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New Perspectives on James Joyce Ignatius Loyola, make haste to help me! gathers a selection of papers delivered at the 20th Conference of the James Joyce Spanish Society. The book includes studies on relevant issues still raised by Joyce’s work, such as Joyce’s handling of time and memory, Joyce and the Jesuits, Joyce and literary connections, Joyce in translation, new eco-critical readings of Joyce’s work, Joyce in the light of textual linguistics or how to render Joyce more accessible.
All her life, May Sarton carried on a voluminous private correspondence with family, friends, and lovers. Early childhood into middle age covers topics of theater, study, travel, teaching, and the anguish as World War II approaches. Later joys of flowers, affection for animals, and illustrious acquaintances and intimates both here and abroad are shown.
Twentieth-century Irish fiction powerfully reflects the intensely political nature of the Irish experience for the last hundred years, and earlier. The essays in Troubled Histories, Troubled Fictions: Twentieth Century Anglo-Irish Prose focus upon the various ways in which the work of authors otherwise as diverse as James Joyce, James Stephens, Elizabeth Bowen, Molly Keane, Eimar O'Duffy, Jennifer Johnston, William Trevor, Julia O'Faolain, and a number of recent women writers, synchronizes with items that are, or were, high on the agenda of Irish politics. Discussion ranges from the political and ideological use to which Joyce puts etymology, sex, and early Irish history, the symbolical importance of the Big House, and the politics of sexuality in the immediate post-independence period, to representations of the recent Troubles.
This is a critical survey of the fiction and non-fiction written in Ireland during the key years between 1880 and 1920, or what has become known as the Irish Literary Renaissance. The book considers both the prose and the social and cultural forces working through it.
No one interested in Irish studies during the past 30 years will have missed the work of Patrick Rafroidi. Whether it be romantic poets or the contemporary novel or theatre and drama, he had much to say that was provocative, lively and always readable. His contribution to Irish studies was not only scholarly in the best and most strenuous sense but also generous, lighthearted and enlivening. Because he was such a friend to the Irish, the memory of Patrick Rafroidi well suits the general theme of this book.