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In Letters of Note: New York, Shaun Usher curates a collection of extraordinary written exchanges about the Big Apple, from the marvelling of wide-eyed newcomers and the devoted outpourings of native citizens, to the frustrated outcries of the dispossessed and the fond reminiscences of old-timers. Includes letters by: Italo Calvino, Ralph Ellison Kahlil Gibran, Helen Keller, Martin Scorsese Saum Song Bo, Rebecca West & many more.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Newsweek/The Daily Beast • The Huffington Post • Kansas City Star • Time Out New York • Kirkus Reviews This extraordinary collection of personal correspondence has all the hallmarks of Kurt Vonnegut’s fiction. Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece Slaughterhouse-Five; wry dispatches from Vonnegut’s years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Günter Grass, and Bernard Malamud. Vonnegut’s unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels—from a crackpot scheme for manufacturing “atomic” bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. (“Knopf, for example, might give John Updike’s contract to Simon and Schuster, and receive Joan Didion’s contract in return.”) Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon. • On a job he had as a young man: “Hell is running an elevator throughout eternity in a building with only six floors.” • To a relative who calls him a “great literary figure”: “I am an American fad—of a slightly higher order than the hula hoop.” • To his daughter Nanny: “Most letters from a parent contain a parent’s own lost dreams disguised as good advice.” • To Norman Mailer: “I am cuter than you are.” Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote. Praise for Kurt Vonnegut: Letters “Splendidly assembled . . . familiar, funny, cranky . . . chronicling [Vonnegut’s] life in real time.”—Kurt Andersen, The New York Times Book Review “[This collection is] by turns hilarious, heartbreaking and mundane. . . . Vonnegut himself is a near-perfect example of the same flawed, wonderful humanity that he loved and despaired over his entire life.”—NPR “Congenial, whimsical and often insightful missives . . . one of [Vonnegut’s] very best.”—Newsday “These letters display all the hallmarks of Vonnegut’s fiction—smart, hilarious and heartbreaking.”—The New York Times Book Review
A revelatory collection of correspondence by the lauded author of titanic American classics such as The Recognitions and J R, shedding light on his staunchly private life. UPDATED WITH OVER TWO DOZEN NEW LETTERS AND PHOTOGRAPHS Now recognized as one of the giants of postwar American fiction, William Gaddis shunned the spotlight during his life, which makes this collection of his letters a revelation. Beginning in 1930 when Gaddis was at boarding school and ending in September 1998, a few months before his death, these letters function as a kind of autobiography, and also reveal the extent to which he drew upon events in his life for his fiction. Here we see him forging his first novel, The Recognitions (1955), while living in Mexico, fighting in a revolution in Costa Rica, and working in Spain, France, and North Africa. Over the next twenty years he struggles to find time to write the National Book Award–winning J R (1975) amid the complications of work and family; deals with divorce and disillusionment before reviving his career with Carpenter’s Gothic (1985); then teaches himself enough about the law to produce A Frolic of His Own (1994). Resuming his lifelong obsession with mechanization and the arts, he finishes a last novel, Agapē Agape (published in 2002), as he lies dying. This newly revised edition includes clarifying notes by Gaddis scholar Steven Moore, as well as an afterword by the author’s daughter, Sarah Gaddis.
With original artworks throughout, an extraordinary fusion of memoir and artistic biography from the acclaimed artist and author of Self-Portrait. Dearest Gwen, I know this letter to you is an artifice. I know you are dead and that I’m alive and that no usual communication is possible between us but, as my mother used to say, “Time is a strange substance” and who knows really, with our time-bound comprehension of the world, whether there might be some channel by which we can speak to each other, if we only knew how. Celia Paul’s Letters to Gwen John centers on a series of letters addressed to the Welsh painter Gwen John (1876–1939), who has long been a tutelary spirit for Paul. John spent much of her life in France, making art on her own terms and, like Paul, painting mostly women. John’s reputation was overshadowed during her lifetime by her brother, Augustus John, and her lover Auguste Rodin. Through the epistolary form, Paul draws fruitful comparisons between John’s life and her own: their shared resolve to protect the sources of their creativity, their fierce commitment to painting, and the ways in which their associations with older male artists affected the public’s reception of their work. Letters to Gwen John is at once an intimate correspondence, an illuminating portrait of two painters (including full-color plates of both artists’ work), and a writer/artist’s daybook, describing Paul’s first exhibitions in America, her search for new forms, her husband’s diagnosis of cancer, and the onset of the global pandemic. Paul, who first revealed her talents as a writer with her memoir, Self-Portrait, enters with courage and resolve into new unguarded territory—the artist at present—and the work required to make art out of the turbulence of life.
Born in Vienna in 1881, Stefan Zweig was one of the most respected authors of his time. Foreseeing Nazi Germany's domination of Europe, Zweig left Austria in 1933. In 1941, following a successful lecture tour of South America and several months in New York, Stefan Zweig and his wife Lotte emigrated to Brazil. Despairing at Europe's future and feeling increasingly isolated, the Zweigs committed suicide together in 1942. Stefan Zweig was an incessant correspondent but as the 1930s progressed, it became difficult for him to maintain contact with friends and colleagues. As Zweig's correspondence all but ceased with the outbreak of World War II, little is known about his final years. Even less is known about Lotte Zweig, his second-wife, secretary and travel-companion. This book provides an analysis of the Zweigs' time together and for the first time reproduces personal letters, written by the couple in Argentina and Brazil, along with editorial commentary. Furthermore, Lotte finally emerges from her husband's shadows, with the letters offering significant insights into their relationship and her experience of exile.
Like Alexis de Tocqueville a century earlier, Jean Cocteau offers a powerful reminder to Americans of their own potential—and issues In 1949, Jean Cocteau spent twenty days in New York, and began composing on the plane ride home this essay filled with the vivid impressions of his trip. With his unmistakable prose and graceful wit, he compares and contrasts French and American culture: the different values they place on art, literature, liberty, psychology, and dreams. Cocteau sees the incredibly buoyant hopes in America’s promise, while at the same time warning of the many ills that the nation will have to confront—its hypocrisy, sexism, racism, and hegemonic aspirations—in order to realize this potential. Never before translated into English, Letter to the Americans remains as timely and urgent as when it was first published in France over seventy years ago.
New York Times bestseller Now with a new Epilogue, containing letters of response from Palestinian readers. "A profound and original book, the work of a gifted thinker."--Daphne Merkin, The Wall Street Journal Attempting to break the agonizing impasse between Israelis and Palestinians, the Israeli commentator and award-winning author of Like Dreamers directly addresses his Palestinian neighbors in this taut and provocative book, empathizing with Palestinian suffering and longing for reconciliation as he explores how the conflict looks through Israeli eyes. I call you "neighbor" because I don’t know your name, or anything personal about you. Given our circumstances, "neighbor" might be too casual a word to describe our relationship. We are intruders into each other’s dream, violators of each other’s sense of home. We are incarnations of each other’s worst historical nightmares. Neighbors? Letters to My Palestinian Neighbor is one Israeli’s powerful attempt to reach beyond the wall that separates Israelis and Palestinians and into the hearts of "the enemy." In a series of letters, Yossi Klein Halevi explains what motivated him to leave his native New York in his twenties and move to Israel to participate in the drama of the renewal of a Jewish homeland, which he is committed to see succeed as a morally responsible, democratic state in the Middle East. This is the first attempt by an Israeli author to directly address his Palestinian neighbors and describe how the conflict appears through Israeli eyes. Halevi untangles the ideological and emotional knot that has defined the conflict for nearly a century. In lyrical, evocative language, he unravels the complex strands of faith, pride, anger and anguish he feels as a Jew living in Israel, using history and personal experience as his guide. Halevi’s letters speak not only to his Palestinian neighbor, but to all concerned global citizens, helping us understand the painful choices confronting Israelis and Palestinians that will ultimately help determine the fate of the region.
The author moved to New Orleans January 1, 2000 and had moved away before Hurricane Katrina. This book began with the letters he wrote to friends about his life as he lived it in New Orleans and what he learned of the city and its people.