Download Free Letters From The South Volume Book in PDF and EPUB Free Download. You can read online Letters From The South Volume and write the review.

"Immediate and evocative, letters witness and fasten history, catching events as they happen," write Lisa Grunwald and Stephen J. Adler in their introduction to this remarkable book. In more than 400 letters from both famous figures and ordinary citizens, Letters of the Century encapsulates the people and places, events and trends that shaped our nation during the last 100 years. Here is Mark Twain's hilarious letter of complaint to the head of Western Union, an ecstatic letter from a young Charlie Chaplin upon receiving his first movie contract, Einstein's letter to Franklin Roosevelt warning about atomic warfare, Mark Rudd's "generation gap" letter to the president of Columbia University during the student riots of the 60s, and a letter from young Bill Gates imploring hobbyists not to share software so that innovators can make some money... In these pages, our century's most celebrated figures become everyday people and everyday people become part of history. Here is a veteran's wrenching letter left at the Vietnam Wall, a poignant correspondence between two women trying to become mothers, a heart-breaking letter from an AIDS sufferer telling his parents how he wants to be buried, an indignant e-mail from a PC user to his on-line server... "Letters," write Grunwald and Adler, "give history a voice." Arranged chronologically by decade, illustrated with over 100 photographs, Letters of the Century creates an extraordinary chronicle of our history, through the voices of the men and women who have lived its greatest moments.
In April 1861, Dick and Tally Simpson, sons of South Carolina Congressman Richard F. Simpson, enlisted in Company A of the Third South Carolina Volunteers of the Confederate army. Their letters home--published here for the first time--read like a historical novel, complete with plot, romance, character, suspense, and tragedy. In their last year of college when the war broke out, Dick and Tally were hastily handed their diplomas so they could volunteer for military duty. Dick was twenty; Tally was twenty-two. Well educated, intelligent, and thoughtful young men, Dick and Tally cared deeply for their country, their family, and their comrades-in-arms and wrote frequently to their loved ones in Pendleton, South Carolina, offering firsthand accounts of dramatic events from the battle of First Manassas in July 1861 to the battle of Chickamauga in September 1863. Their letters provide a picture of war as it was actually experienced at the time, not as it was remembered some twenty or thirty years later. It is a picture that neither glorifies war nor condemns it, but simply "tells it like it is." Written to a number of different people, the boys' letters home dealt with a number of different subjects. Letters to "Pa" went into great detail about military matters in Lee's Army of Northern Virginia--troop movements, casualties, and how well particular units had fought; letters to "Ma" and sisters Anna and Mary were about camp life and family friends in the army and usually included requests for much-needed food and clothing; letters to Aunt Caroline and her daughter Carrie usually concerned affairs of the heart, for Aunt Caroline continued to be Dick and Tally's trusted confidante, even when they were "far, far from home." The value of these letters lies not so much in the detailed information they provide as in the overall picture they convey--a picture of how one Southern family, for better or for worse, at home and at the front--coped with the experience of war. These are not wartime reminiscences, but wartime letters, written from the camp, the battlefield, the hospital bed, the picket line--wherever the boys happened to be when they found time to write home. It is a poignant picture of war as it was actually experienced in the South as the Civil War unfolded.
John G. Paton: Missionary to the New Hebrides is a missionary classic. In this companion volume, Margaret Whitecross Paton gives an enthralling account of missionary life in the New Hebrides from the 1860s to the 1890s. The steady advance of the gospel in the islands is vividly described, and the whole account is set against the background of the joys and sorrows of family life. Margaret Paton writes with rare grace, humour and pathos. Letters from the South Seas is an inspiring story, full of the triumphs of Christian faith and love, and a missionary classic in its own right- a book to prize. Margaret Whitecross Paton was the second wife of the pioneer missionary to the New Hebrides, John G. Paton. She was the daughter of the Rev. John Whitecross whose work The Shorter Catechism Illustrated was republished by the Trust. A gifted writer, musician and artist, she died in 1905.
Pensive, mercurial, and often funny, the private Robert Frost remains less appreciated than the public poet. The Letters of Robert Frost, the first major edition of the correspondence of this complex and subtle verbal artist, includes hundreds of unpublished letters whose literary interest is on a par with Dickinson, Lowell, and Beckett.
The Leverett's nine children wrote home frequently as they ventured from their South Carolina plantation to college, postgraduate study, travel in Europe and service in the Confederate Army. The 230 letters here paint a portrait of Southern life from the late antebellum era into Reconstruction.
The revolution in typesetting - a revolution that over the past two decades has eliminated a five-hundred-year-old system of hot metal production and replaced it with one of photo-generated and computer-driven composition - shows no sign of winding down. This book, more than any other we know, traces the steps that went into that revolution and simultaneously makes the argument that the letter forms themselves are in process of evolution. Tracy argues that, whether they are of the sixteenth or the twentieth century, the forms that comprise our alphabet are subject to the same rules of good taste, proportion, and clarity that have always obtained. But what we face today is vastly different from fifty years ago. For the first time, new technology has made the proliferation (and, as some would maintain, debasement) of letter forms fast and easy (or quick and dirty.) With fifty years of professional experience on both sides of the Atlantic (including thirty years as head of type design for the British Linotype Company), Tracy is in a unique position to make this argument and arrive at his sad conclusion: the design of distinguished, contemporary typefaces is far outnumbered by the mediocre and downright bad. Part of the reason for this deplorable deterioration is a lack of critical analysis of the particular esthetics involved. This step-by-step examination of type-design esthetics is precisely what Tracy provides here, while avoiding both the promoter's hype and the manufacturer's claims. Here are the gut issues of what makes type good or bad, legible or unreadable. Extensively illustrated with both typefaces and line drawings, this book belongs on the shelf of anyone interested in thehistory of letters or in the artistry and peculiar problems that lie behind their production.
A History of the Literature of the U.S. South provides scholars with a dynamic and heterogeneous examination of southern writing from John Smith to Natasha Trethewey. Eschewing a master narrative limited to predictable authors and titles, the anthology adopts a variegated approach that emphasizes the cultural and political tensions crucial to the making of this regional literature. Certain chapters focus on major white writers (e.g., Thomas Jefferson, William Faulkner, the Agrarians, Cormac McCarthy), but a substantial portion of the work foregrounds the achievements of African American writers like Frederick Douglass, Zora Neale Hurston, and Sarah Wright to address the multiracial and transnational dimensions of this literary formation. Theoretically informed and historically aware, the volume's contributors collectively demonstrate how southern literature constitutes an aesthetic, cultural and political field that richly repays examination from a variety of critical perspectives.
The author moved to New Orleans January 1, 2000 and had moved away before Hurricane Katrina. This book began with the letters he wrote to friends about his life as he lived it in New Orleans and what he learned of the city and its people.