1868, he lashed out at the “every day” elements of two of H’ry’s early stories, and then explained: “I have uttered this long rigmarole in a dogmatic manner, as one speaks, to himself, but of course you will use it merely as a mass to react against in your own way, so that it may serve you some good purpose.” He believed he was doing H’ry a service as he criticized a growing tendency toward “over-refinement” or “curliness” of style. “I think it ought to be of use to you,” he wrote in 1872, “to have any detailed criticism fm even a wrong judge, and you don’t get much fm. any one else.” For the most part, H’ry agreed. “I hope you will continue to give me, when you can, your free impression of my performance. It is a great thing to have some one write to one of one’s things as if one were a 3d person & you are the only individual who will do this.”