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Go glamping without the threat of unpredictable weather and nasty creepy crawlies, and instead crochet your own adorable camping scene that will keep any child entertained for hours and celebrate all that is great about camping. Reminiscent of vintage camping memorabilia, you can create a nostalgic collection of crochet projects encompassing all aspects of outdoor life. With mix and match projects ranging from vintage caravans and ice cream trucks, to tents and teepees with all the camping paraphernalia of sleeping bags, backpacks and a log fire, as well as mountain and forest scenery you can create your own outdoor world. Or why not craft an alternative camping scene with a classic narrow boat, or a wooden lakeside cabin which can open up to reveal immaculately decorated insides. Instructions for playmats will give children a fantastic base for playing, allowing them to create games and stimulate their own imagination.
In Two Months in the Camp of Big Bear, the accounts of Theresa Delaney and Theresa Gowanlock were made to conform to the literary convention of the "Indian captivity narrative." Sarah Carter's scholarly introduction provokes a careful reconsideration of the text.
The Creator sat upon the throne, thinking. Behind him stretched the illimitable continent of heaven, steeped in a glory of light and color; before him rose the black night of Space, like a wall. His mighty bulk towered rugged and mountain-like into the zenith, and His divine head blazed there like a distant sun. At His feet stood three colossal figures, diminished to extinction, almost, by contrast -- archangels -- their heads level with His ankle-bone. When the Creator had finished thinking, He said, "I have thought. Behold!" He lifted His hand, and from it burst a fountain-spray of fire, a million stupendous suns, which clove the blackness and soared, away and away and away, diminishing in magnitude and intensity as they pierced the far frontiers of Space, until at last they were but as diamond nailheads sparkling under the domed vast roof of the universe. At the end of an hour the Grand Council was dismissed. They left the Presence impressed and thoughtful, and retired to a private place, where they might talk with freedom. None of the three seemed to want to begin, though all wanted somebody to do it.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Take a mining townlet like Woodhouse, with a population of ten thousand people, and three generations behind it. This space of three generations argues a certain well-established society. The old "County" has fled from the sight of so much disembowelled coal, to flourish on mineral rights in regions still idyllic. Remains one great and inaccessible magnate, the local coal owner: three generations old, and clambering on the bottom step of the "County," kicking off the mass below. Rule him out. A well established society in Woodhouse, full of fine shades, ranging from the dark of coal-dust to grit of stone-mason and sawdust of timber-merchant, through the lustre of lard and butter and meat, to the perfume of the chemist and the disinfectant of the doctor, on to the serene gold-tarnish of bank-managers, cashiers for the firm, clergymen and such-like, as far as the automobile refulgence of the general-manager of all the collieries.
"Naulahka" is the name Kipling gave to his home in Brattleboro, Vermont, though the Naulahka of the book title refers to a most precious jeweled necklace. It is also a story he wrote with a co-author, Wolcott Balestier, a Brattleboro man, and Kipling's brother-in-law. Balestier died of typhoid shortly after they began the collaboration, so what remains is mostly Kipling.
The Lost Girl is a novel by D. H. Lawrence, first published in 1920. It was awarded the 1920 James Tait Black Memorial Prize in the fiction category. Lawrence started it shortly after writing Women in Love, and worked on it only sporadically until he completed it in 1920.
NEW YORK TIMES BESTSELLER • “A fascinating look at how consumers perceive logos, ads, commercials, brands, and products.”—Time How much do we know about why we buy? What truly influences our decisions in today’s message-cluttered world? In Buyology, Martin Lindstrom presents the astonishing findings from his groundbreaking three-year, seven-million-dollar neuromarketing study—a cutting-edge experiment that peered inside the brains of 2,000 volunteers from all around the world as they encountered various ads, logos, commercials, brands, and products. His startling results shatter much of what we have long believed about what captures our interest—and drives us to buy. Among the questions he explores: • Does sex actually sell? • Does subliminal advertising still surround us? • Can “cool” brands trigger our mating instincts? • Can our other senses—smell, touch, and sound—be aroused when we see a product? Buyology is a fascinating and shocking journey into the mind of today's consumer that will captivate anyone who's been seduced—or turned off—by marketers' relentless attempts to win our loyalty, our money, and our minds.