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Published in London just as the idea of an “American” was becoming a reality, Letters introduced Europeans to America’s landscape, customs, and then-new people. Moore’s reader’s edition situates these twelve letters, which shift from hope to disillusion, in the context of thirteen other essays representative of Crèvecoeur’s writings in English.
America’s physical and cultural landscape is captured in these two classics of American history. Letters provides an invaluable view of the pre-Revolutionary and Revolutionary eras; Sketches details in vivid prose the physical setting in which American settlers created their history. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
An agricultural revolution is sweeping the land. Appreciation for high-quality food, often locally grown, an awareness of the fragility of our farmlands, and a new generation of young people interested in farming, animals, and respect for the earth have come together to create a new agrarian community. To this group of farmers, chefs, activists, and visionaries, Letters to a Young Farmer is addressed. Three dozen esteemed leaders of the changes that made this revolution possible speak to the highs and lows of farming life in vivid and personal letters specially written for this collaboration. Barbara Kingsolver speaks to the tribe of farmers—some born to it, many self-selected—with love, admiration, and regret. Dan Barber traces the rediscovery of lost grains and foodways. Michael Pollan bridges the chasm between agriculture and nature. Bill McKibben connects the early human quest for beer to the modern challenge of farming in a rapidly changing climate. Letters to a Young Farmer is a vital road map of how we eat and farm, and why now, more than ever before, we need farmers.
Crevecoeur's Books Outline The Steps Through Which New Immigrants Passed, Analyze The Religious Problems Of The New World, Describe The Life Of The Whalers Of Nantucket, Reveal Much About The Indians And The Horrors Of The Revolution, And Present The Colonial Farmer - His Psychology And His Daily Existence. His Charming Style, Keen Eye, And Simple Philosophy Are Universally Admired.
18th-century classic detailing seafaring life in New England and plantation culture in the South also provided Old World readers with first major impressions of American landscapes, people, and institutions.
Before storms that can destroy his crops in an instant, the farmer stands implacable. To fluctuations in temperature that can deprive his children of their future, the farmer pays no heed. Every day the elements remind him that his future is secure only through constant effort. Like the creepers and crawlers he seeks to eradicate, the farmer toils away in the lush anonymity of his grid of vines, his tradition one of impervious resolve.
"In his final book of essays - completed just weeks before he died - self-described "contrary farmer" Gene Logsdon addresses the next generation of small-scale "garden farmers" seeking a better way of life."--
“The Contrast“, which premiered at New York City's John Street Theater in 1787, was the first American play performed in public by a professional theater company. The play, written by New England-born, Harvard-educated, Royall Tyler was timely, funny, and extremely popular. When the play appeared in print in 1790, George Washington himself appeared at the head of its list of hundreds of subscribers. Reprinted here with annotated footnotes by historian Cynthia A. Kierner, Tyler’s play explores the debate over manners, morals, and cultural authority in the decades following American Revolution. Did the American colonists' rejection of monarchy in 1776 mean they should abolish all European social traditions and hierarchies? What sorts of etiquette, amusements, and fashions were appropriate and beneficial? Most important, to be a nation, did Americans need to distinguish themselves from Europeans—and, if so, how? Tyler was not the only American pondering these questions, and Kierner situates the play in its broader historical and cultural contexts. An extensive introduction provides readers with a background on life and politics in the United States in 1787, when Americans were in the midst of nation-building. The book also features a section with selections from contemporary letters, essays, novels, conduct books, and public documents, which debate issues of the era.
Two series of letters described as "the wellsprings of nearly all ensuing debate on the limits of governmental power in the United States" address the whole remarkable range of issues provoked by the crisis of British policies in North America out of which a new nation emerged from an overreaching empire. Forrest McDonald is Professor Emeritus of American History at the University of Alabama and author of States' Rights and the Union.