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Queen Elizabeth I (1533-1603) ruled England for 45 turbulent years, and her reign has come to be seen as a golden age. She exercised supreme authority in a man's world, while remaining intensely feminine. She was Gloriana, the Virgin Queen, but is also held up as a role model for company executives in the twenty-first century. She is a near-legendary figure from a remote past who remains fascinatingly modern. This handsome volume has been published to commemorate the 400th anniversary of Elizabeth I's death in 1603. It illustrates in color and, where possible, in actual size, sixty manuscripts--either by Elizabeth or to her. Each one is accompanied by a running commentary, explaining the document and placing it in its historical context, and selected transcriptions or, where necessary, translations from the originals. Elizabeth was a girl of extraordinary precocity and a brilliant linguist. Her early letters, written in a beautiful italic, are to her forbidding father, Henry VIII, and to her brother and sister, Edward VI and "Bloody" Mary. The very first letter dates from when she was a child of eleven. The last, written nearly 60 years later, is a barely-legible scrawl addressed to her successor, the future James I. The letters from her in-tray are no less extraordinary. Tsar Ivan the Terrible rounds on her in a blind fury after she refuses to marry him. The Earl of Essex, young enough to be her son, pours out declarations of love: a few pages further on is to be found her signed warrant for his execution. There are letters from ministers and galley slaves, spies and traitors, coded letters, warrants for torture, speeches to parliament, and the original--only recently identified--of the most famous of all her utterances: "I know I have the body but of a weak and feeble woman, but I have the heart and stomach of a king."
Although she wrote voluminously in a range of genres, including fiction, poetry, and journalism, Elizabeth Stoddard has mainly been known as the wife of poet Richard Henry Stoddard. Here, editors Stockton (Southwestern University) and Putzi (College of William and Mary) collect 84 of her letters, organized chronologically from 1851 to 1902. The letters offer insight into her explorations of identity, especially her identification with the New York City literati, and provide a literary and cultural history of the city, which was the nation's printing and publishing capital during the mid to late 19th century. The letters have been selected to reflect a wide range of her experiences, opinions, and interests. A detailed introduction provides a review her life. The book also includes a timeline and a few b&w historical photos. Annotation ©2013 Book News, Inc., Portland, OR (booknews.com).
This book examines Elizabeth's correspondence with several significant rulers, analyzing how her letters were constructed, drafted and presented, the rhetorical strategies used, and the role these letters played in facilitating diplomatic relations.
Saint Elizabeth of the Trinity (Elizabeth Catez) is a mystic of our times, who entered Carmel in 1901 at the age of twenty-one, and died there five years later. Her biblical spirituality, based on the epistles of her "dear Saint Paul" and the mystery of the divine indwelling, has inspired countless Christians. This second of three volumes of her Complete Works contains all of Elizabeth's surviving letters from Carmel, along with 8 photos. In simple and tender language, writing to friends and family, Elizabeth returns again and again to the great themes of her spirituality: the indwelling Trinity, silence and solitude, living by love, becoming a "praise of glory" (laudem gloriae) by sharing in the dying and rising of Jesus Christ. Here too we find many of her best-known sayings, e.g., "I have found my heaven on earth, for heaven is God, and God is in my soul." In his introductions and careful notes, Father Conrad De Meester, O.C.D., explains the background of each of Elizabeth's letters from Carmel, most of which have never before appeared in English. Anne Englund Nash continues the style set in the first volume of the Complete Works, presenting a translation that reflects both the literary nuances and spirit of the original French texts.
This long-awaited and masterfully edited volume contains nearly all of the writings of Queen Elizabeth I: the clumsy letters of childhood, the early speeches of a fledgling queen, and the prayers and poetry of the monarch's later years. The first collection of its kind, Elizabeth I reveals brilliance on two counts: that of the Queen, a dazzling writer and a leading intellect of the English Renaissance, and that of the editors, whose copious annotations make the book not only essential to scholars but accessible to general readers as well. "This collection shines a light onto the character and experience of one of the most interesting of monarchs. . . . We are likely never to get a closer or clearer look at her. An intriguing and intense portrait of a woman who figures so importantly in the birth of our modern world."—Publishers Weekly "An admirable scholarly edition of the queen's literary output. . . . This anthology will excite scholars of Elizabethan history, but there is something here for all of us who revel in the English language."—John Cooper, Washington Times "Substantial, scholarly, but accessible. . . . An invaluable work of reference."—Patrick Collinson, London Review of Books "In a single extraordinary volume . . . Marcus and her coeditors have collected the Virgin Queen's letters, speeches, poems and prayers. . . . An impressive, heavily footnoted volume."—Library Journal "This excellent anthology of [Elizabeth's] speeches, poems, prayers and letters demonstrates her virtuosity and afford the reader a penetrating insight into her 'wiles and understandings.'"—Anne Somerset, New Statesman "Here then is the only trustworthy collection of the various genres of Elizabeth's writings. . . . A fine edition which will be indispensable to all those interested in Elizabeth I and her reign."—Susan Doran, History "In the torrent of words about her, the queen's own words have been hard to find. . . . [This] volume is a major scholarly achievement that makes Elizabeth's mind much more accessible than before. . . . A veritable feast of material in different genres."—David Norbrook, The New Republic
One of the greatest loves of all time-between Elizabeth I and Robert Dudley-comes to life in this vivid novel. They were playmates as children, impetuous lovers as adults-and for thirty years were the center of each others' lives. Astute to the dangers of choosing any one man, the Virgin Queen could never give her "Sweet Robin" what he wanted most-marriage- yet she insisted he stay close by her side. Possessive and jealous, their love survived quarrels, his two disastrous marriages to other women, her constant flirtations, and political machinations with foreign princes. His Last Letter tells the story of this great love... and especially of the last three years Elizabeth and Dudley spent together, the most dangerous of her rule, when their passion was tempered by a bittersweet recognition of all that they shared-and all that would remain unfulfilled.
Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters—they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.
An Independent Book of the Month Featured in Vogue Arabia Featured by Vanity Fair Acclaimed writer Elif Shafak writes a letter to Jacinda Ardern, Prime Minister of New Zealand after the Christchurch attack. Actress Yasmine AlMassri pens a poem about war for her mother. Activist and TV presenter June Sarpong addresses designer Diane Von Furstenberg. These are a few of the moving and insightful letters that make up From Women to the World, a book by journalist, author and executive Elizabeth Filippouli, which brings together letters from a global group of accomplished women - politicians, royalty, actors, writers, activists and more – every one addressed to a woman who means something to each of them. The results are extraordinary, heartfelt letters to historical figures, mentors, family members or inspiring ordinary people. Each is based on these women's personal histories and experiences, drawing attention to social issues such as homelessness, war, LGBT activism, mental health care or the plight of international refugees. From Women to the World is more than a simple collection of letters - it is a book that shows a new model of leadership based on emotional intelligence and demonstrates how we have the wisdom to inspire, motivate and reinvent our world.
The reputation of Elizabeth Gaskell is undergoing a renaissance as we enter the new millennium. The variety of her work and the range of her acquaintance makes her one of the most interesting literary figures of her century. This new collection of her letters illustrates the richness and diversity of her involvement in a remarkable range of social and literary activities. Out of the 270 letters included in this volume only 40 have been previously published.
Married in 1672, at 19, to Louis XIV's bisexual brother, the Duke of Orleans, Liselotte began her voluminous and fascinating correspondence from the Court of Versailles which she continued until her death 50 years later, making her the greatest chronicler of her day.