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We all need advice growing up and facing the big stuff life gives us. We all need the voice of a parent or a good friend who has lived through joy and suffering and has thought deeply about it. Kent Nerburn is an extraordinary writer who can be that voice when we are lost and in need of guidance. Letters to My Son, written for his son, Nick, but true for all of us, shows us that life isn't always shared in all its richness with those we meet along the way. Kent shares with us what he believes, and makes us look at the hard questions, but never offers easy answers. Like a wise and gentle friend, he guides us to the truths that emerge when you approach life openly and honestly.
Historical events of the last three centuries come alive through these women’s singular correspondences—often their only form of public expression. In 1775, Rachel Revere tries to send financial aid to her husband, Paul, in a note that is confiscated by the British; First Lady Dolley Madison tells her sister about rescuing George Washington’s portrait during the War of 1812; one week after JFK’s assassination, Jacqueline Kennedy pens a heartfelt letter to Nikita Khrushchev; and on September 12, 2001, a schoolgirl writes a note of thanks to a New York City firefighter, asking him, “Were you afraid?” The letters gathered here also offer fresh insight into the personal milestones in women’s lives. Here is a mid-nineteenth-century missionary describing a mastectomy performed without anesthesia; Marilyn Monroe asking her doctor to spare her ovaries in a handwritten note she taped to her stomach before appendix surgery; an eighteen-year-old telling her mother about her decision to have an abortion the year after Roe v. Wade; and a woman writing to her parents and in-laws about adopting a Chinese baby. With more than 400 letters and over 100 stunning photographs, Women’s Letters is a work of astonishing breadth and scope, and a remarkable testament to the women who lived–and made–history. From the Hardcover edition.
Widely hailed as one of the finest humorist of the twentieth century, James Thurber looks back at his own life growing up in Columbus, Ohio, with the same humor and sharp wit that defined his famous sketches and writings. In My Life and Hard times, first published in 1933, he recounts the delightful chaos and frustrations of family, boyhood, youth odd dogs, recalcitrant machinery, and the foibles of human nature.
“I’ve finally pretty much decided what to write next—a novel based on Nat Turner’s rebellion,” twenty-six-year-old William Styron confided to his father in a letter he wrote on May 1, 1952. Styron would not publish his Pulitzer Prize–winning The Confessions of Nat Turner until 1967, but this letter undercuts those critics who later attacked the writer as an opportunist capitalizing on the heated racial climate of the late 1960s. From 1943 to 1953, Styron wrote over one hundred letters to William C. Styron, Sr., detailing his adventures, his works in progress, and his ruminations on the craft of writing. In Letters to My Father, Styron biographer James L. W. West III collects this correspondence for the first time, revealing the early, intimate thoughts of a young man who was to become a literary icon. Styron wrote his earliest letters from Davidson College, where he was very much unsure of himself and of his prospects in life. By the last few letters, however, he had achieved a great deal: he had earned a commission in the Marine Corps, survived World War II, published the novel Lie Down in Darkness (1951) and the novella The Long March (1953), and won the Prix de Rome. He had also recently married and was about to return to the United States from an expatriate period in Paris and Rome. The letters constitute a portrait of the artist as a young man. They read like an epistolary novel, with movement from location to location and changes in voice and language. Styron was extremely close to his father and quite open with him. His story is a classic one, from youthful insecurity to artistic self-discovery, capped by recognition and success. There are challenges along the way for the hero—poor academic performance, a syphilis scare, writer’s block, temporary frustration in romance. But Styron overcomes these difficulties and emerges as a confident young writer, ready to tackle his next project, the novel Set This House on Fire (1960). Rose Styron, the author’s widow, contributes a prefatory memoir of the senior Styron. West has provided comprehensive annotations to the correspondence, and the volume also has several illustrations, including facsimiles of some of the letters, which survive among Styron’s papers at Duke University. Finally, there is a selection of Styron’s apprentice fiction from the late 1940s and early 1950s. In all of American literature, no other extended series of such letters—son to father—exists. Letters to My Father offers a unique glimpse into the formative years of one of the most admired and controversial writers of his time.
In 1950, at the age of twenty-four, William Clark Styron, Jr., wrote to his mentor, Professor William Blackburn of Duke University. The young writer was struggling with his first novel, Lie Down in Darkness, and he was nervous about whether his “strain and toil” would amount to anything. “When I mature and broaden,” Styron told Blackburn, “I expect to use the language on as exalted and elevated a level as I can sustain. I believe that a writer should accommodate language to his own peculiar personality, and mine wants to use great words, evocative words, when the situation demands them.” In February 1952, Styron was awarded the Prix de Rome of the American Academy of Arts and Letters, which crowned him a literary star. In Europe, Styron met and married Rose Burgunder, and found himself immersed in a new generation of expatriate writers. His relationships with George Plimpton and Peter Matthiessen culminated in Styron introducing the debut issue of The Paris Review. Literary critic Alfred Kazin described him as one of the postwar “super-egotists” who helped transform American letters. His controversial The Confessions of Nat Turner won the 1968 Pulitzer Prize, while Sophie’s Choice was awarded the 1980 National Book Award, and Darkness Visible, Styron’s groundbreaking recounting of his ordeal with depression, was not only a literary triumph, but became a landmark in the field. Part and parcel of Styron’s literary ascendance were his friendships with Norman Mailer, James Baldwin, John and Jackie Kennedy, Arthur Miller, James Jones, Carlos Fuentes, Wallace Stegner, Robert Penn Warren, Philip Roth, C. Vann Woodward, and many of the other leading writers and intellectuals of the second half of the twentieth century. This incredible volume takes readers on an American journey from FDR to George W. Bush through the trenchant observations of one of the country’s greatest writers. Not only will readers take pleasure in William Styron’s correspondence with and commentary about the people and events that made the past century such a momentous and transformative time, they will also share the writer’s private meditations on the very art of writing. Advance praise for Selected Letters of William Styron “I first encountered Bill Styron when, at twenty, I read The Confessions of Nat Turner. Hillary and I became friends with Bill and Rose early in my presidency, but I continued to read him, fascinated by the man and his work, his triumphs and troubles, the brilliant lights and dark corners of his amazing mind. These letters, carefully and lovingly selected by Rose, offer real insight into both the great writer and the good man.”—President Bill Clinton “The Bill Styron revealed in these letters is altogether the Bill Styron who was a dear friend and esteemed colleague to me for close to fifty years. The humor, the generosity, the loyalty, the self-awareness, the commitment to literature, the openness, the candor about matters closest to him—all are on display in this superb selection of his correspondence. The directness in the artful sentences is such that I felt his beguiling presence all the while that I was enjoying one letter after another.”—Philip Roth “Bill Styron’s letters were never envisioned, far less composed, as part of the Styron oeuvre, yet that is what they turn out to be. Brilliant, passionate, eloquent, insightful, moving, dirty-minded, indignant, and hilarious, they accumulate power in the reading, becoming in themselves a work of literature.”—Peter Matthiessen