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By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition. The analysis presented here challenges received opinion that a collaborative work is only a joint effort of artists working together on a single monument by demonstrating that the participation of patrons and middlemen can also shape the final appearance of a work of art. Furthermore, this book shows that the strategic use of collaboration served the goal of competition by helping to establish foreign artists in the London art market and suggests that their coping strategies have implications for the study of immigrant behaviors today.
There are few women in English history more famous or controversial than Queen Anne Boleyn. She was the second wife of Henry VIII, mother of Elizabeth I and the first English queen to be publicly executed. Much of what we think we know about her is colored by myth and legend, and does not stand up to close scrutiny. Reinvented by each new generation, Anne is buried beneath centuries of labels: homewrecker, seductress, opportunist, witch, romantic victim, Protestant martyr, feminist. In this vivid and engaging account of the triumphant and harrowing final year of Queen Anne Boleyn’s life, the author reveals a very human portrait of a brilliant, passionate and complex woman. The last twelve months of Anne’s life contained both joy and heartbreak. This telling period bore witness to one of the longest and most politically significant progresses of Henry VIII’s reign, improved relations between the royal couple, and Anne’s longed-for pregnancy. With the dawning of the new year, the pendulum swung. In late January 1536, Anne received news that her husband had been thrown from his horse in his tiltyard at Greenwich. Just days later, tragedy struck. As the body of Anne’s predecessor, Katherine of Aragon, was being prepared for burial, Anne miscarried her son. The promise of a new beginning dashed, the months that followed were a rollercoaster of anguish and hope, marked by betrayal, brutality and rumour. What began with so much promise, ended in silent dignity, amid a whirlwind of scandal, on a scaffold at the Tower of London. Through close examination of these intriguing events considered in their social and historical context, readers will gain a fresh perspective into the life and death of the woman behind the tantalising tale. "Natalie Grueninger skilfully unravels the myths surrounding Anne Boleyn’s downfall, and presents the most compelling account of her final months to date. A Triumph.” - Dr Owen Emmerson, Historian and Assistant Curator, Hever Castle "A heart-stirring account of Anne Boleyn's last living year. Researched flawlessly, the events are revealed in a compelling read; little-known facts adding to the tension which builds toward an emotional end. A must-read for fans and students of Tudor history." - S.V author of Anne Boleyn's Letter From the Tower; A New Assessment "Genuinely ground-breaking, provocative yet sensitive, exquisitely well-researched and fair - both to Anne's friends and enemies - Natalie Grueninger's book shows us the complexities, and the secrets, that wove together during Anne Boleyn's final twelve months as queen. This is an exciting and important book of Tudor history." - Gareth Russell, Historian and author of The Ship of Dreams and Young and Damned and Fair “Astonishingly well-researched, 'The Final Year of Anne Boleyn' triumphantly re-writes the fall of one of England's most famous queen consorts, shedding new light on a well-known story. A riveting and emotional read.” - Kate McCaffrey, Assistant Curator, Hever Castle
The powerful and moving story of three royal mothers whose quest for power led to the downfall of their daughters. Queen Isabella of Castile, Empress Maria Theresa of Austria, and Queen Victoria of England were respected and admired rulers whose legacies continue to be felt today. Their daughters—Catherine of Aragon, Queen of England; Queen Marie Antoinette of France; and Vicky, the Empress Frederick of Germany—are equally legendary for the tragedies that befell them, their roles in history surpassed by their triumphant mothers. In Triumph's Wake is the first book to bring together the poignant stories of these mothers and daughters in a single narrative. Isabella of Castile forged a united Spain and presided over the discovery of the New World, Maria Theresa defeated her male rivals to claim the Imperial Crown, and Victoria presided over the British Empire. But, because of their ambition and political machinations, each mother pushed her daughter toward a marital alliance that resulted in disaster. Catherine of Aragon was cruelly abandoned by Henry VIII who cast her aside in search of a male heir and tore England away from the Pope. Marie Antoinette lost her head on the guillotine when France exploded into Revolution and the Reign of Terror. Vicky died grief-stricken, horrified at her inability to prevent her son, Kaiser Wilhelm, from setting Germany on a belligerent trajectory that eventually led to war. Exhaustively researched and utterly compelling, In Triumph's Wake is the story of three unusually strong women and the devastating consequences their decisions had on the lives of their equally extraordinary daughters.