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This collection of essays in English by scholars of international standing presents new insights into the contexts in which the fifteenth-century French mystères were created. It is centred upon the remarkable outburst of large-scale plays written for urban production and dealing with biblical and hagiological subjects which transformed the art of theatre in France and gave rise to a new and multi-faceted theatrical culture. Among the subjects treated are the means by which surviving texts preserve theatrical practice, and some of the ways in which the work of the principal dramatists Eustache Mercadé, Arnoul Gréban and Jean Michel interact with one another and with the work of others. The nature of some surviving texts is subjected to close scrutiny and this includes detailed work upon some manuscripts and their typology. Attention is also given to the related moralités, the convent drama, and to the large corpus of Catalan plays which deal with similar topics but in different circumstances. Further contexts are addressed through paradramatic aspects including sermons and the chansons de geste, as well as the political environment. One recurring feature is the nature and activities of ubiquitous and powerful evil characters and their theatrical and theological significance.
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Key works of popular fiction are often rewritten to capitalize on their success. But what are the implications of this rewriting process? Such is the question addressed by this detailed study of several rewritings of Eugène Sue’s Mystères de Paris (1842-43), produced in the latter half of the nineteenth century, in response to the phenomenal success of Sue’s archetypal urban mystery. Pursuing a compelling analogy between city and text, and exploring the resonance of the palimpsest trope to both, Amy Wigelsworth argues that the mystères urbains are exemplary rewritings, which shed new light on contemporary reading and writing practices, and emerge as early avatars of a genre still widely consumed and enjoyed in the 21st century.
Marianna Lanskaya termine son premier roman, en offrant un voyage, plein de suspense et de découvertes bouleversantes, et plongeant le lecteur au cœur d’une grande aventure aussi riche que passionnante...Ce livre est destiné à tous les gens qui cherchent de nouvelles inspirations pour avancer dans la vie. Ce roman peut intéresser non seulement les adolescents qui aiment les aventures surnaturelles et les jeux vidéo mais aussi toutes les femmes et les hommes romantiques sur la Terre.
PONT-SALOMON, VILLAGE-USINE DU XIXe SIECLE, BERCEAU DE LA FAUX...Nous sommes dans la vallée de la Semène. Cette rivière a longtemps été utilisée pour son énergie douce. Paradis des roues hydrauliques, la forge y est née au milieu du XIXe siècle. Sept lieux exceptionnels allaient donner jour à la commune de Pont-Salomon.Partez à la découverte de l'histoire & du patrimoine du village de Pont-Salomon, à l'aide de ce guide, qui vous entrainera dans une passionnante promenade initiatique!Ouvrage abondamment illustré en couleurs.TABLE DES MATIERES : PONT-SALOMON, SOURCE D'INSPIRATION (Renaud Aulagner) ; UN PEU D'HISTOIRE : GENESE DU VILLAGE (Joseph Gourgaud) ; UN LABORATOIRE SOCIAL (Renaud Aulagner) ; AU FIL DE LA RIVIERE (Renaud Aulagner) ; AU COEUR DE LA FORGE (Renaud Aulagner)