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My father, Francis Gary Powers, was a CIA U-2 pilot who was shot down in the midst of the Cold War, on May 1, 1960, while flying in Soviet airspace. After his capture, he was tried for espionage and then served nearly two years in a Soviet prison until his eventual release in exchange for Soviet Colonel Rudolf Abel, a senior KGB spy who was caught in the United States in the late 1950s. The two operatives were brought to separate sides of the Glienicker Bridge in Potsdam, Germany, as depicted in Steven Spielberg's motion picture Bridge of Spies, where the exchange took place. While in prison my father kept a personal journal and was allowed to write and receive personal correspondence. In this book are the never-before published journal of my father's thoughts as a Prisoner of War, along with more than 150 personal letters written and received by my father during his captivity.
Consisting Of Reprints Of Documents By Political Prisoners In Soviet Prisons, Prison Camps And Exile, And Reprints Of Affidavits Concerning Political Persecution In Soviet Russia, Official Statements By Soviet Authorities, Excerpts From Soviet Laws Pertaining To Civil Liberties, And Other Documents. Introductory Letters Include Those By: Einstein, Emma Goldman, Sinclair Lewis, Upton Sinclair, Bertrand Russell, Harold Laski, Karl Capek, Maeterlinck, H. G. Wells, Rebecca West, Others.
A profoundly moving and historical record—letters sent by sixteen fathers imprisoned in the Gulag camps to their children during the 1930s–1950s. “They will live as human beings and die as human beings; and in this alone lies man’s eternal and bitter victory over all the grandiose and inhuman forces that ever have been or will be.” —Vasily Grossman, Life and Fate Between the 1930s and 1950s, millions of people were sent to the Gulag in the Soviet Union. My Father’s Letters tells the stories of sixteen men—mostly members of the intelligentsia, and loyal Soviet subjects—who were imprisoned in the Gulag camps, through the letters they sent back to their wives and children. Here are letters illustrated by fathers keen to educate their children in science and natural history; the tragic missives of a former military man convinced that the terrible mistake of his arrest will be rectified; the “letter” stitched on a bedsheet with a fishbone and smuggled out of a maximum security camp. My Father’s Letters is an immediate source of life in prison during Stalin’s Great Terror. Almost none of the men writing these letters survived. “My Father’s Letters is well presented and deeply moving. The translation is fluent and all the necessary background information is clearly provided. Some passages conjure up the life of an individual family—and of an entire culture—with heart-breaking vividness.” —Robert Chandler “Astoundingly, these stories are not miserable. Yes, the men mention their inadequate shelter, clothing and food, but the overwhelming impact is the expression of their love for their families . . . My Father’s Letters is beautifully produced.” —Vin Arthey, Scotsman
He was a suspected Cold War spy. She became the glamorous KGB double agent in a Bond movie. When a prisoner writes to a movie star, the best he can hope for is a signed photo. But when Alex wrote to Fiona she was beguiled by the artistry of his letters and poems. In this heartfelt memoir, the author recalls-for the first time-her 12 year correspondence with Prisoner 789959 Alexander Alexandrowicz-including his wise counsel about her marriage, divorce and career at the forefront of cinema, TV and theatre. Based on their original letters, the narrative is one of contrasts-about a man in the darkest days of prolonged incarceration and a woman surrounded by the brightest lights imaginable. Shocked by his long sentence, Alex protested his innocence and railed against the system, often from solitary confinement-whilst Fiona Fullerton roamed the world, a celebrity nomad. Dear Fiona is the true story of how two people from social extremes forged a 30 year bond of friendship. It also tells of how they came to rely on each other and the author's search for him after he disappeared. 'Have you ever heard of Nadejda Philaretovna von Meck? She and Tchaikovsky were corresponding for years, they never met-and yet he produced his finest work for her. My finest work shall be for you... It is you alone who has given me strength while I have been in prison, the strength to restore lost and dying hope into burning resolution'. 'Yes, the bond between us will get stronger, Alex. It will never die now. I'll always be here when you need me. I need you too...' Reviews 'Wonderful, fascinating, fantastic' Aled Jones, Good Morning Sunday, BBC Radio 2. 'Poignant, tender and informative, Dear Fiona: Letters from a suspected Soviet Spy is a wonderful collection of letters between two people who, through the power of words, set out to make life that little bit more bearable when darkness called. A powerful and engaging narrative helps showcase the immeasurable talent Alex Alexandrowicz is' www.MiloRambles.com 'Compelling, gripping, moving, insightful' Erwin James, Guardian correspondent. 'Makes for compulsive reading' Edward Fitzgerald CBE QC 'A very moving book' John Hostettler
This engrossing collection of prison memoirs by Russian women is the first to portray the direct experiences of the wide range of women who were incarcerated in Soviet prisons and camps. Comprising the stories of women from all classes and backgrounds, this book covers the entire span of the Gulag's existence from the 1920s to the 1980s, including the little-known periods of political repression of the 1960s and 1980s. These memoirs and letters provide a rich portrait of how women led everyday life in prison and in the camps, of the strategies of accommodation and resistance they employed, and the challenges they faced when they reentered Soviet society. Although readers will hear the voices of women who were in excruciating physical and emotional pain, they will also find remarkable testimonies to the agency and resilience of women who struggled against incredible odds. Written by women from all stations in life and from drastically different backgrounds, these stories reconstruct not only the world of the Gulag but also its meaning for society at large. The documents excerpted here point to areas of Soviet history and culture that have yet to be fully investigated as they illuminate women's experiences of friendship, work, hope, inspiration, loss, and terror. All the works selected for the collection are united by their authors' sense of group and individual identity. To varying degrees, all of them associate their experiences with events and people beyond their personal experiences and immediate surroundings, thus expanding the traditional perspective of women's writing. These riveting stories, never before published in English or Russian, will appeal to scholars and students of Soviet history and literature, as well as general readers interested in women's history.
A poignant collection of letters written by the Latvian poet, novelist, and newspaper editor Arsenii Formakov while interned in Soviet labor camps Emily Johnson has translated and edited a fascinating collection of letters written by Arsenii Formakov, a Latvian Russian poet, novelist, and journalist, during two terms in Soviet labor camps, 1940 to 1947 in Kraslag and 1949 to 1955 in Kamyshlag and Ozerlag. This correspondence, which Formakov mailed home to his family in Riga, provides readers with a firsthand account of the workings of the Soviet penal system and testifies to the hardships of daily life for Latvian prisoners in the Gulag.
Among the voices that speak to us from Poland today, the most important may be that of Adam Michnik. Michnik now sits in a jail belonging to the totalitarian regime, yet his first concern--and herein lies one of the keys to his thinking, and one should add, to his character--is with the quality of his own conduct, which, together with teh conduct of other victims of the present situation, will, he is sure, one day set the tone for whatever political system follows the totalitarian debacle. His essays are the most valuable guide we have to the origins of the revolution, and, more particularly, to its innovative practices.
Cultural Writing. Translation. Translated from the Czech and Slovak by Gerald Turner. Foreword by Vaclav Havel. The letters printed in this volume were written during Milan Simecka's stay in prison (the author's crime: smuggling his texts out of the country to be published abroad.) Not allowed to mention politics, Simecka--one of the most widely translated dissidents opposing the Communist regime in the former Czechoslovakia--wrote instead about people and human relations. The selection presented here contains philosophical reflections as well as practical advice for his wife and sons, bearing witness to both his attitude towards others and to the period in which he lived. Similar to Vaclav Havel's Letters to Olga, Simecka's LETTERS FROM PRISON give us a glimpse into the difficult struggle undertaken by Czechoslovak dissidents in opposition to a Soviet-style regime that was considered the most hard-line in Eastern Europe.
The Russian oil mogul and activist offers reflections on his decades-long incarceration under Putin in this “illuminating and brave” prison memoir (The Washington Post). Mikhail Khodorkovsky was Russia’s most successful businessman—and an outspoken critic of the Kremlin. As his oil company Yukos revived the Russian oil industry, Khodorkovsky began sponsoring programs to encourage civil society and fight corruption. Then he was arrested at gunpoint. Sentenced to ten years in a Siberian penal colony on fraud and tax evasion charges in 2003, Khodorkovsky was put on trial again in 2010 and sentenced to fourteen years on new charges that contradicted the previous ones. While imprisoned, Khodorkovsky fought for the rights of his fellow prisoners, going on hunger strike four times. After he was pardoned in 2013, he vowed to continue fighting for prisoners’ rights, and this book is dedicated to that work. A moving portrait of the prisoners Khodorkovsky met, My Fellow Prisoners is an eye-opening account of Russia’s brutal prison system. “Vivid, humane and poignant” —Financial Times
Helga Rist tells her story of survival in post-World War 2 Soviet prisons in East Germany, behind the Iron Curtain. Captive for over seven years, Helga was incarcerated for being accused of associating with anti-Communist elements in the Soviet-occupied territory. Typical prison stories from the era deal with the Jewish holocaust. Helga's was a different tale as a political prisoner. Her will to live was kept alive by slowly penning a letter home to her family using her own blood pricked from her finger. The letter was not delivered until she finally gained her freedom.