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Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
On April 22, 1896, Martin Begnaud was brutally murdered in his general store in Scott Station, Louisiana. He was bound, gagged, blindfolded, stabbed more than fifty times, and robbed of over $5,000. Ten months later, after one of the most extensive manhunts in nineteenth-century Louisiana, public shock and outrage reemerged when two teenage brothers from France, Ernest and Alexis Blanc, were arrested for the crime. William Arceneaux sets the story of Begnaud's murder, the Blanc brothers' trial, and the media circus surrounding it all against the backdrop of Acadian history -- from the 1604 establishment of a French colony in the Canadian maritime provinces to the eventual creation of a "New Acadia"in South Louisiana. By intertwining a suspenseful account of this heinous crime with an exploration of the citizens it affected, No Spark of Malice provides insight into a fascinating people, place, and era.
Against the long historical backdrop of 1492, Columbus, and the Conquest, Robert Stam's wide-ranging study traces a trajectory from the representation of indigenous peoples by others to self-representation by indigenous peoples, often as a form of resistance and rebellion to colonialist or neoliberal capitalism, across an eclectic range of forms of media, arts, and social philosophy. Spanning national and transnational media in countries including the US, Brazil, Canada, France, Germany, and Italy, Stam orchestrates a dialogue between the western mediated gaze on the 'Indian' and the indigenous gaze itself, especially as incarnated in the burgeoning movement of “indigenous media,” that is, the use of audio-visual-digital media for the social and cultural purposes of indigenous peoples themselves. Drawing on examples from cinema, literature, music, video, painting and stand-up comedy, Stam shows how indigenous artists, intellectuals and activists are responding to the multiple crises - climatological, economic, political, racial, and cultural - confronting the world. Significant attention is paid to the role of arts-based activism in supporting the struggle of indigenous artistic activism, of the Yanomami people specifically, to save the Amazon forest and the planet.