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Nineteenth Century Short Title Catalogue Extracted from the Catalogues of the Bodleian Library, the British Library, the Library of Trinity College (Dublin), the National Library of Scotland, and the University Libraries of Cambridge and Newcastle: Phase 1: 1816-1870. v.15. Fort - Fyv and Indexes for volumes 11-15. v.20. Hor-Hunt, W. R. and Indexes for v. 16-20. v.21. Hunten-Jero. v.22. Jerp-Kief. v.23. Kieg-Lecom. v.24. Lecon-Lorc. v.25. Lord-Maccaul and Indexes for volumes 21-25

Published: 1993

Total Pages: 626


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Frederick Law Olmsted (1822-1903) is best known for designing parks in Manhattan, Brooklyn, Chicago, Boston, and the grounds of the Capitol in Washington. But before he embarked upon his career as the nation's foremost landscape architect, he was a correspondent for theNew York Times, and it was under its auspices that he journeyed through the slave states in the 1850s. His day-by-day observations--including intimate accounts of the daily lives of masters and slaves, the operation of the plantation system, and the pernicious effects of slavery on all classes of society, black and white--were largely collected in The Cotton Kingdom. Published in 1861, just as the Southern states were storming out of the Union, it has been hailed ever since as singularly fair and authentic, an unparalleled account of America's "peculiar institution."
Alice Dunbar Nelson was a social activist and reformer, journalist and poet. She was one of the first generation of free born African Americans after the Civil War. Most of her writing involves the crossing of the white and black color lines, and she was an important writer associated with the Harlem Renaissance, along with W. E. B. DuBois, Zora Neale Hurston, Langston Hughes, Nella Larson, George Schuyler, and Alain Locke. In this article Dunbar-Nelson examines slavery, the status of gens de couleur Louisiana society, and the role of people of color in the United States Civil War.
Special Envoy of Figaro, Felix Dubois, left Dakar in 1896 and traveled into Mali by train to the end of the line (just after Kayes), and then on foot and horseback to Bamako and in pinnace from Koulikoro to Timbuktu. He describes Bamako, Segou but extremely long Djenne and Timbuktu, focusing on economic and cultural activities, collecting manuscripts and bringing a unique iconography (including photos of Fort Segou, a plan and reconstruction of the old mosque Jenne already been lost and not rebuilt); fundamental evidence on Mali in the early hours of colonization. Dubois resumed (from North) this journey of 15 years later and thus engaged in an assessment of changes. The merit of Felix Jones is to have transcribed the path to that goal, in a masterly text drawn from the sources of the bush, heat and space. His style made great reporter of the late nineteenth century, teeming with anecdotes. With the text researched and documented, it earned him then to be crowned by the French Academy.