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This is the only single-volume edition containing all Wollstonecraft's known correspondence.
"You write the most amusing and clever letters in the world... If your letters are ever published, all others that ever were published before will fall in the shade, and you will be looked on as the best letter writer that ever charmed their friends."--Mary Shelley to Claire Clairmont, 29 November 1842 Claire Clairmont embodied English romanticism in her life, her journals, and especially in her letters. As step-daughter of William Godwin, as companion to Shelley and Mary on their elopement, as Shelley's "Constantia," as mother of Byron's Allegra, as a regular member of the Shelley circle (close to Peacock, Leigh Hunt, Hogg, Lady Mount Cashell, and Trelawny), as governess in Russia during the Decembrist Revolution, as confidante of Mary Shelley and Jane Williams in their middle years, and, in her old age, as the inspiration of Henry James's The Aspern Papers, she both lived and recorded the Romantic Revolution. Brought up in the same household as Mary Shelley, dedicated to the principles of Mary Wollstonecraft, Claire was a more enthusiastic feminist than Mary, and her letters on this theme are always arresting, often hilarious. She wrote on the perils of marriage, on the advantages of illegitimacy, and on the forces that press a woman of no fortune into dependency. She resisted these forces, maintaining her independence in the only career open to her--governess and companion--while dreaming of a "society of free women." This edition presents the texts of all known surviving letters by Claire Clairmont along with those of her brother Charles Clairmont and her stepsister Fanny Imlay Godwin--229 letters in all, of which 183 are published here for the first time complete. ClaireClairmont's letters, numbering 190, date from 1815, when she was seventeen, to two months before her death in 1879. Charles Clairmont's 32 letters begin with schoolboy notes to Godwin in 1808, when he was thirteen, and conclude in 1849, two months before his death. Fanny Godwin's seven are all from 1816, the year of her suicide at the age of twenty-two. The volumes also include a chronological chart, genealogical tables, appendices, and twenty-eight illustrations. "The role Claire Clairmont played in the lives of Shelley, Mary Shelley, and Byron gives exceptional importance to her letters. Claire Clairmont was an intelligent, discerning--at times self-centered and, towards the latter part of her life, quirky--observer of the life around her. In the letters exchanged between Claire Clairmont and Mary Shelley, as well as in her many letters to Byron and Trelawny, one gathers invaluable first-hand insights into the lives of the extraordinary circle of younger romantics and their era."--Betty T. Bennett, American University
Pioneering eighteenth-century feminist Mary Wollstonecraft lived a life as radical as her vision of a fairer world. She overcame great disadvantages - poverty (her abusive, sybaritic father squandered the family fortune), a frivolous education, and the stigma of being unmarried in a man's world. Her life changed when Thomas Paine's publisher, Joseph Johnson, determined to make her a writer. Wollstonecraft lived as fully as a man would, socializing with the great painters, poets, and revolutionaries of her era. She traveled to Paris during the French Revolution; fell in love with Gilbert Imlay, a fickle American; and, unmarried, openly bore their daughter, Fanny. This biography of Mary Wollstonecraft gives a balanced view. Diane Jacobs also continues Wollstonecraft's story by concluding with those of her daughters.
This study of correspondence in the Romantic period calls into question the common notion that letters are a particularly 'romantic', personal, and ultimately feminine form of writing.
Reproduction of the original: The Love Letters to Gilbert Imlay by Mary Wollstonecraft
“Smart ... compelling ... persuasive .” —New York Times Book Review She’s everywhere once you start looking: the trainwreck. She’s Britney Spears shaving her head, Whitney Houston saying “crack is whack,” and Amy Winehouse, dying in front of millions. But the trainwreck is also as old (and as meaningful) as feminism itself. From Mary Wollstonecraft—who, for decades after her death, was more famous for her illegitimate child and suicide attempts than for A Vindication of the Rights of Woman—to Charlotte Brontë, Billie Holiday, Sylvia Plath, and even Hillary Clinton, Sady Doyle’s Trainwreck dissects a centuries-old phenomenon and asks what it means now, in a time when we have unprecedented access to celebrities and civilians alike, and when women are pushing harder than ever against the boundaries of what it means to “behave.” Where did these women come from? What are their crimes? And what does it mean for the rest of us? For an age when any form of self-expression can be the one that ends you, Doyle’s book is as fierce and intelligent as it is funny and compassionate—an essential, timely, feminist anatomy of the female trainwreck.
Pioneers in life writing, Mary Wollstonecraft, author of A Vindication of the Rights of Woman (1792), and Mary Shelley, author of Frankenstein (1818 ), are now widely regarded as two of the leading writers of the Romantic period. They are both responsible for opening up new possibilities for women in genres traditionally dominated by men. This volume brings together essays on Wollstonecraft’s and Shelley’s life writing by some of the most prominent scholars in Canada, Australia, and the United States. It also includes a full-length play by award-winning Canadian playwright Rose Scollard. Together, the essays and the play explore the connections between mother and daughter, between writing and life, and between criticism and creation. They offer a new understanding of two important writers, of a literary period, and of emergent modes of life writing. Essayists include Judith Barbour, Betty T. Bennett, Anne K. Mellor, Charles E. Robinson, Eleanor Ty, and Lisa Vargo. Among the works discussed are Wollstonecraft’s Vindication, Letters from Norway, and Maria; or, The Wrongs of Woman; William Godwin’s Memoirs of Wollstonecraft; and Shelley’s Frankenstein, The Last Man, Ladore, and Rambles in Germany and Italy.