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"When, thirty-five years ago, the Lincoln Centennial Association of Springfield, Illinois changed its character from a local organization celebrating Lincoln's birthday with an annual banquet to a research organization, the first project undertaken was an attempt to discover where Lincoln was and what he did every day of his life. In 1926 the pioneering result, a slim pamphlet, now a collector's item, Lincoln in the Year 1858, was published. Six others appeared at regular intervals (1859 and 1860 in 1927, 1854 in 1928, 1855 in 1929, 1856 and 1857 in 1930) ... The seven pamphlets, revised, were brought together in 1933 in Lincoln 1854-1861, Being the Day-by-Day Activities of Abraham Lincoln from January 1, 1854 to March 4, 1861, by Paul M. Angle, executive secretary of the Abraham Lincoln Association. The following eight years carried the chronology back to Lincoln's birth with three more volumes -- Lincoln 1847-1853 by Benjamin P. Thomas, 1936; and Lincoln 1840-1846 and Lincoln 1809-1839 by Harry E. Pratt, 1939 and 1941 -- and the series became known as one of the most useful reference works in the entire range of Lincoln scholarship. Lincoln's daily activities were chronicled by using every authentic source. In the resulting mountain of material, three sources proved most fruitful: Lincoln's writings; newspapers; and Illinois court records. The opening of the Robert Todd Lincoln Papers in July, 1947, provided much new material, and The Collected Works of Abraham Lincoln, in nine volumes, appearing in 1953, almost doubled the number of known compositions from Lincoln's pen. Revising and reprinting the chronology was a project often discussed by Abraham Lincoln Association officials, but never accomplished, as the undertaking would be large and expensive, particularly if carried through Lincoln's years as President. The Lincoln Sesquicentennial Commission, after considering other possibilities, recognized the revision and enlargement of Lincoln Day-by-Day as a research tool indispensable to future generations of students. It is singularly appropriate that an idea conceived by an organization formed to celebrate Lincoln's Centennial should be completed by an agency created by Congress to celebrate Lincoln's Sesquicentennial. The Abraham Lincoln Association generously transferred its copyright to the Commission"--Preface.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
'Not tonight, darling, I've got a headache...' An estimated one in three couples suffer from problems associated with one partner having a higher libido than the other. Marriage therapist Michele Weiner Davis has written THE SEX-STARVED MARRIAGE to help couples come to terms with this problem. Weiner Davis shows you how to address pyschological factors like depression, poor body image and communication problems that affect sexual desire. With separate chapters for the spouse that's ready for action and the spouse that's ready for sleep, THE SEX-STARVED MARRIAGE will help you re-spark your passion and stop you fighting about sex. Weiner Davis is renowned for her straight-talking style and here she puts it to great use to let you know you're not alone in having marital sex problems. Bitterness or complacency about ho-hum sex can ruin a marriage, breaking the emotional tie of good sex.