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Historical events of the last three centuries come alive through these women’s singular correspondences—often their only form of public expression. In 1775, Rachel Revere tries to send financial aid to her husband, Paul, in a note that is confiscated by the British; First Lady Dolley Madison tells her sister about rescuing George Washington’s portrait during the War of 1812; one week after JFK’s assassination, Jacqueline Kennedy pens a heartfelt letter to Nikita Khrushchev; and on September 12, 2001, a schoolgirl writes a note of thanks to a New York City firefighter, asking him, “Were you afraid?” The letters gathered here also offer fresh insight into the personal milestones in women’s lives. Here is a mid-nineteenth-century missionary describing a mastectomy performed without anesthesia; Marilyn Monroe asking her doctor to spare her ovaries in a handwritten note she taped to her stomach before appendix surgery; an eighteen-year-old telling her mother about her decision to have an abortion the year after Roe v. Wade; and a woman writing to her parents and in-laws about adopting a Chinese baby. With more than 400 letters and over 100 stunning photographs, Women’s Letters is a work of astonishing breadth and scope, and a remarkable testament to the women who lived–and made–history. From the Hardcover edition.
Rachel May’s rich new book explores the far reach of slavery, from New England to the Caribbean, the role it played in the growth of mercantile America, and the bonds between the agrarian south and the industrial north in the antebellum era—all through the discovery of a remarkable quilt. While studying objects in a textile collection, May opened a veritable treasure-trove: a carefully folded, unfinished quilt made of 1830sera fabrics, its backing containing fragile, aged papers with the dates 1798, 1808, and 1813, the words “shuger,” “rum,” “casks,” and “West Indies,” repeated over and over, along with “friendship,” “kindness,” “government,” and “incident.” The quilt top sent her on a journey to piece together the story of Minerva, Eliza, Jane, and Juba—the enslaved women behind the quilt—and their owner, Susan Crouch. May brilliantly stitches together the often-silenced legacy of slavery by revealing the lives of these urban enslaved women and their world. Beautifully written and richly imagined, An American Quilt is a luminous historical examination and an appreciation of a craft that provides such a tactile connection to the past.
A fine biography. [It] is a most satisfying book and an important contribution to South African scholarship. CAPE TIMES Scottish poet, fighter for human rights in the Cape Colony, and abolitionist, reveals the role this key Enlightenment figure played in Africa and Britain. This biography of Thomas Pringle (1789-1834), poet, fighter for human rights in the Cape Colony, and abolitionist, reveals the role this key Enlightenment figure played in Africa and Britain. Honoured in South Africa as 'the father of South African English poetry', for his part in achieving a free press, for his fight for the settlers' rights in the colony, in Scotland as the founding editor of Blackwood's Magazine, and in England as instrumental inbringing in abolition, Thomas Pringle has not yet had the attention he deserves. Born on the Scottish Borders, Pringle entered literary life in late Englightenment Edinburgh, but in 1820 led a party of settlers to theCape Colony. After running a school, launching a literary journal and co-editing the Cape's first independent newspaper, he formed a group to fight for democratic rights for both the settlers and the dispossessed indigenous people. His biography reveals the important part he played in the literary and political world across two continents, and in championing the Khoisan and the increasingly dispossessed Nguni people. On returning to England he became Secretary of the Anti-Slavery Society, and on 15 June 1834 announced the implementation of abolition. After actively opposing the apartheid government in South Africa Randolph Vigne worked in exile as a London publisher andlatterly, in Britain and South Africa, as author and editor of European and African historical studies. Southern Africa (South Africa, Botswana, Namibia, Lesotho, Swaziland, Zambia and Zimbabwe): UCT Press
The Second World War in Yugoslavia is notorious for the brutal struggle between the armed forces of the Third Reich and the communist-led Partisans. Less known is the fact that the two sides negotiated prisoner exchanges throughout the war. Under extraordinary circumstances, these early communications evolved into a formal exchange agreement centered on the creation of a neutral zone—quite possibly the only such area in occupied Europe—where prisoners were regularly exchanged until late April 1945, saving thousands of lives. The leadership on both sides used these points of contact to hold secret political talks, for which they were nearly branded as traitors by their superiors in Berlin and Moscow. Parleying with the Devil is the first comprehensive analysis of prisoner exchanges and the attendant contacts between the German occupation authorities and the Yugoslav Partisans. Trifković argues that prisoner exchange had a decisive influence on prisoner of war policies on both sides and helped reduce the levels of violence for which this theater of war became infamous. Parleying with the Devil reveals that these points of contact, contrary to some claims, did not lead to collusion between these two parties against other Yugoslav factions or the Western Allies.
Herbert Read (1893–1968) acquired in his lifetime a considerable international reputation in all the major areas of his diverse activities: as poet, as educationalist, as anarchist, as philosopher (of aesthetics), as art critic, as historian of, and above all, as propagandist for modern art and design. The papers assembled in Herbert Read Reassessed offer a comprehensive and authoritative coverage of Read’s life work that is designed to stimulate debate. "An impressive volume... it manages to present a unified but not totalizing portrait of one of England’s most distinguished twentieth-century critics."—English Historical Review