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Between 1802, when the young Kentucky artist William Edward West began to paint portraits while on a downriver journey, and 1920, when the last of Frank Duveneck's students worked in Louisville, a large number of notable portrait artists were active in Kentucky and the Ohio River Valley. In Lessons in Likeness: Portrait Painters in Kentucky and the Ohio River Valley, 1802-1920, Estill Curtis Pennington charts the course of those artists as they painted a variety of sitters drawn from both urban and rural society. The work is illustrated, when possible, from The Filson Historical Society collection of some four hundred portraits representing one of the most extensive holdings available for study in the region. Portraiture involves artists and subjects, known as sitters, and is an art that combines elements of biography, aesthetics, and cultural history. Private portraits often attract an oral history that enlivens the more colorful aspects of local tradition and culture. Public portraits of towering figures such as George Washington, Henry Clay, and Abraham Lincoln were often reproduced in printed format to satisfy popular demand and subsequently attained an iconic, timeless status. Lessons in Likeness is organized in two parts. Part One, the cultural chronology, serves as a backdrop to the biographies of the portrait artists. This section identifies stylistic sources and significant historical moments that influenced the artists and their milieus. Rather than working in isolation, portrait artists were connected to the world around them and influenced by prevailing trends in their trade. Early in the nineteenth century, for instance, Matthew Jouett journeyed to Boston for study with Gilbert Stuart, and upon his return to Kentucky painted in a style that subsequently influenced an entire generation. Later artists, notably Oliver Frazer and William Edward West, studied the lessons of Thomas Sully in Philadelphia. Sully popularized the lush, warmly colored, and highly flattering style of portraiture practiced by many of the itinerant artists whose careers were facilitated by the introduction of steam and rail travel. The Civil War provoked a dramatic shift in the cultural terrain, further augmented by the rise of photography and the emergence of academic art centers. Painters who had previously worked with a master painter, or learned on their own, were now able to study at established schools, especially in Cincinnati, which became one of the leading centers for the teaching of art in late nineteenth-century America. Several of the teachers there, Frank Duveneck and Thomas Satterwhite Noble in particular, had firsthand experience with avant-garde European styles, notably the realism and naturalism practiced in Munich and Paris in the last quarter of the nineteenth century and then taught in the art schools of New York and Philadelphia. Part Two profiles the artists from this area and period who have appeared in previous art historical literature and have an identifiable body of work represented in public and private collections. Individual biographies provide details of the artists' lives, sources for further study, and locations of works in public collections.
From 1802, when the young artist William Edward West began painting portraits on a downriver trip to New Orleans, to 1918, when John Alberts, the last of Frank Duveneck's students, worked in Louisville, a wide variety of portrait artists were active in Kentucky and the Ohio River Valley. Lessons in Likeness: Portrait Painters in Kentucky and the Ohio River Valley, 1802–1920 charts the course of those artists as they painted the mighty and the lowly, statesmen and business magnates as well as country folk living far from urban centers. Paintings by each artist are illustrated, when possible, from The Filson Historical Society collection of some 400 portraits representing one of the most extensive holdings available for study in the region. This volume begins with a cultural chronology—a backdrop of critical events that shaped the taste and times of both artist and sitter. The chronology is followed by brief biographies of the artists, both legends and recent discoveries, illustrated by their work. Matthew Harris Jouett, who studied with Gilbert Stuart, William Edward West, who painted Lord Byron, and Frank Duveneck are well-known; far less so are James T. Poindexter, who painted charming children's portraits in western Kentucky, Reason Croft, a recently discovered itinerant in the Louisville area, and Oliver Frazer, the last resident portrait artist in Lexington during the romantic era. Pennington's study offers a captivating history of portraiture not only as a cherished possession but also representing a period of cultural and artistic transitions in the history of the Ohio River Valley region.
The human body is a likeness of God, its design revealing insights into the church, the “body of Christ” For bestselling author Philip Yancey, the late Dr. Paul Brand—the brilliant hand surgeon who devoted his life to the poorest people of India and Louisiana—was also a likeness of God, living the kind of Christian life that exemplified what God must have had in mind. In the Likeness of God combines the complete texts of Fearfully and Wonderfully Made and In His Image—both Gold Medallion Award–winners which together have sold more than half a million copies—into one volume. Also included for the first time are eight beautiful litanies of praise on the human body by Dr. Brand. In Fearfully and Wonderfully Made, Dr. Paul Brand and bestselling writer Philip Yancey explore the wonder of the human body and uncover the eternal statements that God has made in the very structure of our bodies. Their remarkable journey through inner space—the world of cells, systems, and chemistry—points to a still deeper unseen reality of God’s work in our lives. In His Image takes up where the first book leaves off. In five sections—Image, Blood, Head, Spirit, and Pain—the authors unlock the remarkable living lessons contained in our physical makeup.
Draw the best portraits with form and spirit. Drawing techniques from a master! Mau-Kun Yim learned to draw as the Old Masters did and believes that to render the essence of life in portrait drawing, one must continue to pursue the old ways. This philosophy and methodology relies on a holistic approach to observation, analysis and critical-thinking honed through time and patience. • Start with a solid foundation - Classical bust drawing is a must. These lessons aid in constructing volume in your drawing and introduce concepts of structure. • Move on to sketching - The best way to train your observation skills. Anatomy, value and state of mind are the focus of these lessons. • 12 step-by-step tutorials put it all together - Form and spirit combine along with more clearly defined details to bring life and dimension to your portraits. • An extensive gallery of beautifully and classically executed portraits, figures, sketches and busts serves as inspiration.
When You Can't Go Home tells the story refugees and their families alongside breath-taking portraits by artist, Karisa Keasey. For every book sold, Karisa will donate 50% of the profits to World Relief to help in their efforts with refugees. In addition to raising funds, awareness and compassion for refugees, Karisa hopes that this book will inspire readers to use their own unique gifts to make a positive impact for others in their own communities.
Open this book as an absolute beginner, and come away as a proud portrait artist. Mark and Mary Willenbrink's Absolute Beginner books have helped thousands of novices tap into their inner artists. In this book, Mark and Mary help the beginning artist take on portraits, showing that absolutely anyone can draw faces. Their encouraging, easy-to-follow instruction style makes learning fun—you'll be amazed by how quickly you achieve impressive results. Drawing Portraits for the Absolute Beginner covers everything from warming up with sketches, and capturing facial expressions, to framing your finished work. Page by page, you'll build the skills and confidence you need to draw lifelike portraits of your friends and family. What's Inside: • A simple two-stage approach to drawing portraits: sketch a likeness, then build up values to bring it to life • Step-by-step instruction for drawing eyes, noses, mouths, hairstyles, hands, glasses and other tricky elements • 13 complete demonstrations featuring a range of ages and ethnicities • Tips for evoking more personality in your portraits by using props, costumes and accessories
Drawing the human form requires a complete vocabulary of skills and techniques. In this concise guide to figure drawing, Watson teaches readers, step by step, everything they need to know to master these valuable methods. Separated into two distinct sections, "Elements of Figure Drawing" and "Drawing From the Figure," readers are treated to nearly eighty drawings, paintings, and photographs that build foundational skills and help analyze anatomy, perspective, light, shade, and composition. From the basics of posing a model and choosing the proper materials, to the importance of measurement, action, median lines, foreshortening, and more, here is an essential treasury of artistic learning and expertise.
In the ancient disciple-rabbi relationship, the disciple would follow the rabbi so closely that he would be covered in the dust kicked up from his rabbi's feet. Thousands of years later, though we walk on roads of pavement and not dust, we are still called to be disciples—to follow our Rabbi, Jesus Christ, so closely that we are covered with his life, changed, and made new. Into His Likeness provides an approachable but in-depth exploration of how to live as a disciple and experience the transformation Jesus wants to work in our lives. We might desire to live more like Christ, but we know we fall short. This book simply helps us follow those initial promptings of the Holy Spirit, so that we may more intentionally encounter Jesus anew each day and be more disposed to his grace changing us ever more into his likeness.
During what can be a demanding and confusing season of life for many women, Living Beloved offers young mothers a chance to grow in their identity as children of God simply by observing their own little ones. By examining the simple characteristics of a child—transparency, trust, joy, boldness, and more—moms will learn to see their relationship with God their Father in a new way. Author Erin Hawley encourages Christian moms to view early motherhood as a wonderful tutoring session from God, as a lesson in how to grow closer to Him and live “beloved” as His child. The biblical insights and personal stories will renew readers, help them move closer to the Lord, and enjoy life as His child during the everyday routine of mamahood. This insightful and warm-hearted book will nourish a mom’s soul as she nourishes her children. Living Beloved helps young mothers develop a stronger sense of identity as children of God, leading to renewed strength, grace, and wisdom for the journey of motherhood.
Marked by growing freedom and equality, today's families are also dogged by brokenness and loss of faith. And while the theology of marriage has developed remarkably under the impetus of the Second Vatican Council and Pope John Paul II, the theology of the family remains in its infancy, only beginning to meet the challenges of contemporary society. In Divine Likeness Marc Cardinal Ouellet points the way to a much-needed theology of the family grounded in the doctrine of the Trinity. Cardinal Ouellet understands family life to be a sacrament of Trinitarian communion, a crucial source for revealing and inspiring a new sense of God's presence in the faith community. This book will help theologians, pastors, and believers to develop fruitfully the legacy of Pope John Paul II, carrying forward the quest to let the Trinity and the family illuminate each other for the good of today's world.